In my prior life as a script reader, I certainly read a lot of bad scripts, but at times, an even more common occurrence was a script that seemed to do a great many things right, but somehow fell just short of being something you wanted to champion as a movie. As draining as the terrible scripts were, there’s something pure about clear-cut bad. It takes little effort to explain why they’re unfit.
The real challenges were the scripts that had kind of a decent premise, kind of an okay twist or two, and a lead character who wasn’t bad so much as he or she was just… there. The raw materials are there for what Could be a script. They just happen to be assembled in the least compelling way