As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
A military officer is brought into an alien war against an extraterrestrial enemy who can reset the day and know the future. When this officer is enabled with the same power, he teams up with a Special Forces warrior to try and end the war.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
When monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes - a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi) - who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse. Written by
The small badge on Stacker Pentecost's dress uniform is the U.S. Army's Air Assault Badge. See more »
(at around 1h 28 mins) As the Jaeger falls after the Hong Kong Kaiju battle, it begins to burn up/glow due to re-entry heat. In the movie, they say the Jaeger starts at 50,000 feet. While it is correct that you start to see the sky as black not blue around 60K', to "burn" on re-entry you need both potential energy (from height) and kinetic energy (rotational speed or "orbiting speed", a measure of how fast you'd be moving compared to the ground below). As the Jaeger was geosynchronous (still) above the planet, it would have a kinetic speed of 0, and would not heat on reentry, especially not from 50K'. See more »
When I was a kid, whenever I'd feel small or lonely, I'd look up at the stars. Wondered if there was life up there. Turns out I was looking in the wrong direction. When alien life entered our world, it was from deep beneath the Pacific Ocean. A fissure between two tectonic plates. A portal between dimensions. The Breach. I was fifteen when the first Kaiju made land in San Francisco.
By the time tanks, jets and missiles took it down, six days and 35 miles later, ...
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There are no opening credits, with the exception of the movie's title, which doesn't appear until seventeen minutes into the film. See more »
Within the opening 15 or so minutes Charlie Hunnam's voice-over establishes the reality of a future where monsters (the Kaiju) repeatedly invade earth, to stem this humans have created giant robots (Jaegers) to combat them in increasingly badass iterations. This opening does a great job in conveying the scope of a film which is big, not just regular big, but like, Jason Biggs in 1999 bigg. entering the cinema from a world where these events rarely occur is initially a lot to throw at the audience, but it's handled so effectively and without tongue in cheek that it quickly becomes a world I had a blast experiencing. Maybe it was the incredible effects shots of robot related destruction used as a throwaway shots, but what I think really sold the opening sequence and the film as a whole is the enthusiasm Del Toro clearly has for the story he's telling.
The cast is essentially a rogues gallery of TV's better dramas playing variations on roles they've nailed in the past (see: Elba, Hunnam and Klattenhoff) and some inspired casting of It's Always Sunny's Charlie Day who, as should be expected provides some effective comedic relief. Added onto this the score comes courtesy of Ramin Djawadi who's masterful use of themes on Game of Thrones is carried over to this film for some great emotional cues and many a rad motif courtesy of Tom Morello on guitar.
It's appropriate Del Toro has a Frankenstein adaptation lined up as a follow up project as Pacific Rim can at times can feel stitched together from all the sources of inspiration the film has. This comes from many areas such as Japanese manga, the personalities of the actors from previous films and the imagery of robots destroying buildings which transformers ran into the ground. But Del Toro succeeds time and time again at allowing these disparate elements to fit together believably by way of some very confident filmmaking. I could easily take issue with the oft hammy dialogue and macho relationships but where the film succeeds in other areas and revels in creativity trumps the dissatisfaction one could take from these scenes. I also found Hunnams character a tad lacking in charisma and internal conflict but whatever, it's not the end of the world. Oh wait, yes it is hahahaha
The films successes go beyond its imagery and continued invention within battle scenes as the script is very economical when it comes to pacing. The films battle scenes are so engaging and exciting due to clearly established stakes present which left me devoid of the "action fatigue" transformers loves to throw my way. And although the Kaiju battles seem to never be in short supply, the film essentially follows the rule of three when it comes to battle sequences and left me oh so satisfied.
In conclusion, I give it points for being one of the funner summer blockbusters in recent memory, for being an original property and for its sheer tenacity to exist which all amount to what is just a darn good time at the movies.
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