As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
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Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
When monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes - a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi) - who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse. Written by
Pacific Rim's Jaegers are a staple of Japanese anime, where they are often referred to as mecha. Similar to many mecha anime series, Jaegers are controlled from within by human pilots, distinguishing them from other depictions of robots as automated, sentient, or externally controlled. See more »
(at around 1h 14 mins) Gipsy Danger is said to be immune to an EMP because it is "nuclear powered" and therefore "analog". This would be nearly impossible as the two have nothing to do with one another. Most nuclear reactors have many digital parts and computers controlling them. Furthermore, the cockpit of Gipsy Danger is filled with what appear to be digital computers. See more »
When I was a kid, whenever I'd feel small or lonely, I'd look up at the stars. Wondered if there was life up there. Turns out I was looking in the wrong direction. When alien life entered our world, it was from deep beneath the Pacific Ocean. A fissure between two tectonic plates. A portal between dimensions. The Breach. I was fifteen when the first Kaiju made land in San Francisco.
By the time tanks, jets and missiles took it down, six days and 35 miles later, ...
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After all the credits have rolled, a roaring noise can be heard suggesting that one/some of the monsters are still alive. See more »
Pacific Rim takes inspiration from the elements of any material that involves giant creatures and robots. It shows a simple concept about piloted robots, Jaegers, fighting against sea aliens, Kaijus. This idea alone would already make a fantastic blockbuster. The surprise we get is it features more than just endless explosions. There are plenty of innovations to root for which it can almost be a new popular classic. The only less intriguing parts however are the clichés that are too known in many big sci-fi action movies. Despite of that, it kept the promise of being gigantically awesome. It's not completely groundbreaking, but it's still quite an experience.
Aside from the large scale battles, the film amazingly creates an innovating futuristic alternate universe. It tells the origins of the Kaijus and how the Jaegers work, shows what society and the media have become, and throw some satires of the genre. The exploration of the vision is so absorbing, it feels like you went to it as a trip. But what somewhat halts this from being larger than life is when it takes the generic elements of any typical blockbuster, like the hero's motivations, the main robot is somehow an underdog in one scene, there's an arrogant team member, sacrifices, and so on. It's hard to not notice them since they are the central points of the story. The intriguing stuff about the Jaegers and Kaijus still took over the experience. At least it embraces its own fantasy tastes without being "dark" and emo like today's blockbuster trend.
Charlie Hunnam's performance is fitting to a graphic novel based movie, which is kind of appropriate as his role. In the battle scenes, he gives genuine human emotions as he punches and fall. Idris Elba remarkably brings heart to the picture while being awesome at the same time. Rinko Kikuchi makes her character more than just a partner of Raleigh. Charlie Day and Burn Gorman delightfully serves more energy to the story, while Ron Perlman appears in a short screen time but satisfying enough.
Now the real highlight of the picture, the visuals are overall shiny and snazzy. The designs of the creatures and robots are palpably marvelous. As the special effects move these heavy giants, the action did something better than just blowing up stuff. Although explosions and loud noises are not actually flaws(It's about giant robots, c'mon!), but a real good set piece needs a decent and genuine fortitude. In the midst of the noises, you will always get the sense of danger to the Jaegers, mostly because there are human pilots beneath the ravaging machines. It effectively made those sequences electrifying and the monsters terrifying than you would expect.
Pacific Rim will have its own fans. It feels like a self-indulged blockbuster that people will end up loving. Besides, this film is said to be Guillermo del Toro's dream come true coming from his childhood. And seeing all that, there's plenty of things to explore and to be intrigued. If only the plot can break some points from the mainstream storytelling, it would have been less predictable and much extraordinary. But physically, it is extraordinary. It's both big and eye candy which is the snazziest merit you will see. Also in the action scenes where it's more into the thrills than the fireworks, because it's all about iron fists hitting on monsters' face. Again, the story may be familiar, but the setting and the action keeps everything looks fresh and amazing.
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