Modris (17) is no better or worse than his peers. He goes to school, has a girlfriend, some good friends. His gambling addiction makes his relationship with mother difficult. They live ... See full summary »
A two-part drama which portrays The Great Train Robbery of 8 August 1963, firstly from the point of view of the robbers and then from the point of view of the police who set out to identify and catch the robbers.
In May 2003 a refrigerated truck carrying more than 80 illegal immigrants from the Mexican border drove into the heartland of Texas. A deadly combination of heat and overcrowding lead to tragedy. This is a story of that journey.
Cary Joji Fukunaga
Domingo Jose Cruz Delgado,
Aldo de Anda
In the isolated, frozen town of Barrow, Alaska, Iñupiaq teenagers Qalli and Aivaaq have grown up like brothers in a tight-knit community defined as much by ancient traditions as by hip-hop and snowmobiles. Early one morning, on a seal hunt with their friend James, a tussle turns violent, and James is killed. Panic stricken, terrified, and with no one to blame but themselves, Qalli and Aivaaq lie and declare the death a tragic accident. As Barrow roils with grief and his protective father becomes suspicious, Qalli stumbles through guilt-filled days, wrestling with his part in the death. For the first time in his life, he's treading alone on existential ice. Written by
Aivaaq, how're you doing?
I'm good. How're you doing?
Good. Are you staying for dinner?
Every chance I get.
Not yet. Darlene had something.
What's for dinner?
All you think about your stomach. I'm cooking tonight. We're having nikipiaq. Real food. You still wanna stay?
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This film is a triumph of Alaskan narrative filmmaking. Showing Alaskan Natives as they really live, including old traditions, dance, and hunting, next to cell phones, hip hop, and drugs. It doesn't get tied up on trying to show the beauty of Alaska, and neither the exoticness of it's peoples. Instead, it uses them to further it's themes and plot. Incredibly sensitive, honest, and entertaining.
While it's easy to say this is a movie about the evils of drugs, or the ability of the arctic landscape to drive one to insanity, the film gracefully dodges such easy targets and focuses on a story about a young man trying to grow up and a community dealing with a tragedy, which are much more open ended, accessible ideas. This allows those without any knowledge of Native Alaskans, or Alaska even, to become entranced by the story.
Don't let the non-pro cast turn you away, either. It is all native persons (no Asians pretending to native American), and the direction makes sure they're up to snuff to all other films by mature filmmakers.
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