| Jessica Biel | ... | Julia Denning | |
| Jodelle Ferland | ... | Jenny | |
| Stephen McHattie | ... | Lieutenant Dodd | |
| William B. Davis | ... | Sheriff Chestnut | |
| Samantha Ferris | ... | Tracy | |
| Colleen Wheeler | ... | Mrs. Johnson | |
| Eve Harlow | ... | Christine | |
| Janet Wright | ... | Trish | |
| Ferne Downey | ... | Lady / Mrs. Parker Leigh | |
| John Mann | ... | Douglas | |
| Teach Grant | ... | Steven | |
| Garwin Sanford | ... | Robert | |
| Jakob Davies | ... | David | |
| Lucas Myers | ... | Deputy Campbell | |
| Pat Henman | ... | Nurse at police Infirmary | |
| Katherine Ramdeen | ... | Carol | |
| Alicia Gray | ... | Young Mother #3 | |
| G. Michael Gray | ... | Young Father #2 | |
| Georgia Swedish | ... | Mrs. Ashcroft | |
| Jenna Gatschene | ... | Waitress at Diner | |
| Priya Lily Campbell | ... | Tiffany | |
| John Ryan | ... | Prison Guard | |
| Kevin DeWalt | ... | Prison Guard #2 | |
| Melissa Gibson | ... | Female Guard | |
| Melissa Patenaude | ... | Inmate #1 | |
| Michele Mungall | ... | Inmate #2 | |
| Jacqueline Eggie | ... | Inmate #3 | |
| Angela Stott | ... | Inmate #4 | |
| Ricardo Hubbs | ... | Tall Cook | |
| Rene Mousseux | ... | Silhouette | |
| Josh Strait | ... | Anonymous Voice #1 | |
| Jodi Sadowsky | ... | David's New Mother | |
| rest of cast listed alphabetically: | |||
| Derek J. Finnik | ... | FBI Agent (uncredited) | |
Directed by | |||
| Pascal Laugier | |||
Writing credits | ||
| Pascal Laugier | (written by) | |
Original Music by | |||
| Todd Bryanton | |||
Cinematography by | |||
| Kamal Derkaoui | (director of photography) | ||
Film Editing by | |||
| Sébastien Prangère | |||
Casting by | |||
| Carmen Kotyk | |||
Production Design by | |||
| Jean-Andre Carriere | |||
Set Decoration by | |||
| Sydney Sharpe | (key set decorator) | ||
Costume Design by | |||
| Angus Strathie | |||
Makeup Department | |||
| Zabrina Matiru | .... | key makeup artist | |
| Michael Nickiforek | .... | mold maker | |
| Bill Terezakis | .... | puppet dog head designer | |
Production Management | |||
| Andrea Baker-Fraser | .... | unit manager | |
| Heather Malek | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Bobby Bastarache | .... | first assistant director | |
| Matthew Bessel | .... | daily assistant director | |
| Matthew Bessel | .... | on-set assistant director | |
| Veronique Kahler | .... | additional trainee assistant director | |
| Paula S. Kyan | .... | third assistant director | |
| Andrew Niiranen | .... | trainee assistant director | |
| Danny Nowak | .... | second unit director | |
| Shayne Putzlocher | .... | first assistant director: second unit | |
| Daniel Redenbach | .... | third assistant director: Regina | |
| Riley Walsh | .... | first assistant director: second unit | |
| Riley Walsh | .... | second assistant director | |
Art Department | |||
| Bruno Baronet | .... | assistant art director | |
| Johanna de Vries | .... | lead scenic painter | |
| Joseph Gagné | .... | assistant art director | |
| Crystal Husum | .... | co-lead scenic painter | |
| Mathieu Lauffray | .... | conceptual designer | |
| Daniel McKay | .... | painter | |
| Chris Nohel | .... | lead set decorator | |
| Danny Scavuzzo | .... | construction coordinator | |
| Anna Stefanska | .... | illustrator/notebook artist | |
| Asuka Sugiyama | .... | art department coordinator | |
| Jordy Wihak | .... | co-property master | |
| Maurice Roy | .... | graphic artist (uncredited) | |
Sound Department | |||
| Thibault Arnold | .... | music editor | |
| Matt Dawson | .... | adr mixer | |
| Steven Ghouti | .... | sound re-recording mixer | |
| Eric Lesachet | .... | dialogue editor | |
| Vincent Mauduit | .... | sound editor | |
| Colin McLellan | .... | adr recordist | |
| Olivier Ranquet | .... | additional sound design | |
| Roger Roscoe | .... | boom operator | |
| Warren St. Onge | .... | sound mixer | |
| Gregory Vincent | .... | foley artist | |
Special Effects by | |||
| Stephen Knight | .... | special effects first assistant | |
| Paul Noël | .... | special effects coordinator | |
| Jay Robertson | .... | special effects assistant | |
Visual Effects by | |||
| David Alexander | .... | CG artist: Switch VFX | |
| Kemal Ally | .... | CG artist: Switch VFX | |
| Patrick Andre | .... | visual effects producer: Bluefilmproduction | |
| Jun Asido | .... | it: Switch VFX | |
| Daniel Beaulieu | .... | visual effects editor: Red Hat Studios | |
| Jon Campfens | .... | visual effects supervisor: Switch VFX | |
| Peter Denomme | .... | vfx producer: Switch VFX | |
| Philippe Garnier | .... | visual effects producer: Bluefilmproduction | |
| Gudrun Heinze | .... | digital compositor: Switch VFX | |
| Colin Hubick | .... | visual effects supervisor: Minds Eye Entertainment Ltd. | |
| Richard Jasdadt | .... | visual effects editor: Red Hat Studios | |
| Jimmy Kounios | .... | visual effects editor: Red Hat Studios | |
| Nicolas Lim | .... | visual effects supervisor: Bluefilmproduction | |
| Jef Lonn | .... | digital compositor: Switch VFX | |
| Beau Parsons | .... | visual effects coordinator: Switch VFX | |
| Brandon Rogers | .... | CG artist: Switch VFX | |
| Celine Sene | .... | visual effects supervisor: Bluefilmproduction | |
| Joel Skeete | .... | digital compositor: Switch VFX | |
| Andrew Smith | .... | cg modeler: Switch VFX | |
| Laurent Srey | .... | flame artist: Bluefilmproduction | |
Stunts | |||
| Marie-Eve Boudreau | .... | stunt double | |
| Janene Carleton | .... | stunt double: Jessica Biel | |
| Gaëlle Cohen | .... | stunt coordinator | |
| Monique Ganderton | .... | stunt double: Colleen Wheeler | |
| Loren Gibson | .... | stunt double (as Lauren Gibson) | |
| Rene Mousseux | .... | stunt co-coordinator | |
Camera and Electrical Department | |||
| Dustin Allen | .... | best boy lighting | |
| Maya Batten-Young | .... | lighting technician | |
| Chad Biesenthal | .... | best boy grip | |
| Latif Cavanaugh | .... | a dolly grip | |
| Meghan Cosenzo | .... | d.i.t. | |
| Thibault Grabherr | .... | still photographer | |
| Rob Hillstead | .... | lighting technician | |
| Norbert Kaluza | .... | camera operator: "a" camera | |
| Norbert Kaluza | .... | steadicam operator | |
| Peter La Rocque | .... | gaffer | |
| Robin Lindala | .... | first assistant camera | |
| Kyle Mrazek | .... | lighting technician | |
| Danny Nowak | .... | director of photography: Second Unit | |
| Rob Parrell | .... | key grip | |
| John Trapman | .... | aerial director of photography | |
| Rob Wood | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Christina Barry | .... | costume supervisor | |
| Michael Mew | .... | assistant costume designer | |
| Mia Shields | .... | additional wardrobe | |
Editorial Department | |||
| Denis Bedlow | .... | assistant editor | |
| Sébastien de Sainte Croix | .... | additional editor | |
| Kevin Downer | .... | assistant digital intermediate editor | |
| Aurélien Manya | .... | making-of editor | |
| Dave Muscat | .... | digital intermediate assistant editor | |
Music Department | |||
| George Acogny | .... | music supervisor | |
| Joel Douek | .... | composer: additional music | |
| Jonathan Timpe | .... | music programmer: score | |
Transportation Department | |||
| Douglas Arsenault | .... | driver: cast | |
| Gerard Damaer | .... | transportation coordinator | |
Other crew | |||
| Carol Bailey | .... | assistant accountant | |
| Barbara Barnes | .... | assistant production coordinator | |
| Bob Bedard | .... | head chef | |
| Matthew Bessel | .... | production assistant | |
| Dawn Bird | .... | craft service assistant | |
| Richelle Bourgoin | .... | unit publicist | |
| Steve Byrd | .... | legal team: Loeb & Loeb LLP | |
| Jane Davidson | .... | assistant accountant | |
| Jennifer Gay | .... | translator | |
| Stephanie Hamilton | .... | production assistant | |
| Steven Hearn | .... | assistant location manager | |
| Colin Hubick | .... | technical director | |
| Paul Jasper | .... | animal coordinator | |
| Doug Leaf | .... | head animal trainer | |
| Bonita Mackay-Larson | .... | accounting clerk | |
| Nathan Mosewich | .... | location manager: reshoots | |
| Mark O'Connell | .... | social media manager | |
| Delina Pierre | .... | script supervisor | |
| Craig Stapleton | .... | production accountant | |
| Lisa Warren | .... | assistant accountant | |
| John Wittmayer | .... | location manager | |
| Garth Yakymyk | .... | first assistant accountant: Regina | |
Thanks | |||
| Bonnie Timmermann | .... | special thanks | |
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| An American Haunting | The Woods Have Eyes | Bell Witch Haunting | Cropsey | The Pit |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
No one plays terrified like Jessica Biel she is at home giving the performance of her life when she is fighting for hers or someone elses. But there's so much more to her performance and character in this film. it's without a doubt the strongest performance of her career and one of the best of the year. I wish I could tell you what this film is really about so you can engulf yourself in the poetic brilliance of it, but I won't ruin it for you. Part of the films effectiveness comes from not knowing what to feel wherein lies the films thought provoking and urgently timeless message. The simplistic setup of the film is just this, children are being abducted from a very poor small town in Washington and the crimes are being committed by someone called "The Tall Man". When Julias' (Biel) child is taken she goes on a frantic chase to unravel the truth but as the twists and turns unfold the truth is more shocking and spellbinding than you can even imagine. Directed by Pascal Laughtier of the abysmal Martyrs. The Tall Man starts off as a brutal, powerhouse thriller after a brief setup the film quickly rushes into a nail biting chase film and it is completely thrilling. But as the film moves into it's brilliant second act you begin to question what and who you have become emotionally engaged too and than when the film finally blossoms open in it's final act it's hard to find the words to even describe the depth of thought that transpired through me. I don't wanna say anything but I will say this it's a courageous film that asks you to question who we are and what has become of the world we live in. As well as what is truly right and what is truly wrong. Most will be thrown off by the film but I'm pretty open with stuff like this especially when it's done so spectacularly. It's sure to offend some and leave others questioning what they just saw but in my opinion it was wrong to abandon this film to VOD release and a limited theatrical run it deserves to be seen and talked about. But at the same time I can see considering it's subject matter why it would have trouble getting a wide release it's speaks a very difficult language so hard for people to listen and understand. The direction is strong and the performances are remarkable besides Ms. biel in the lead Jodelle Ferland is finally given a meaty role and she does exceptionally with it as does the rest of the solid supporting cast. The film features gorgeous cinematography and one of the most surprising screenplays ever to come to film. THE BEST MOVIE OF THE YEAR, ABSOLUTE BRILLIANCE.