| Photos (See all 21 | slideshow) | Videos (see all 14) |
| Zoe Saldana | ... | Cataleya | |
| Jordi Mollà | ... | Marco | |
| Lennie James | ... | Special Agent James Ross | |
| Amandla Stenberg | ... | Cat - 10 | |
| Michael Vartan | ... | Danny Delanay | |
| Cliff Curtis | ... | Emilio Restrepo | |
| Beto Benites | ... | Don Luis Sandoval | |
| Jesse Borrego | ... | Fabio Restrepo | |
| Cynthia Addai-Robinson | ... | Alicia | |
| Angel Garnica | ... | Pepe | |
| Ofelia Medina | ... | Mama | |
| Callum Blue | ... | Richard | |
| Sam Douglas | ... | William Woodgard | |
| Graham McTavish | ... | Head Marshall Warren | |
| Charles Maquignon | ... | Sergeant Bill Attwood | |
| Affif Ben Badra | ... | Genarro Rizzo | |
| David Clark | ... | Marshall | |
| Billy Slaughter | ... | Ryan | |
| Nikea Gamby-Turner | ... | Shari | |
| Andrea Helene | ... | Principal | |
| John McConnell | ... | Smith | |
| Sébastien Peres | ... | Swat | |
| Mark De Alessandro | ... | Swat | |
| Pablo Vinós | ... | Swat (as Pablo Vinos Zelaya) | |
| Max Martini | ... | Agent Robert Williams | |
| Tony Dalton | ... | American Embassy 1 | |
| Julian Sedgwick | ... | American Embassy 2 | |
| Julien Muller | ... | Doyle | |
| Guillermo Ríos | ... | Emilio's Man | |
| Luis Toscano | ... | Fabio's Man | |
| Javier Escobar | ... | Marco's Gun Man | |
| Michael Showers | ... | Cop | |
| Wes Cannon | ... | Cop | |
| Doug Rao | ... | Michael Shino | |
| Reem Kherici | ... | Nymphette | |
| Julie Nicolet | ... | Nymphette | |
| Stéphane Orsolani | ... | Guy (6th Floor) | |
| Steve Herson | ... | Ticket Agent | |
| Richard Zeringue | ... | Bureaucrat | |
| Stephan Brodziak | ... | Tech FBI | |
| William Raymond | ... | FBI Operator | |
| Alfredo Gonzáles | ... | Old Man (Gardener) | |
| Alejandro Peraza | ... | Head Body Guard | |
| Donald Marshall | ... | William's Servant | |
| Mylène Pilutik | ... | CIA Girl | |
| Silas Cooper | ... | Customs Officer | |
| Ariane Brodier | ... | Alexa | |
| Donald Gordon | ... | FBI Mailman | |
| Benoit Lavelatte | ... | Thug | |
| rest of cast listed alphabetically: | |||
| Beau Brasseaux | ... | S.W.A.T. (uncredited) | |
| Gene Bryant | ... | Car Thug (uncredited) | |
| Cedric Burton | ... | SWAT (uncredited) | |
| Nelson Carvajal | ... | Bus Station Patron (uncredited) | |
| Michael Kuster | ... | Bus Station Patron (uncredited) | |
| Grace LaRocca | ... | Cop (uncredited) | |
| Austin Naulty | ... | SWAT (uncredited) | |
| Jim Nieciecki | ... | Union Station Bus Traveler Flash Back Sequence and Modern day scene (uncredited) | |
| Frédéric Pfender | ... | US Marshall (uncredited) | |
| Robert A. Young | ... | Chicago Police Officer (uncredited) | |
Directed by | |||
| Olivier Megaton | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | screenplay | |
| Robert Mark Kamen | screenplay | |
Original Music by | |||
| Nathaniel Méchaly | |||
| Craig Walker | |||
Cinematography by | |||
| Romain Lacourbas | (director of photography) | ||
Film Editing by | |||
| Camille Delamarre | |||
Casting by | |||
| John Papsidera | |||
Production Design by | |||
| Patrick Durand | |||
Art Direction by | |||
| Gilles Boillot | |||
| Franckie Diago | |||
| Carlos Lagunas | |||
| Pascal Leguellec | |||
| Fanny Stauff | |||
Set Decoration by | |||
| Philippe Cord'homme | (set decoration) | ||
| Ryan Martin Dwyer | |||
Costume Design by | |||
| Olivier Bériot | |||
Makeup Department | |||
| Stacy Kelly | .... | makeup artist | |
| Vera Steimberg Moder | .... | personal makeup artist | |
| Suzi Ostos | .... | key makeup artist | |
| David Ruiz Gameros | .... | key makeup artist | |
| Aimee Stuit | .... | makeup artist | |
| Aya Yabuuchi | .... | key makeup artist | |
Production Management | |||
| Matthieu Bled | .... | post-production manager | |
| Matthieu Bled | .... | post-production supervisor | |
| Aurélien Brie | .... | extra assistant unit manager | |
| Alex Corven Caronia | .... | unit production manager | |
| Henri Deneubourg | .... | assistant production manager | |
| Varujan Gumusel | .... | post-production manager | |
| Logan Lelièvre | .... | assistant unit manager | |
| Alejandra Santana | .... | unit manager: Mexico | |
| Clément Sentilhes | .... | production manager | |
| Héctor Villegas | .... | unit production manager: Mexico | |
| Bill Wohlken | .... | post-production manager | |
Special Effects by | |||
| Olivier Afonso | .... | special effects makeup | |
| Ricardo Arvizu | .... | special effects coordinator | |
| Ricky Arvizu | .... | special effects foreman | |
| Guillaume Colas | .... | main titles | |
| Daniel Harkness | .... | special effects assistant | |
| Mark Hava | .... | special effects coordinator: reshoot | |
| Philippe Hubin | .... | head special effects supervisor | |
| Jean-Christophe Magnaud | .... | first special effects coordinator | |
| Dennis Ray Mitchell | .... | special effects assistant | |
| Greg Puga | .... | special effects technician | |
| Ken Speed | .... | special effects | |
| Jeff Whitney | .... | special effects technician | |
| Steve Wolf | .... | pyrotechnician | |
| Steve Wolf | .... | special effects foreman | |
| Lily Wolff | .... | special effects assistant | |
Visual Effects by | |||
| Rodolphe Chabrier | .... | visual effects supervisor | |
| David Danesi | .... | visual effects supervisor | |
| Sebastien Gombeaud-Saintonge | .... | Flame artist: Mac Guff | |
| Aurélien Grand | .... | retouch and restoration | |
| Caroline Journo | .... | visual effects | |
| Christophe Lucotte | .... | visual effects | |
| Romain Moussel | .... | digital artist | |
| Rodney Musso | .... | assistant colorist | |
| Guillaume Schmitter | .... | I/O management: Mac Guff | |
| Antonin Seydoux | .... | visual effects | |
| Stéphane Stradella | .... | digital compositor | |
Casting Department | |||
| Jennifer Cram | .... | casting associate | |
| Stéphanie Doncker | .... | casting assistant | |
| Dylan Jury | .... | casting assistant | |
| Meagan Lewis | .... | casting: New Orleans | |
| Joan Philo | .... | extras casting | |
| Nicolas Ronchi | .... | casting: Europe | |
| Savannah Strachan | .... | casting assistant | |
| Giota Trakas | .... | extras casting assistant (uncredited) | |
| Stéphane Zito | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Guillaume Attwood | .... | set costumer | |
| Jackie Beatka | .... | set costumer | |
| Malikka Coston | .... | costumer | |
| Marylin Fitoussi | .... | costume supervisor | |
| Marylin Fitoussi | .... | key costumer | |
| Steven Frendreis | .... | set costumer | |
| Capucine Martin | .... | wardrobe assistant | |
| Renee Ragucci | .... | set costumer | |
| Lin Sanders | .... | costume supervisor | |
| Frédéric Tournant | .... | costume assistant | |
Editorial Department | |||
| Chloé Besomi | .... | post-production runner | |
| Jerome Brechet | .... | dailies color grader | |
| Sophie Chatin | .... | assistant editor | |
| Thomas Dessane | .... | assistant editor | |
| Akrivi Filippakopoulos | .... | assistant editor | |
| Charlotte Mazzinghi | .... | colorist | |
| Mathieu Reid | .... | color timer | |
| Carlo Rizzo | .... | addtional editing | |
| Audrey Simonaud | .... | additional editor | |
Music Department | |||
| Jean-Pierre Arquie | .... | composer agent | |
| Guillaume Clément | .... | assistant music supervisor | |
| Jérôme Devoise | .... | score mixer | |
| Najib El Yafi | .... | assistant music | |
| Antonio Gambale | .... | synth programmer | |
| Gisèle Gérard-Tolini | .... | conductor | |
| Alexandre Mahout | .... | music supervisor | |
| Marie Sabbah | .... | composer agent | |
Transportation Department | |||
| Richard Brown | .... | picture car captain | |
| Rafael Campos | .... | driver: Mexico | |
| Gabriel Collier | .... | driver | |
| Ernesto Diaz Mata | .... | driver: Mexico | |
| Edward Dorsey III | .... | driver (as Big Ed Dorsey) | |
| Ricardo Díaz Avilés | .... | transportation coordinator (as Ricardo Díaz) | |
| Enrique Díaz | .... | transportation captain | |
| Sergio Galicia | .... | transportation co-captain | |
| Miguel Angel Guerrero | .... | driver: Mexico | |
| Quincy Howard | .... | driver | |
| Earl R. Hurst Sr. | .... | transportation captain | |
| Earl R. Hurst Sr. | .... | transportation coordinator | |
| Ernesto Mata Jr. | .... | driver: Mexico | |
| Alfonso Paredes | .... | driver | |
| Edmundo Pérez | .... | transportation dispatcher | |
| Gwendalane Ramos | .... | transportation dispatcher | |
| Kenneth Rester | .... | driver | |
| Ricardo Villegas | .... | driver: Mexico | |
| Jonathan Wensel | .... | generator operator/driver | |
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| The Professional: Golgo 13 | Machete | The Fugitive | Beverly Hills Cop | Rumble in the Bronx |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb France section |
If there is one French director the non-French general public knows about, it's Luc Besson. Even if the name means nothing to you, chances are you've heard of the films he's had a hand in. Among his most famous films are Léon: The Professional (which introduced American audiences to Jean Reno and Natalie Portman), Nikita (which has been remade into an American film and two American TV shows so far) and The Fifth Element (which nearly 15 years later remains one of the most famous science-fiction films as well as one of the 10 most expensive French films).
At the dawn of the new millennium, Besson started his own production company, EuropaCorp, which in the last ten years or so has funded its fair share of diverse movies, both in the French and English language. Nevertheless Europa (as it's known in short) is best known to mass audiences for its numerous, high-octane, medium-budget action films, most of which are written or co-written by Besson himself (often with Karate Kid screenwriter Robert Mark Kamen). Among these are the Taxi, Transporter and District B13 series of films, Wasabi, Taken, From Paris With Love, Danny The Dog (also known as Unleashed), Bandidas, Kiss Of The Dragon, Yamakasi, Crimson Rivers 2, Hit-man,... Through these films, Besson is also responsible for introducing the world to Parkour, which seems to have taken over action cinema in the past 5 years (and even making its way to films such as Step Up 3D).
Colombiana is another product from Besson's action film factory. The story starts in 1992 in Bogota, where some mob guy, Don Luis, orders a hit against a former associate of his who he considers has betrayed him, and naturally his whole family. Only young Cataleya Restrepo escapes the bloody shootout during an intense Parkour chase (what else?), and manages to reach her uncle in Chicago, to whom she swears that she'll become a hit-man and avenge her family. Fast-forward and enter Zoe Saldana as adult Cataleya as the rest of the film takes place, strangely enough, in 2007. With her uncle's help, Cataleya has indeed grown up to be an awesomely skilled contract killer, having performed 22 jobs in 4 years. However, she signs each of her kills with a message destined for her real prey, making her one of the FBI's most wanted. When the FBI decides to divulge her "serial killer" status, Don Luis and his men know what's up, and all hell breaks loose.
Much has been said of the film's similarity with Besson's Léon and Nikita, with many people musing that the film could just have well have been a sequel to Léon with Natalie Portman's character all grown-up and kicking butt (something fans have been dreaming about for years). Now I haven't seen Nikita, but while there are similarities between Léon's Mathilda and Colombiana's Cataleya, the two films are definitely not on the same level. Colombiana is really your typical, run-of-the-mill Besson action production, which is really not a bad thing. It is not in the top-tier of these films (where I place films such as Taken and Danny The Dog), but still a perfectly entertaining romp.
Viewers concerned with director Olivier Megaton due to the perceived lack of action in Transporter 3, his previous film, need not be concerned. The action here is almost non-stop, pretty much to the detriment of plot. While the story has potential and could make for a film with a lot more depth, whatever plot is here is minimal to the max, recycled, cliché and basically a hodge-podge of all previous hit-man/revenge/on-the-run-from-the-law films you've ever seen. There is absolutely zero character development whatsoever and if you didn't know that Cataleya's parents were murdered by Don Luis, you would have no idea why any of the characters are doing what they're doing. I'm not exaggerating, the Transformers films, heavily criticized for this reason, have more character development.
But lack of plot depth isn't really a negative here. More depth would have certainly made it a better film, but Colombiana is still entertaining as a simple, straightforward, "dumb" B action flick. Like all EuropaCorp films, production values are top-notch. The expected Parkour chase is kept fresh by having it unfold with a child. Zoe Saldana gives a great physical performance and spends a great deal of time flitting in and out of vents and the various hits shown in the film are all quite cool. The other actors also do fine, though Michael Vartan's character has very little purpose and is actually barely in the movie. Also this might be the only movie you'll ever see in which toothbrushes are used as weapons.
In short, know what to expect from Colombiana (which literally means Colombian woman by the way), and you'll enjoy it fine. It's a straight-up action movie, no more, no less, very low on plot, high on action, that falls straight into the heap with the scores of other similar Besson-produced films, though it doesn't possess the touches of humor that most of his other productions have. In comparison to the other hit-man movies of the year, it's superior to The Mechanic, but way inferior to Hanna (though it contains a lot more action than Hanna, which shouldn't be seen as an action film). This is no Léon: The Professional 2, fans can keep hoping that Besson and Portman work that one out at some point (interestingly, Megaton is first in line to direct if that movie does happen).