1-20 of 66 items from 2017 « Prev | Next »
Paris – Warner Bros. has signed a first-look deal with Marvelous Productions, the Paris-based outfit launched at Cannes by former top-level execs at Pathé, Romain Le Grand and Vivien Aslanian and producer Marco Pacchioni.
Under the pact, Warner Bros. will have the opportunity to board any French-language project produced or co-produced by Marvelous Productions. The agreement underscores the Hollywood studio’s aim to increase its footprint in local production with strong partners.
“We have a deep respect for the talent and professionalism of the founders of Marvelous Productions, and we are convinced of their ability to deliver quality films that have a wide appeal,” said Iris Knobloch, president of Warner Bros. France.
Le Grand and Aslanian were at the helm of Pathé for 19 years before exiting in 2016. Together, they produced and distributed many franchise-based French comedies »
- Elsa Keslassy
Brady Jandreau plays himself in Chloe Zhao’s The Rider - winner of the Grand Prix Award at the 43rd Festival of American Cinema in Deauville The Rider took the top prize, the Grand Prix Award, at the Deauville Festival of American Cinema. The second feature by Chinese-American director Chloe Zhao, this cowboy drama has received many approving reviews and previously scooped the Art Cinema Award in the Directors’ Fortnight at the Cannes Film Festival earlier in the year.
The Rider deals with a young cowboy Brady whose promising future as a top rodeo rider is suddenly jeopardised by a dreadful head injury. The clan are played by real-life family members Brady, Tim and Lilly Jandreau. Zhao met Brady before his real-life accident and developed the story out of the aftermath.
- Richard Mowe
9 September 2017 6:19 PM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Zhao’s cowboy film, which took the Directors’ Fortnight prize in Cannes, won the best film prize, despite jury president and The Artist Oscar winner Michel Hazanavicius jokingly calling out La La Land.
“I fell in love with the heartland of America, which is a place that isn’t shown in the best light right now, which is unfair because these are some of the most amazing, kind and generous people I’ve ever met and I »
- Rhonda Richford
David Lowery’s “A Ghost Story” was the big winner of the 43rd Deauville American Film Festival, scooping three awards, including the Revelation prize, the Critics prize and the Special Jury Special (shared with Joshua Z. Weinstein’s “Menashe”).
Chloé Zhao’s “The Rider,” which world premiered at Cannes’s Directors Fortnight and was acquired by Sony Pictures Classics, won the Grand Prize from a jury presided by Michel Hazanavicius (“The Artist,””Redoutable”).
Hazanavicius praised “The Rider” for his “humanity and poetry” as well as its “soft political reflection.”
When picking up his award from the Revelation jury president Emmanuelle Bercot, the French actress-turned-director, Lowery paid tribute to his wife and said their relationship served as inspiration for the film.
“A Ghost Story” is supernatural drama reuniting Casey Affleck and Rooney Mara. The pair starred in Lowery’s last film, “Ain’t Them Bodies Saints,” which had also competed at Deauville. “A Ghost Story »
- Elsa Keslassy
Bérénice Bejo (“The Artist”) and Alexander Fehling (“Homeland”) star in “Three Peaks,” in which a recently divorced French woman, her 8-year-old son, and her new German boyfriend see their summer holiday in the Italian Dolomites goes from bucolic to harrowing. The film won the Variety Piazza Grande Award at the Locarno Film Festival and is having its North American premiere at the Toronto Intl. Film Festival.
Arentz was the co-founder and managing director of Music Box Films, where he acquired and released prominent foreign-language titles including “The Girl With the Dragon Tattoo” and “A Man Called Ove.” The deal for the North American rights to “Three Peaks” was concluded in »
- Dave McNary
Deauville jury president Michel Hazanavicius: 'I’m a big fan of the ‘rebel’ cinema from the 1950s' Photo: Richard Mowe
He said: “The period between 1921 and 1927 provided many masterpieces but the thrillers from the Thirties are amazing, the Westerns from the Forties gave the movies a whole new strand while I’m a big fan of the ‘rebel’ cinema from the 1950s.
“The big strength of American cinema is the fact that over the decades the blockbusters have always been accompanied by a strong independent sector - B movies or even Z movies.”
Who better then than Hazanavicius to head up as president the jury at the 43rd edition of Deauville’s Festival of American Cinema which opened last night with »
- Richard Mowe
Sally Hawkins only has one Oscar nomination to her name (Best Supporting Actress for “Blue Jasmine”), but that could very well change come early next year. The English actress is front and center in Guillermo del Toro’s fairy tale “The Shape of Water,” and the unanimous raves out of the film’s premiere at the Venice Film Festival prove Hawkins could be a major contender in this year’s race for Best Actress.
Hawkins plays a mute custodial worker named Elisa, who works in a government laboratory during the Cold War and discovers an amphibious creature in a water tank. She forms a special relationship with the creature (played by Doug Jones) that blossoms into something magical and romantic. Critics have weighed in with nothing but raves for del Toro’s latest, and every review singles out Hawkins’ lead role as one of its biggest triumphs.
Read More:‘The Shape of Water »
- Zack Sharf
More often than not, especially in the wealthier parts of this world, having a child is an act of hope. For married couples, it’s a very obvious, very expensive way of renewing their vows — a leap of faith. Some people might have a kid as a desperate means of suturing their relationship together, but nobody does it expecting to get divorced. That’s what makes it all the more devastating when they do.
As sharp and savage as any breakup drama this side of “A Separation,” Joachim Lafosse’s “After Love” is the story of two people who are forced to live in the rubble of their 15-year relationship. By the time the film begins, the affection between Marie Barrault (“The Artist” star Bérénice Bejo) and Boris Marker (“Wild Life” director Cédric Kahn) has already curdled into something toxic; whatever wounds they’ve inflicted on each other have already »
- David Ehrlich
It takes a certain amount of brass ones to make a movie about a still living, and active, cinema legend. However, “The Artist” director Michel Hazanavicius had no fears taking on Jean-Luc Godard in “Le Redoubtable.” The film premiered earlier this year to mixed notices at Cannes (we thought it was a harmless bit of fun), and now it’s making way to theaters where cinephiles will certainly be intrigued.
Continue reading New ‘Le Redoubtable’ Trailer Provides Another Colorful Look At The Life Of Jean-Luc Godard at The Playlist. »
- Kevin Jagernauth
'Good Time' with Robert Pattinson: All but completely bypassed at the Cannes Film Festival, Ben and Joshua Safdie's crime thriller – co-written by Joshua Safdie and Ronald Bronstein – may turn out to be a key contender in various categories next awards season. Bypassed Palme d'Or contenders (See previous post re: Cannes winners Diane Kruger & Sofia Coppola's Oscar chances.) The Cannes Film Festival has historically been both U.S.- and eurocentric. In other words, filmmaking from other countries in the Americas, Africa, Asia, and the Pacific tend to be ignored either at the awards ceremony or at the very outset – in other words, they don't even get the chance to compete for the Palme d'Or. This year was no different, with a mere two non-u.S., non-European productions (or co-productions) among the 19 films in the Official Competition: Naomi Kawase's Japanese romantic drama Radiance and Hong Sang-soo's South Korean romantic drama The Day After. Both came out empty-handed. Among the other movies that failed to win any of the Official Competition awards, several may have a shot in some category or other come Oscar time. Notably: The socially conscious family drama Happy End, produced by veteran Margaret Ménégoz (Pauline at the Beach, Europa Europa) and a Sony Pictures Classics release in North America. Dir.: Michael Haneke. Cast: Isabelle Huppert. Jean-Louis Trintignant. Mathieu Kassovitz. The mix of time-bending mystery and family drama Wonderstruck, a Roadside Attractions / Amazon Studios release (on Oct. 20) in the U.S. Dir.: Todd Haynes. Cast: Julianne Moore. Millicent Simmonds. Cory Michael Smith. The crime drama Good Time, an A24 release (on Aug. 11) in the U.S. Dir.: Ben and Joshua Safdie. Cast: Robert Pattinson. Jennifer Jason Leigh. Barkhad Abdi. Cannes non-win doesn't mean weaker Oscar chances It's good to remember that the lack of a Cannes Film Festival win doesn't necessarily reduce a film's, a director's, a screenwriter's, or a performer's Oscar chances. Case in point: last year's Cannes Best Actress “loser” Isabelle Huppert for Elle. Here are a few other recent examples of Cannes non-winners in specific categories that went on to receive Oscar nods: Carol (2015), Best Actress (Cate Blanchett) nominee. Two Days, One Night / Deux jours, une nuit (2014), Best Actress (Marion Cotillard) nominee. The Great Beauty / La grande bellezza (2013), Best Foreign Language Film winner. The Hunt / Jagten (2012), Best Foreign Language Film nominee (at the 2013 Academy Awards). The Artist (2011), Best Picture and Best Director (Michel Hazanavicius) Oscar winner. And here's a special case: Amour leading lady and 2012 Best Actress Oscar nominee Emmanuelle Riva could not have won the Best Actress Award at Cannes, as current festival rules prevent Palme d'Or winners from taking home any other Official Competition awards. In other words, Isabelle Huppert (again), Julianne Moore, and Robert Pattinson – and their respective films – could theoretically remain strong Oscar contenders despite the absence of Cannes Film Festival Official Competition victories. Mohammad Rasoulof and Leslie Caron among other notable Cannes winners Besides those already mentioned in this article, notable winners at the 2017 Cannes Film Festival include: Mohammad Rasoulof's A Man of Integrity. Having infuriated Iran's theocracy, in 2010 Rasoulof was sentenced to a year in prison following accusations of “filming without a permit.” He has been out on bail. In 2011, Rasoulof won the Un Certain Regard sidebar's Best Director Award for Goodbye. Two years later, his Un Certain Regard entry Manuscripts Don't Burn won the International Film Critics' Fipresci Prize. Veteran Leslie Caron and her 17-year-old pet rescue dog Tchi Tchi shared the Palm DogManitarian Award for their work in the British television series The Durrells in Corfu / The Durrells. Caron, who will be turning 86 on July 1, made her film debut in Vincente Minnelli's 1951 musical An American in Paris – that year's Best Picture Academy Award winner. She would be shortlisted twice for the Best Actress Oscar: Lili (1953) and The L-Shaped Room (1963). Last year, she was the subject of Larry Weinstein's documentary Leslie Caron: The Reluctant Star and will next be seen in Thomas Brunot's short The Perfect Age. Faces Places / Visages, villages, which offers a tour of the French countryside, won Cannes' Golden Eye Award for Best Documentary. The directors are veteran Agnès Varda (Cléo from 5 to 7, Vagabond), who turned 89 on May 30, and photographer/muralist Jr. Faces Places is supposed to be Varda's swan song, following a career spanning more than six decades. Her 2008 César-winning documentary The Beaches of Agnès was one of the 15 semi-finalists for the Best Documentary Feature Oscar. See below a comprehensive list of the 2017 Cannes Film Festival winners. Leslie Caron in 'The Durrells in Corfu.' TV series a.k.a. 'The Durrells' earned the veteran two-time Best Actress Oscar nominee ('Lili,' 1953; 'The L-Shaped Room,' 1963) and her dog companion Tchi Tchi this year's Palm DogManitarian Award at the Cannes Film Festival. 2017 Cannes Film Festival winners Official Competition Palme d'Or: The Square (dir.: Ruben Östlund). Grand Prix: 120 Beats per Minute (dir.: Robin Campillo). Jury Prize: Loveless (dir.: Andrey Zvyagintsev). Best Screenplay (tie): The Killing of a Sacred Deer, Yorgos Lanthimos & Efthymis Filippou. You Were Never Really Here, Lynne Ramsay. Best Actress: Diane Kruger, In the Fade. Best Actor: Joaquin Phoenix, You Were Never Really Here. Best Director: Sofia Coppola, The Beguiled. Best Short Film: A Gentle Night (dir.: Qiu Yang). Short Film Special Mention: Katto (dir.: Teppo Airaksinen). Un Certain Regard Un Certain Regard Award: A Man of Integrity (dir.: Mohammad Rasoulof). Jury Prize: April's Daughter / Las hijas de abril (dir.: Michel Franco). Best Director: Taylor Sheridan, Wind River. Best Actress / Best Performance: Jasmine Trinca, Fortunata. Prize for Best Poetic Narrative: Barbara (dir.: Mathieu Amalric). International Film Critics' Fipresci Prize Official Competition: 120 Beats per Minute. Un Certain Regard: Closeness (dir.: Kantemir Balagov). Directors' Fortnight: The Nothing Factory / A Fábrica de Nada (dir.: Pedro Pinho). Directors' Fortnight / Quinzaine des Réalisateurs Prix Sacd (Société des Auteurs Compositeurs Dramatiques) (tie): Lover for a Day / L'amant d'un jour (dir.: Philippe Garrel). Let the Sunshine In / Un beau soleil intérieur (dir.: Claire Denis). C.I.C.A.E. Art Cinema Award: The Rider (dir.: Chloe Zhao). Europa Cinemas Label: A Ciambra (dir.: Jonas Carpignano). Prix Illy for Best Short Film: Back to Genoa City / Retour à Genoa City (dir.: Benoît Grimalt). Critics' Week Grand Prize: Makala (dir.: Emmanuel Gras). Visionary Award: Gabriel and the Mountain / Gabriel e a Montanha (dir.: Fellipe Barbosa). Gan Foundation Award for Distribution: Version Originale Condor, French distributor of Gabriel and the Mountain. Sacd Award: Léa Mysius, Ava. Discovery Award for Best Short Film: Los desheredados (dir.: Laura Ferrés). Canal+ Award for Best Short Film: The Best Fireworks Ever / Najpienkniejsze Fajerwerki Ever (dir.: Aleksandra Terpinska). Other Cannes Film Festival 2017 Awards 70th Anniversary prize: Nicole Kidman. Caméra d'Or for Best First Film: Montparnasse Bienvenue / Jeune femme (dir.: Léonor Serraille). Golden Eye Award for Best Documentary: Faces Places / Visages, Villages (dir.: Agnès Varda, Jr). Prize of the Ecumenical Jury: Radiance (dir.: Naomi Kawase). Queer Palm: 120 Beats per Minute. Queer Palm for Best Short Film: Islands / Les îles (dir.: Yann Gonzalez). Cannes Soundtrack Award for Best Composer: Daniel Lopatin, Good Time. Vulcan Prize for Artist Technicians: Josefin Åsberg, The Square. Kering Women in Motion Award: Isabelle Huppert. Palm Dog: Einstein the Dog for The Meyerowitz Stories (New and Selected). Palm DogManitarian Award: Leslie Caron and the dog Tchi Tchi for The Durrells in Corfu. Chopard Trophy for Male/Female Revelation: George MacKay and Anya Taylor-Joy. This article was originally published at Alt Film Guide (http://www.altfg.com/). »
- Steph Mont.
'120 Beats per Minute' trailer: Robin Campillo's AIDS movie features plenty of drama and a clear sociopolitical message. AIDS drama makes Pedro Almodóvar cry – but will Academy members tear up? (See previous post re: Cannes-Oscar connection.) In case France submits it to the 2018 Best Foreign Language Film Oscar, screenwriter-director Robin Campillo's AIDS drama 120 Beats per Minute / 120 battements par minute, about the Paris Act Up chapter in the early 1990s, could quite possibly land a nomination. The Grand Prix (Cannes' second prize), international film critics' Fipresci prize, and Queer Palm winner offers a couple of key ingredients that, despite its gay sex scenes, should please a not insignificant segment of the Academy membership: emotionalism and a clear sociopolitical message. When discussing the film after the presentation of the Palme d'Or, Pedro Almodóvar (and, reportedly, jury member Jessica Chastain) broke into tears. Some believed, in fact, that 120 Beats per Minute »
- Steph Mont.
20 June 2017 1:45 AM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Michel Hazanavicius' Redoubtable will open this year's Jerusalem Film Festival on July 13.
For the biopic, the director of The Artist returns to the well of cinema history, looking at the life of French-Swiss New Wave legend Jean-Luc Godard, in particular his political radicalization and the breakup of his short marriage to the much younger actress Anne Wiazemsky in 1968. Redoubtable premiered in competition in Cannes last month.
Hazanavicius will attend the Jerusalem open-air premiere at the Sultan's Pool Amphitheatre. The 34th Jerusalem festival, which runs July 13-23, will screen more than 180 films.
- Scott Roxborough
Emmanuelle Bercot will preside over the Revelation jury.
The jury will hand out the grand prize and jury prize at the event, which is based in the Normandy seaside resort.
“I’m extremely moved and honoured to preside over this year’s Jury of the Deauville American Film Festival,” said Hazanavicius.
“Like half the planet, I was in part raised on American cinema and I am looking forward to spending these 10 days of binge-watching the latest output. In cinema we trust!”
Hazanavicius’ latest film Redoubtable was in official competition at this year’s Cannes Film Festival.
She said: “As a great lover of all things American, I am delighted »
- firstname.lastname@example.org (Orlando Parfitt)
French director Michel Hazanavicius, whose latest film “Redoutable” competed at Cannes, is set to preside over the jury of the 43rd Deauville American Film Festival.
Hazanavacius’ jury will hand out two awards, the Grand Prize and Jury Prize, to films playing in competition in Deauville.
“I’m extremely moved and honored to preside over this year’s Jury of the Deauville American Film Festival,” said Hazanavicius, whose Oscar-winning film “The Artist” has been described as a love letter to Hollywood’s silent era. “Like half the planet, I was in part raised on American cinema and I am looking forward to spending these 10 days of binge-watching the latest output. In cinema we trust!”
Helmed by artistic director Bruno Barde, the Deauville festival complimented Hazanavicius on showing “an iconoclastic yet appealing style, revealing a concern to reach audiences without abandoning his artistic rigor since his beginnings as a filmmaker.”
Meanwhile, Emmanuelle Bercot, »
- Elsa Keslassy
“Resistance” the story of the famed mime Marcel Marceau and how he learned to mime in order to survive and to save the lives of Jewish orphans in World War II France, written and to be directed by “Hands of Stone” director Jonathan Jakubowicz and produced by Claudine Jakubowicz and Carlos Garcia de Paredes, will star the curly haired and fast talking Jesse Eisenberg who played Mark Zuckerberg in the 2010 film “The Social Network”. Baptiste Marceau, the oldest son of Marcel, has been closely involved in the research for this European coproduction that CAA is packaging and representing in Cannes. Marceau the artist of silence gave his first major performance to 3,000 American troops after the liberation of Paris in August 1944.
The producers of last year’s Norwegian hit, “The Wave”, have turned their attention to Marius Holst’s “Betrayed”, the story of the Norwegian Jews »
- Sydney Levine
Congratulations to this poodle below from The Meyerowitz Stories who won the coveted Palme Dog
The Palme Dog is not an official prize from the festival itself but it's always fun to see who wins. Past years winners have been the utterly adorable bulldog from Paterson (2016), the Maltese from Arabian Nights (2014), Uggie from The Artist (2011) and so on. The Palme Dog people also gave an honorary to the bomb sniffing dogs working Cannes to ensure the safety of the industry professionals attending.
But wait that's not all. Two of the official Cannes juries also named their winners in advance of tomorrow's main closing night ceremony. Read about them after the jump »
- NATHANIEL R
Dustin Hoffman as Harold out walking with poodle Bruno in The Meyerowtiz Stories. Bruno has won the Palm Dog award. Harold is hospitalised after a head injury he received while walking the poodle (“You should see the other dog,” his character jokes). Photo: Netflix
A poodle named Bruno has rewarded for his acting efforts in The Meyerowitz Stories, taking the prestigious Palm Dog award at the Cannes Film Festival (today 26 May). He plays Dustin Hoffman’s soul mate in Noah Baumbach’s New York set family drama and was a front runner early on.
Palm Dog is the world's best known award for dogs on screen. From humble beginnings the Palm Dog has grown into a recognised and lauded fixture on the international Film Award circuit. It is designated for best canine performances in film, judged and attended by international film stars and critics since 2001.
The award was brandished proudly »
- Richard Mowe
The movie centers on iconic French director Jean-Luc Godard and the drama surrounding the shooting of his controversial 1967 film, “Le Chinoise,” which starred his then-wife, Anne Wiazemsky, and foreshadowed the global student protests that erupted in 1968.
Cohen Media Group plans a North American release in early 2018. The film stars Louis Garrel (“The Dreamers”) as Godard and Stacy Martin (“Nymphomaniac Vol. I” and “Vol. II”) as his second wife, Anne Wiazemsky.
Variety’s Owen Gleiberman gave the film a positive review, writing, “The surprise of ‘Redoubtable,’ which turns out to be a lightly audacious and fascinating movie (if not exactly one to warm your heart), is that though it is, in fact, structured around Godard’s marriage to Wiazemsky, its real subject is his life as an artist — in particular, »
- Dave McNary
Exclusive, 6:32 AM PST: The Cannes distribution deals are still coming. I hear that Cohen Media Group is nearing a domestic distribution deal for Redoubtable. That’s the Cannes premiere film by The Artist helmer Michel Hazanavicius-directed drama that stars Louis Garrel, Stacy Martin, and Berenice Bejo. Florence… »
It’s more Pastiche du Godard than Histoire(s) du Godard in Michel Hazanavicius’ Redoubtable and that’s not a bad thing. The director’s slight but surprisingly playful account of nouvelle vague maestro Jean-Luc Godard’s marriage to actress Anne Wiazemsky and his re-radicalization in the late 1960s has the potential to infuriate the more devout of Godard followers but there is plenty of good-hearted goading and creative homage to savor for the less pedantic fan.
Honing in on a tumultuous time for Godard and his adoptive France, Hazanavicius charts the relationship between him and Wiazemsky from beginning — on the set of his 1967 film La Chinoise — to end, taking in the 1968 protests and subsequent student movement (“I like the movement, not the students,” he later exclaims) as well as Godard’s own abstract departures from his previous filmmaking methods. It marks a welcome return for the director (Michel that »
- Rory O'Connor
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