Directed by | |||
| Adam Deacon | |||
| Daniel Toland | |||
Writing credits(in alphabetical order) | ||
| Adam Deacon | ||
| Michael Vu | ||
Produced by | |||
| Laurence Brown | .... | co-producer | |
| Ben Cain | .... | associate producer | |
| Andrew Chapman | .... | line producer | |
| Mike Diamond | .... | executive producer | |
| Patrick Fischer | .... | co-producer | |
| Peter F. Gardner | .... | co-producer | |
| Alex Georgiou | .... | associate producer | |
| Tony Jimenez | .... | executive producer | |
| Alex Joseph | .... | associate producer | |
| Richard Kondal | .... | co-producer | |
| Justin Marciano | .... | executive producer | |
| Ajay Parkash | .... | executive producer | |
| Terry Stone | .... | producer | |
| Nick Taussig | .... | producer | |
| Daniel Toland | .... | producer | |
| Paul Van Carter | .... | producer | |
Original Music by | |||
| Chad Hobson | |||
Cinematography by | |||
| Felix Wiedemann | |||
Film Editing by | |||
| Seth Bergstrom | |||
Production Design by | |||
| Matthew Button | |||
Art Direction by | |||
| Daniela Faggio | |||
Costume Design by | |||
| Rob Nicholls | |||
Makeup Department | |||
| Natalie Abizadeh | .... | makeup artist | |
| Elle Baird | .... | make-up and hair designer | |
| Nikki Belding | .... | makeup artist | |
| Lynn Doron | .... | makeup daily | |
| Chloe Muton-Phillips | .... | key makeup artist | |
Production Management | |||
| Lee Brazier | .... | executive in charge of production: AV Pictures | |
| Joe Kotroczo | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alex Kaye-Besley | .... | second assistant director | |
| Adam Morris | .... | first assistant director | |
Art Department | |||
| Joshua Baker | .... | graphics | |
| Cathy Featherstone | .... | production buyer | |
| Luke Gledsdale | .... | assistant art director | |
| Neil Jenkins | .... | standby art director | |
| Melanie Light | .... | stand-by props | |
| Marius Pogaceanu | .... | propmaster | |
| Mark Stevenson-Ellis | .... | production buyer | |
| Alexandra Toomey | .... | graphic designer | |
Sound Department | |||
| Louise Brown | .... | assistant foley editor | |
| Ed Coltman | .... | assistant sound editor | |
| Naomi Dandridge | .... | adr recordist | |
| Neel Dhorajiwala | .... | sound editor | |
| Greg Hagen | .... | boom operator | |
| Paul Hanks | .... | foley artist | |
| Matthew Hansell | .... | boom operator | |
| Alex Joseph | .... | sound re-recording mixer | |
| Alex Joseph | .... | supervising sound editor | |
| Richard Kondal | .... | co-supervising sound editor | |
| Richard Kondal | .... | sound re-recording mixer | |
| Richard Street | .... | sound re-recording mixer | |
| Rachael Tate | .... | second boom operator | |
| Kieron Teather | .... | production sound mixer | |
| Kieron Teather | .... | sound effects editor | |
| Simon Trundle | .... | foley mixer | |
| Ian Waggott | .... | foley artist | |
Special Effects by | |||
| Mike Ralph | .... | main titles | |
Visual Effects by | |||
| David Chapman | .... | visual effects artist | |
Stunts | |||
| Levan Doran | .... | stunt coordinator | |
| Vincent Keane | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sam Alberg | .... | additional gaffer | |
| Owen Billcliffe | .... | still photographer | |
| Nicholas Britt | .... | electrician | |
| Stephen Cornacchia | .... | second assistant camera | |
| Marc Covington | .... | steadicam operator | |
| Anthony Dias | .... | dit tech | |
| Warwick Drucker | .... | key grip | |
| Alex Edyvean | .... | gaffer | |
| Steven Gardner | .... | first assistant camera | |
| Trevor Henen | .... | first assistant camera | |
| Karl Hui | .... | first assistant camera | |
| Jim Nicholas James | .... | best boy | |
| Stephanie Kennedy | .... | second unit: second assistant camera | |
| Ed Lancaster | .... | grip | |
| Brian Lockyer | .... | camera trainee | |
| Joel Rainsley | .... | best boy | |
Casting Department | |||
| Jonson D'Angelo | .... | extras casting | |
| Johnny Lynch | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Lorna Gillieron | .... | costume supervisor | |
| Laura Metcalf | .... | standby costume | |
Editorial Department | |||
| Emma McQuillen | .... | post-production assistant | |
| Matthew Troughton | .... | colorist | |
| Mark Yeshin | .... | assistant editor | |
Music Department | |||
| Dave Goulding | .... | music supervisor | |
| Arnold Hattingh | .... | music supervisor | |
Transportation Department | |||
| James Powell | .... | runner driver | |
Other crew | |||
| Jasmine Becker-Williams | .... | runner | |
| Laurence Brown | .... | production legal services | |
| Lola Dauda | .... | script supervisor | |
| George French | .... | runner | |
| Daniel Len Frost | .... | medic | |
| Richard George | .... | location manager | |
| Kate Glover | .... | production coordinator | |
| Nicole Gregory | .... | unit publicist | |
| Emma Kayee | .... | production assistant | |
| Ben Casciello Rogers | .... | runner | |
| Joe Sharp | .... | runner | |
| Harry Sloan | .... | runner | |
| Paul Van Carter | .... | script editor | |
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| Riding in Cars with Boys | Faintheart | Caged | Boyz n the Hood | Blue Juice |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Kenneth (Adam Deacon) likes to try and play the big man, but his front usually gets dashed pretty quickly. Unable even to hold down a simple job at a super-market (Laimsbury's!), he takes abuse from his mouthy mum who's fallen behind with payments and having trouble from the bailiffs, and has to duck and cover from the hyper hard man on the estate who's out to put him down. Until a chance encounter dealing some stolen weed brightens his prospects a bit, as well as making a new friend in a Spanish relation of his uncle's. But it's all building up to go wrong, leading Ken to a final showdown that will test his will as a man.
Kidulthood and Adulthood have become cult films of their time, high-lighting the modern 'urban street culture' a lot of the modern youth follow, in particular the fashion sense and slang. So Adam Deacon, star of both films, is in a good position to make a film sending them up. Which is why it's so surprising the result is such an amateurish effort, that fails where something like Ali G Indahouse worked. Both of Noel Clarke's sink estate dramas aimed to pull no punches and dive into the unflinching underclass of 21st century Britain. This meant that, while good films in themselves, they were mostly quite downbeat, grim viewing. So it was welcome that the next 'hood' effort would be a more light hearted affair. Sadly, you can see most of the jokes coming a mile off, and too much of it feels forced and over the top, with inconsistent characters, including a villain like Wesley Snipes from Demolition Man on steroids, and some random, pointless characters being introduced and then never heard from again. That's not to mention most of the dialogue being spat out so ridiculously loud and fast you'd do well to pack some Alka Seltzer on your trip to see it. A disappointing mess. **