| Josiah Patkotak | ... | Qalli | |
| Frank Qutuq Irelan | ... | Aivaaq | |
| Teddy Kyle Smith | ... | Egasak | |
| Adamina Kerr | ... | Michelle | |
| Sierra Jade Sampson | ... | Uvlu | |
| John Miller | ... | James | |
| Rosabelle Kunnanna Rexford | ... | Aaka | |
| Veron Kanayurak | ... | Roscoe | |
| Billyjens Hopson | ... | Jens | |
| Jay Rapoza | ... | Max | |
| Allison Warden | ... | Sigvaun | |
| Denae Brower | ... | Darlene | |
| Tara Sweeney | ... | Dora | |
| Tasha Taaqpak Panigeo | ... | Charlene | |
| Jerica Aamodt | ... | Ellie | |
| Gage Saxton | ... | DJ | |
| Richard Enlow IV | ... | Trace | |
| Johnnie Kunaq Brower | ... | Nathaniel | |
| Olemaun Rexford | ... | Olemaun | |
| Jack Packer | ... | Helicopter Pilot | |
| Thomas Ahtuangaruak Jr. | ... | Jimmy | |
| Robert Allen Brouilette | ... | Trooper Tagak | |
| Katie Roseberry | ... | Teen Girl |
Directed by | |||
| Andrew Okpeaha MacLean | |||
Writing credits(in alphabetical order) | ||
| Andrew Okpeaha MacLean | ||
Original Music by | |||
| iZLER | |||
Cinematography by | |||
| Lol Crawley | |||
Film Editing by | |||
| Nat Sanders | |||
Production Design by | |||
| Chad Keith | |||
Art Direction by | |||
| Kay Lee | |||
Costume Design by | |||
| Courtney McClain | |||
Makeup Department | |||
| Nicole Wodowski | .... | makeup department head | |
Production Management | |||
| Maura Anderson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Kit Bland | .... | first assistant director | |
| Scott Friedman | .... | second assistant director | |
Art Department | |||
| Jonathan Guggenheim | .... | property master | |
Sound Department | |||
| Colette Dahanne | .... | sound effects editor | |
| Colette Dahanne | .... | sound re-recording mixer | |
| James Demer | .... | sound mixer | |
| Bob Edwards | .... | sound designer | |
| Sean England | .... | foley artist | |
| David Fleming | .... | boom operator | |
| Chris Gridley | .... | dialogue editor | |
| Nia Hansen | .... | foley editor | |
| Nia Hansen | .... | foley mixer | |
| Daniel Scolari | .... | assistant sound editor | |
| Corey Tyler | .... | foley recordist | |
Stunts | |||
| Chris Barnes | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jason Alegre | .... | loader | |
| Jessica Bennett | .... | key grip | |
| Andrew Laboy | .... | second assistant camera | |
| Adam Lukens | .... | gaffer | |
| Jeff Nolde | .... | first assistant camera | |
| Johnny Radzik | .... | steadicam | |
| Kyle Simmons | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Amy Lynn Zwart | .... | costume supervisor (as Amy Kramer) | |
Editorial Department | |||
| Dylan Correll | .... | assistant editor | |
| John Dowdell | .... | digital intermediate colorist | |
| Craig McKay | .... | consulting editor | |
| Jeanne Sison | .... | digital intermediate producer | |
Music Department | |||
| Nate Finan | .... | assistant to the composer | |
| Nate Finan | .... | composer: additional music | |
| iZLER | .... | orchestrator | |
Other crew | |||
| Dustin Bricker | .... | script supervisor | |
| Nicole Compas | .... | production counsel | |
| Carol A. Compton | .... | script clearance | |
| André Des Rochers | .... | production counsel | |
| Matthew Medlin | .... | production accountant | |
| Blair Richman | .... | assistant to Silverwood Films | |
Thanks | |||
| Craig Kestel | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This film is a triumph of Alaskan narrative filmmaking. Showing Alaskan Natives as they really live, including old traditions, dance, and hunting, next to cell phones, hip hop, and drugs. It doesn't get tied up on trying to show the beauty of Alaska, and neither the exoticness of it's peoples. Instead, it uses them to further it's themes and plot. Incredibly sensitive, honest, and entertaining.
While it's easy to say this is a movie about the evils of drugs, or the ability of the arctic landscape to drive one to insanity, the film gracefully dodges such easy targets and focuses on a story about a young man trying to grow up and a community dealing with a tragedy, which are much more open ended, accessible ideas. This allows those without any knowledge of Native Alaskans, or Alaska even, to become entranced by the story.
Don't let the non-pro cast turn you away, either. It is all native persons (no Asians pretending to native American), and the direction makes sure they're up to snuff to all other films by mature filmmakers.