| Photos (See all 21 | slideshow) | Videos (see all 6) |
| Mathieu Amalric | ... | Nasser-Ali Khan | |
| Edouard Baer | ... | Azraël | |
| Maria de Medeiros | ... | Faringuisse | |
| Golshifteh Farahani | ... | Irâne | |
| Eric Caravaca | ... | Abdi | |
| Chiara Mastroianni | ... | Lili, adulte | |
| Mathis Bour | ... | Cyrus | |
| Enna Balland | ... | Lili | |
| Didier Flamand | ... | Le maître de musique | |
| Serge Avedikian | ... | Le père d'Irâne | |
| Rona Hartner | ... | Soudabeh | |
| Jamel Debbouze | ... | Houshang / Le mendiant | |
| Isabella Rossellini | ... | Parvine | |
| Frédéric Saurel | ... | Mirza (as Fred Saurel) | |
| Christian Friedel | ... | Cyrus, 22 ans | |
| Julia Goldstern | ... | Nancy | |
| Julia Camps y Salat | ... | Faringuisse enfant (as Julia Camps Y Salat) | |
| Jaouen Gouevic | ... | Le petit-fils d'Irâne | |
| Timothé Riquet | ... | Nasser-Ali enfant | |
| Angus Boulaire | ... | Abdi enfant | |
| François Legrand | ... | Le maître d'école | |
| Laura Baade | ... | La fille de Cyrus | |
| Dustin Graf | ... | Fils de Cyrus 1 | |
| Nomi Kalsar | ... | Fils Cyrus 2 | |
| Jean-Michel Dagory | ... | Socrate | |
| Christian Sengewald | ... | Un élève de Socrate | |
| Adolfo Assor | ... | Homme bazar Rasht | |
| Ilse Strambowski | ... | Vieille femme bus | |
| Tim Williams | ... | Le docteur américain | |
| Dietmar Rüttiger | ... | Le joueur de cartes | |
| Louis-Marie Audubert | ... | Anonyme cimetière 1 | |
| Bruno Paviot | ... | Anonyme cimetière 2 | |
| Philippe Beglia | ... | Anonyme cimetière 3 | |
| Luc Gentil | ... | Médecin de famille | |
| rest of cast listed alphabetically: | |||
| Lon Chaney | ... | Erik, The Phantom (archive footage) (uncredited) | |
Directed by | |||
| Vincent Paronnaud | |||
| Marjane Satrapi | |||
Writing credits | ||
| Marjane Satrapi | (written by) & | |
| Vincent Paronnaud | (written by) | |
| Marjane Satrapi | (comic book) | |
Original Music by | |||
| Olivier Bernet | (original music by) | ||
Cinematography by | |||
| Christophe Beaucarne | |||
Film Editing by | |||
| Stéphane Roche | |||
Casting by | |||
| Anja Dihrberg | |||
Production Design by | |||
| Udo Kramer | |||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Madeline Fontaine | |||
Makeup Department | |||
| Stéphane Malheu | .... | hairdresser | |
| Nathalie Tissier | .... | makeup supervisor | |
| Anna Von Gwinner | .... | makeup artist | |
Production Management | |||
| Wassili Zygouris | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Julien Decoin | .... | second assistant director | |
| Tonja Schürmann | .... | second second assistant director | |
| Jérôme Zajdermann | .... | first assistant director | |
Art Department | |||
| Dorit Agater | .... | prop builder | |
| Reiner Behrends | .... | painter | |
| Martin Berg | .... | model maker | |
| Lars Dicht | .... | stand-by carpenter | |
| Christian Ehlert | .... | lead set dresser | |
| Michael Fissneider | .... | set designer | |
| Alex Friedrich | .... | model maker | |
| Patrick Herzberg | .... | set designer | |
| Andreas Huschke | .... | property master: indoor | |
| Jennie Konrad | .... | set decoration assistant | |
| Carolin Langenbahn | .... | art department coordinator | |
| Patrick Lojek | .... | supervisor carpenter | |
| Uli Passauer | .... | greens person | |
| Marco Pressler | .... | construction manager | |
| Melanie Reichert | .... | construction secretary | |
| Tabea Schweiger | .... | assistant property master: indoor | |
| Alexis Teller | .... | property master: outdoor | |
| Ilona Vovchyk | .... | props | |
Sound Department | |||
| Emmanuel de Boissieu | .... | sound re-recording mixer | |
| Jean-Stephane Garbe | .... | sound recordist | |
| Paul Heymans | .... | dialogue editor | |
| Gilles Laurent | .... | sound recordist | |
| Vincent Nouaille | .... | boom operator | |
| Yves Renard | .... | sound effects editor | |
| Bruno Schweisguth | .... | boom operator: post-synchronisation | |
| Olivier Thys | .... | foley artist | |
| Olivier Touche | .... | sound editor: second unit | |
| David Vranken | .... | sound editor | |
Special Effects by | |||
| Uwe Lehmann | .... | special effects | |
Visual Effects by | |||
| Antoine Marbach | .... | visual effects producer | |
| Geoffrey Reynaud | .... | visual effects artist | |
| Damien Stumpf | .... | visual effects supervisor | |
| Ilona Vovchyk | .... | matte painting | |
Camera and Electrical Department | |||
| Reiner Bajo | .... | still photographer | |
| Martin Bartels | .... | video operator | |
| Stefan Diecks | .... | lighting technician | |
| Thomas Hübener | .... | technocrane operator | |
| Heiko Klimenko-hamann | .... | third key grip (as Heiko Klimenko) | |
| Beda Mulzer | .... | lighting technician | |
| Michael Müller | .... | key grip | |
| Luc Pallet | .... | first assistant camera | |
| Florian Schlegel | .... | lighting technician | |
| Bjoern Susen | .... | chief lighting technician | |
| Elmar Suska | .... | first key grip | |
| Jörg Widmer | .... | steadicam operator | |
Casting Department | |||
| Johanna Ragwitz | .... | extras casting director | |
Costume and Wardrobe Department | |||
| Anna Isabell Logen | .... | principal costumer | |
| Theresa Anna Luther | .... | costumer | |
Editorial Department | |||
| Peter Bernaers | .... | colorist | |
| Mirko Scheel | .... | assistant editor | |
| Mathilde Van de Moortel | .... | assistant editor | |
Music Department | |||
| Joris Bartsch Buhle | .... | conductor | |
| Olivier Bernet | .... | score producer | |
| Tobias Lehmann | .... | music recording engineer | |
| Elise Luguern | .... | music supervisor | |
| Tom Russbueldt | .... | pro tools operator | |
| Phillip Schulz | .... | music recording engineer | |
| Phillip Schulz | .... | music scoring mixer | |
| Roman Vinuesa | .... | orchestrator | |
| Roman Vinuesa | .... | score producer | |
Transportation Department | |||
| Timo Dobbert | .... | transportation coordinator | |
| Tom Kirsten | .... | production driver | |
| Thomas Siegert | .... | transportation captain | |
Other crew | |||
| Laure Blaess | .... | production accountant | |
| Milena Bomalick | .... | assistant production coordinator | |
| Benedikt Bothe | .... | set manager | |
| Stéphanie Bréard | .... | caretaker: children | |
| Katharina Gapski | .... | production coordinator | |
| Anne Gerles | .... | production coordinator | |
| Pierre Philippe Hendrickx | .... | legal advisor: Belgium | |
| Roy Luchterrand | .... | assistant set manager | |
| Koen Maenhout | .... | scanning technician: Filmmore | |
| Bianca Makarewicz | .... | publicist | |
| Martin Metz | .... | production executive | |
| Karsten Piel | .... | production accountant: Germany | |
| Lena Schmigalla | .... | first assistant accountant | |
| Iwona Sellers | .... | production executive | |
| Bastien Sirodot | .... | production executive | |
| Eike Wolf | .... | publicist | |
Thanks | |||
| Kathleen Kennedy | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Subtitles!!~~ Please Help! | seatope |
| Is the father of Nasser-Ali ever mentioned? | wdfgea |
| Can't wait for this! | Wendy88 |
|
|
|
|
|
| Persepolis | Kings & Queen | The Red Violin | As It Is in Heaven | The Truce |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
This is a quirky, interesting film. I found parts of it more interesting than others, and some really quite beautiful. The sense of humor takes some time to develop, but when it does, it's quite winning. Those who are expecting another *Persepolis* will be disappointed; it is really very different, quirkier, and more uneven. But it definitely rewards attentive viewing.
One of the things I found interesting is that, unlike Persepolis, this movie really considers life from the perspective of a middle-aged man. Women here are either very objectified objects of sexual desire, or harpies. There are no intelligent women, such as one finds in *Persepolis.* That doesn't make the movie good or bad for me, but it was an interesting difference.