Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
In Afghanistan, French journalist Elsa and her colleague Amen are covering the story of Maina, a woman sold to a man when she was a child. Taliban leader Ahmed Zaief abducts Elsa and Amen and tries to force them to read a message to Western governments. The French president sends six Special Force to rescue Elsa who's hidden in a fortress in Pakistan. The team composed of Commander Kovax, Tic-Tac, Lucas, the sniper Elias, Victor and Marius release Elsa and Amen from their imprisonment but lose their radios. Now the group needs to cross the inhospitable land to save their lives with the Taliban chasing them. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Based on their respective beret colors and badges, Kovax, Lucas, Victor and Marius are all "Commandos Marine" of the French Navy, while Elias is most likely from the "No. 10 Air Parachute Commando" unit of the French Air Force and Tic-Tac is a Commando from the French Army's "1st Marine Infantry Parachute Regiment". France's Special Operations Command (COS) has direct operational command of all special operation units, and thus are able to select members from different branches based on mission needs. See more »
While the opening scene is set in Kosovo, the cars have French license plates. See more »
Did I invite you into my country? Spreading democracy at gunpoint and drive my people crazy.
It's still better than selling a 12-year old child.
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Starts as the expected showy advertising for French armed forces (I love the genre but I understand it may not be everybody's cup of tea), then masquerades as some attempt at a lame military action storyline... And then before you know it you find yourself emotionally pulled into a story that provides its share of insights into the contemporary meaning of being a professional soldier. Obviously heavy support from the French armed forces to the production enables the attention to detail that provides credible full immersion into the environment through many vignettes. Stunning landscapes make that even better. Sure, a couple of tactical choices and implausible coincidences pivotal to the story look like concessions to the necessities of a Hollywood movie scenario... But I'll gladly forgive that - and the use of music too : the temptations of becoming a documentary or a caricature have been resisted after all, and what's left is an engaging survival story that will catch an audience far wider than the military niche.
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