Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
When he finds out that his work superiors host a dinner celebrating the idiocy of their guests, a rising executive questions it when he's invited, just as he befriends a man who would be the perfect guest.
In New York, the aspirant filmmaker Linda convinces her husband George Gergenblatt to buy an expensive Micro Loft apartment in Manhattan. Linda expects to sell a documentary about penguins to HBO to help the payment of the installments and George expects a promotion. However, HBO rejects the documentary and George's company has folded and he is fired. With the American financial crisis, they lose a large amount selling the apartment and George does not find a new job. George's brother Rick offers a job position in his company in Atlanta. They drive from New York to Atlanta and they decide to stop for the night in the hotel Elysium. However they see a naked man running toward their car and George tries to return to the highway but accidentally he turns his car over. Soon they learn the Elysium is a hippie and vegan community and the dwellers invite George and Linda to stay with them. However, they decide to go to Atlanta but soon George has an argument with his arrogant brother. George... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Not a bad movie, but can Aniston ever not act "Aniston"?
I wish there was a 6.5 rating. This film doesn't deserve a seven, but it's not quite so low as a six either. It's a meandering film at times, and while Rudd is always great when he's in the role of the middle class and dependable husband/boyfriend put into an unexpected situation, he does have a great deal of comedic talent, and even when he's in a supporting or ensemble cast he generally winds up carrying and being the best thing about most of the movies he's in, Aniston on the other hand is still trying to play the young ingénue she played on "Friends" a decade ago (though she appears to be a sweet woman no matter what role she's playing, and I think that's because she really is a sweet woman who unfortunately isn't a great actress; I think most of her roles to date are basically Aniston playing Aniston). Yes, "Horrible Bosses" WAS a step away from her comfort zone, but her success in that film seemed more based on the character having been created for her than what I can only say was obviously the little and forced effort she put into creating the character. With that movie she could have gone a lot further; despite her supposed sex/power addiction she still seemed like Rachel dressed up like a dominatrix for Halloween, more interested in how she might still look pretty in the nightclub light than how to wield the power her character so desperately needs to make her believable. In "Wanderlust" Aniston's performance is woody, she just can't get into playing a middle aged woman (and c'mon, despite the lighting and the makeup and the botox that's what she is!) who just might want to explore and find out that she is or can be more than the shallow, hungry to succeed city girl that she plays so well in movies and in Hollywood. I'm a middle aged woman myself, and while Rudd's journey is funny and at times touching in his innocent exploration of his societally defined identity, Aniston doesn't bring to the role a sense of identity that a woman her age should have acquired by now. She has a lot of money in real life, so maybe she can stay virtually young forever on the outside, but her acting tells me she's also stayed young, far too young, on the inside. Maybe she'll find that depth as she grows older; if not then she's a TV star past her prime who should stick to the small screen, maybe there she'll again find a niche by playing yet another version of herself. I just hope she learns to play closer to her age -- perhaps a daily job to remind her she's not a twenty something anymore will help her grow up and stop it with the coy little gestures and the wide eye surprise that are cute with the Twilight set but not at all so in a menopausal (or close to it) woman in her mid-forties.
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