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Directed by | |||
| Simon Curtis | |||
Writing credits | ||
| Adrian Hodges | (screenplay) | |
| Colin Clark | (books "My Week with Marilyn" and "The Prince, the Showgirl and Me") | |
Produced by | |||
| Kelly Carmichael | .... | executive producer | |
| Cleone Clarke | .... | associate producer | |
| Mark Cooper | .... | co-producer | |
| Simon Curtis | .... | executive producer | |
| Christine Langan | .... | executive producer | |
| Jamie Laurenson | .... | executive producer | |
| Ivan Mactaggart | .... | executive producer | |
| David Parfitt | .... | producer | |
| Colin Vaines | .... | co-executive producer: The Weinstein Company | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | producer | |
Original Music by | |||
| Conrad Pope | |||
Cinematography by | |||
| Ben Smithard | (director of photography) | ||
Film Editing by | |||
| Adam Recht | |||
Production Design by | |||
| Donal Woods | |||
Art Direction by | |||
| Charmian Adams | (supervising art director) | ||
| Mark Kebby | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Zoe Brown | .... | hair stylist | |
| Zoe Brown | .... | makeup artist | |
| Michael Buckley | .... | hair dailies | |
| Michael Buckley | .... | makeup dailies | |
| Jennie Cooper | .... | hair stylist trainee | |
| Jennie Cooper | .... | makeup artist trainee | |
| Hannah Edwards | .... | hair stylist | |
| Hannah Edwards | .... | makeup artist | |
| Lisa Harris | .... | hair dailies | |
| Lisa Harris | .... | makeup dailies | |
| Ameneh Mahloudji | .... | hair dailies | |
| Ameneh Mahloudji | .... | makeup dailies | |
| Marc Pilcher | .... | hair stylist | |
| Marc Pilcher | .... | makeup artist | |
| Robin Pritchard | .... | prosthetic makeup artist | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
| Sam Smart | .... | hair dailies | |
| Sam Smart | .... | makeup dailies | |
| Emily Swift | .... | hair stylist trainee | |
| Emily Swift | .... | makeup artist trainee | |
| Robert Trenton | .... | prosthetic makeup artist (as Rob Trenton) | |
| Richard Glass | .... | contact lens optician (uncredited) | |
| Lynn Jackett | .... | makeup and hair: dailies (uncredited) | |
| Denise Kum | .... | makeup artist: Judi Dench (uncredited) | |
| Chris Lyons | .... | special effects teeth (uncredited) | |
| Alex Rouse | .... | wig maker (uncredited) | |
| Pippa Woods | .... | makeup artist: dailies (uncredited) | |
Production Management | |||
| Alison Beckett | .... | executive in charge of post production: The Weinstein Company | |
| Tania Blunden | .... | post-production supervisor | |
| John Crampton | .... | unit manager | |
| Sara Desmond | .... | production manager | |
| Matt Landon | .... | executive in charge of production: The Weinstein Company | |
| Tim Porter | .... | assistant unit production manager | |
| Matthew Shapiro | .... | additional post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Foggin | .... | third assistant director | |
| Guy Heeley | .... | first assistant director | |
| Alexander Holt | .... | additional third assistant director (as Alex Holt) | |
| Charlie Reed | .... | second assistant director | |
| Ben Woolf | .... | trainee director | |
| Liam Lock | .... | third assistant director (uncredited) | |
| Alex Oakley | .... | first assistant director: additional photography (uncredited) | |
Art Department | |||
| Barty Bailey | .... | painter | |
| Vivien Ball | .... | painter | |
| Corina Burrough | .... | production buyer (as Corina Floyd) | |
| Damian Butlin | .... | property storeman | |
| Laura Conway-Gordon | .... | stand-by art director | |
| Steve Deane | .... | supervising carpenter | |
| Andy Forrest | .... | standby props | |
| Nigel Hughes | .... | scenic artist | |
| Barry Lawrence | .... | carpenter | |
| Neil McAllister | .... | standby props | |
| Barry Moll | .... | construction manager | |
| Ian Murray | .... | stand-by rigger | |
| Robert Noble | .... | carpenter | |
| Clare Porritt | .... | art department assistant | |
| Mike Power | .... | property master | |
| Don Santos | .... | chargehand dressing props | |
| Chris Sibley-Hale | .... | stand-by carpenter | |
| Bob Thorne | .... | dressing props | |
| Chantelle Valentine | .... | assistant art director | |
| Roger Wilkins | .... | carpenter | |
| Joe Willmott | .... | carpenter (as Joseph Willmott) | |
| Mark Alexander Wood | .... | stand-by painter (as Mark Wood) | |
| Nick Wood | .... | supervising painter | |
| Matt Wyles | .... | dressing props | |
| Kevin Day | .... | additional stand-by props (uncredited) | |
| Lois Gabrin | .... | art department trainee (uncredited) | |
Sound Department | |||
| Nick Adams | .... | sound conform editor | |
| Phillip Barrett | .... | foley supervisor | |
| David Boulton | .... | adr mixer | |
| Steve Browell | .... | sound conform editor | |
| James Corless | .... | sound mix technician | |
| Mike Dowson | .... | sound re-recording mixer | |
| Richard Dyer | .... | production sound mixer | |
| John Hagenstede | .... | sound maintenance | |
| Glyn Hamer | .... | sound assistant | |
| Paul Hanks | .... | foley artist | |
| Catherine Hodgson | .... | sound effects editor | |
| Rob Hughes | .... | adr mixer | |
| Nick Lowe | .... | supervising sound editor | |
| Myron Nettinga | .... | sound effects editor | |
| Adam Scrivener | .... | sound re-recording mixer | |
| Alastair Sirkett | .... | sound effects editor | |
| Simon Trundle | .... | foley mixer | |
| Ian Waggott | .... | foley artist (as Ian Waggot) | |
| Gregg Baxter | .... | co-adr supervisor (uncredited) | |
| Laurent Boudaud | .... | sound re-recording mixer (uncredited) | |
| Brian Bowles | .... | dialogue editor (uncredited) | |
| Sandy Buchanan | .... | adr recordist (uncredited) | |
| Ben Collinson | .... | sound assistant: additional photography (uncredited) | |
| Ben Cross | .... | foley mixer (uncredited) | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Nick Foley | .... | adr mixer (uncredited) | |
| Michael Fowler | .... | adr recordist (uncredited) | |
| Glen Gathard | .... | adr mixer (uncredited) | |
| Dan Korintus | .... | dialogue editor (uncredited) | |
| Ric Schnupp | .... | adr recordist (uncredited) | |
| Yanti Windrich | .... | adr assistant (uncredited) | |
Special Effects by | |||
| Mark Holt | .... | special effects supervisor | |
| Dickon Mitchell | .... | special effects senior technician | |
| David Holt | .... | special effects technician (uncredited) | |
| Stephen Hutchinson | .... | special effects supervisor (uncredited) | |
Visual Effects by | |||
| Stella Ampatzi | .... | digital compositor: Peerless Camera Company | |
| Daniel Baker | .... | visual effects coordinator: Peerless Camera Company (as Dan Baker) | |
| Adrian Banton | .... | digital compositor: LipSync Post | |
| Antony Bluff | .... | visual effects producer: LipSync Post | |
| Luke Butler | .... | digital compositor: LipSync Post | |
| Naomi Butler | .... | digital compositor: LipSync Post | |
| Alan Church | .... | visual effects supervisor: Peerless Camera Company | |
| Tom Collier | .... | digital compositor: LipSync Post | |
| Sam Cox | .... | CG artist: Lipsync Post | |
| John Paul Docherty | .... | digital effects supervisor: Peerless Camera Company | |
| Stefan Drury | .... | head of visual effects: LipSync Post | |
| Colin Ebanks | .... | digital compositor: LipSync Post | |
| James Elster | .... | digital compositor: LipSync Post | |
| Sean Farrow | .... | executive visual effects supervisor: Lipsync Post (as Sean H. Farrow) | |
| Elysia Greening | .... | digital compositor: LipSync Post | |
| Kent Houston | .... | visual effects consultant: Peerless Camera Company | |
| U-Sun I Hu | .... | digital compositor: LipSync Post | |
| Mason Jarratt | .... | visual effects producer: Peerless Camera Company | |
| Diane Kingston | .... | visual effects producer: Peerless Camera Company | |
| David Lloyd | .... | senior systems engineer: Lipsync Post | |
| Sarah Marchant | .... | digital compositor: Peerless Camera Company | |
| Emelie Nilsson | .... | digital compositor: LipSync Post | |
| Dylan Owen | .... | digital compositor: LipSync Post (as Dylan Wyn Owen) | |
| Jane Paton | .... | digital compositor: LipSync Post | |
| Tim Pruce | .... | digital compositor: Peerless Camera Company | |
| Antonio Rodríguez Díaz | .... | digital compositor: LipSync Post (as Antonio Rodriguez Diaz) | |
| Katie Roehrick | .... | visual effects coordinator: Lipsync Post | |
| Paul Round | .... | digital compositor: Peerless Camera Company | |
| James Russell | .... | digital compositor: Peerless Camera Company | |
| Daniel Spain | .... | systems engineer: Lipsync Post (as Dan Spain) | |
| Alan Stucchi | .... | digital compositor: Peerless Camera Company | |
| John Swinnerton | .... | digital compositor: Peerless Camera Company | |
| Lucy Tanner | .... | visual effects coordinator: Lipsync Post | |
| Emeline Tedder | .... | digital compositor: Peerless Camera Company | |
| Sheila Wickens | .... | visual effects supervisor: LipSync Post | |
| Harry Wormald | .... | digital matte painter: Lipsync Post | |
| Martin Body | .... | lead rotoscope artist: Peerless Camera Co. Ltd (uncredited) | |
| Enid Dalkoff | .... | digital compositor (uncredited) | |
| Andrew Kingston | .... | systems administrator (uncredited) | |
| Rosanna Mennear | .... | digital effects producer (uncredited) | |
| Christopher T. Page | .... | rotoscope artist (uncredited) | |
| Josh Peterson | .... | additional visual effects artist (uncredited) | |
| Deepa Sebastian | .... | visual effects administrator: Peerless Camera Company (uncredited) | |
| Angela Stanley | .... | on-set supervisor: LipSync Post (uncredited) | |
Stunts | |||
| Belinda McGinley | .... | stunt performer | |
| Julian Spencer | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jacob Barrie | .... | clapper loader | |
| Sarah Brown | .... | assistant lighting designer | |
| Laurence Cendrowicz | .... | still photographer | |
| Nick Chetham | .... | grip trainee | |
| Mark Clayton | .... | lighting gaffer | |
| Shaun Cobley | .... | "b" camera focus puller | |
| Adam Coles | .... | focus puller: a camera | |
| Nicholas Crew | .... | grip trainee | |
| Hamish Doyne-Ditmas | .... | "b" camera operator | |
| Penny Eisenhauer | .... | lighting designer: theatrical lighting | |
| Enrico Faccio | .... | electrician | |
| Jules Fisher | .... | lighting designer: theatrical lighting | |
| Woody Gregson | .... | "b" camera clapper loader | |
| Rob Halliday | .... | lighting programmer: theatrical | |
| Guy Hammond | .... | electrician | |
| Guy Hammond | .... | generator operator | |
| Benny Harper | .... | best boy | |
| Alex Howe | .... | "c" camera clapper loader | |
| Brigitte Lacombe | .... | credit sequence photographer | |
| Rupert Lloyd-Parry | .... | key grip (as Rupert Lloyd Parry) | |
| Mark Milsome | .... | "c" camera operator | |
| David Penfold | .... | "b" camera focus puller | |
| Steve Reeve | .... | electrician: theatrical production | |
| Tony Sankey | .... | "b" camera grip | |
| Ben Smithard | .... | "a" camera operator | |
| Sam Smithard | .... | "b" camera clapper loader | |
| Derek Walker | .... | steadicam operator | |
| Andy Walton | .... | desk operator | |
| Andy Walton | .... | desk operator: theatrical | |
| Dan West | .... | central loader | |
| Leo Winslow | .... | video assist operator | |
| Steve Young | .... | electrician | |
| Guy Aldridge | .... | follow spot operator (uncredited) | |
| Marcus Blatchford | .... | rigger: additional photography (uncredited) | |
| Robbie Bryant | .... | camera department (uncredited) | |
| Linford Hudson | .... | follow spot operator (uncredited) | |
| James Starr | .... | video assist (uncredited) | |
| James Summers | .... | rigging gaffer (uncredited) | |
| Rachel Walsh | .... | follow spot operator (uncredited) | |
Casting Department | |||
| Deborah Aquila | .... | casting: US | |
| Vanessa Baker | .... | voice casting | |
| Kharmel Cochrane | .... | casting assistant: UK | |
| Lesley Gogarty | .... | extras casting: The Casting Network | |
| Nina Gold | .... | casting: UK | |
| Saraphina Monaco | .... | casting assistant: US | |
| Robert Sterne | .... | casting associate: UK | |
| Sue Wood | .... | crowd casting: Eton | |
| Tricia Wood | .... | casting: US | |
| Lisa Zagoria | .... | casting associate: US | |
| Dann Fink | .... | adr voice casting (uncredited) | |
| Patty Majorczak-Connolly | .... | adr voice casting (uncredited) | |
| Mark Sussman | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sally Crees | .... | costume dailies | |
| Adam Dee | .... | costume assistant | |
| Gerson Di Santo | .... | costume maker | |
| Valeria Di Santo | .... | costume maker | |
| Natalie Humphries | .... | assistant costume designer | |
| Jane Marcantonio | .... | costume dailies | |
| Julie Merritt | .... | costume dailies | |
| Emma Moore | .... | assistant costume designer | |
| Matthew Pachtman | .... | costume assistant: Martin Pakledinaz | |
| Martin Pakledinaz | .... | costume designer: USA | |
| Catherine Pearson | .... | costume assistant | |
| Anna Reynolds | .... | costume dailies | |
| Gwen Russell | .... | costume maker | |
| Charlotte Sewell | .... | costume supervisor | |
| Victoria Taylor | .... | costume assistant | |
| Aaron Timperley | .... | costume assistant | |
Editorial Department | |||
| Pete Beaudreau | .... | additional editor | |
| Dan Bentham | .... | post-production producer: Lipsync Post | |
| Linden Brownbill | .... | digital intermediate technical support | |
| Alberto Buron | .... | digital restoration artist | |
| Jo Burrows | .... | trainee assistant editor | |
| Lee Clappison | .... | digital colorist | |
| James Clarke | .... | digital intermediate supervisor | |
| Peter Collins | .... | digital lab operator | |
| Scott Goulding | .... | on-line editor | |
| Naomi Howarth | .... | post-production runner | |
| Ian Johnson | .... | first assistant editor | |
| Julia Kots | .... | additional editor | |
| Abigail McKenzie | .... | digital lab operator | |
| Lucy Seaborne | .... | on-line editor | |
| Wyatt Smith | .... | additional editor | |
| Kevin Tent | .... | additional editor | |
| Daniel Tomlinson | .... | scanning and recording manager | |
| Diana Vasquez | .... | on-line editor | |
| Mathieu Reid | .... | color timer (uncredited) | |
Music Department | |||
| David Arch | .... | musician: solo piano | |
| John Barclay | .... | musician: big band trumpet | |
| Chris Baron | .... | musician: percussions | |
| John Barrett | .... | music recording engineer assistant | |
| Dave Bishop | .... | musician: big band solo tenor saxophone | |
| Thomas Bowes | .... | orchestra leader | |
| Nicholas Bucknall | .... | musician: solo clarinet | |
| Tom Bullen | .... | music mixing assistant | |
| Perry Cavari | .... | musician: New York rehearsal drummer | |
| Jon Charles | .... | additional orchestrations | |
| Peter Clarke | .... | music editor | |
| Peter Cobbin | .... | music recording engineer | |
| Terry Davies | .... | vocal coach: MIchelle Williams | |
| Alexandre Desplat | .... | composer: Marilyn's Theme | |
| Jay Duerr | .... | music editor | |
| Richard Glasser | .... | executive in charge of music: The Weinstein Company | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | musicians contractor | |
| Dave Hage | .... | music preparation: Dakota Music | |
| Karen Jones | .... | musician: solo flute | |
| Gary Kettel | .... | musician: percussions | |
| David Krane | .... | arranger: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" | |
| David Krane | .... | music producer: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" | |
| David Krane | .... | vocal coach: Michelle Williams | |
| Lang Lang | .... | musician: featured piano soloist | |
| Charlotte Matthews | .... | assistant musicians contractor | |
| Adam Miller | .... | music recording engineer assistant | |
| Bill Newlin | .... | additional orchestrations | |
| Mark Nightingale | .... | musician: big band solo trombone | |
| Conrad Pope | .... | arranger | |
| Conrad Pope | .... | conductor | |
| Conrad Pope | .... | orchestrator | |
| Paul Pritchard | .... | music recording engineer assistant | |
| Colin Rae | .... | on-set music preparation | |
| Maggie Rodford | .... | music supervisor | |
| Dana Sano | .... | music supervisor | |
| Nan Schwartz | .... | additional orchestrations | |
| Jamie Talbot | .... | musician: big bang solo clarinet | |
| Clifford J. Tasner | .... | additional orchestrations | |
| Nick Taylor | .... | music mixer | |
| Michelle Williams | .... | performer: Marilyn's songs | |
| Alison Wright | .... | score supervisor | |
| Helen Yates | .... | assistant music supervisor | |
| Tass Filipos | .... | music editor (uncredited) | |
| Richard Glasser | .... | soundtrack album producer (uncredited) | |
| Patrick Jonsson | .... | assistant score recordist (uncredited) | |
Transportation Department | |||
| Bryan Agar | .... | driver: Judi Dench (as Bryan Algar) | |
| Martin Alderdice | .... | action vehicle coordinator (as Martin Allerdice) | |
| Tony Cooper | .... | unit driver | |
| Carlos Grayham | .... | facilities driver | |
| Dave Jones | .... | facilities driver | |
| Steve Meek | .... | facilities driver | |
| Kenny Miles | .... | facilities driver | |
| Jason Morgan | .... | facilities driver | |
| Jason Mortlock | .... | unit driver | |
| Nick Ridge | .... | facilities driver | |
| David Rosenbaum Jr. | .... | driver: Michelle Williams | |
| David Rosenbaum | .... | transport captain (as David Rosenbaum Sr.) | |
| Barry Stone | .... | facilities driver | |
| Xen Xenophontos | .... | driver: Kenneth Branagh | |
Other crew | |||
| Hannah Andrews | .... | assistant production coordinator | |
| Hailu Asfaw | .... | head chef (as Hailu 'H' Asfaw) | |
| Liz Barron | .... | financial controller | |
| Chris Bentley | .... | titles coordinator: Lipsync Design | |
| Samantha Black | .... | production coordinator | |
| Zoe Brown | .... | head of business affairs: BBC Films | |
| Tim Clawson | .... | executive in charge of physical production: The Weinstein Company | |
| Jamie Cook | .... | catering manager | |
| Jessica Corlett | .... | floor runner | |
| Warren Demer | .... | assistant accountant | |
| Jon Diamond | .... | representative: Lipsync Productions | |
| Penny Dyer | .... | dialect coach | |
| Peter Eardley | .... | production accountant | |
| Tina Falcone | .... | assistant accountant | |
| Denise Faye | .... | choreographer: "Heatwave" and "That Old Black Magic" | |
| Jo Fernihough | .... | unit publicist: Freud Communications | |
| Leah Foley | .... | catering assistant | |
| Jane Gibson | .... | choreographer | |
| Jane Gibson | .... | movement coach: Michelle Williams | |
| Julia Hall | .... | title designer: Lipsync Design | |
| Audrey Hamm | .... | assistant choreographer | |
| Peter Hampden | .... | representative: Lipsync Productions | |
| Beni Hardiman | .... | production assistant | |
| Paul Harding | .... | security manager | |
| Jane Hawley | .... | production executive: BBC Films | |
| Paul Hayes | .... | key floor runner | |
| Vicki Howe | .... | script supervisor | |
| Sarah Hughes | .... | legal clearances | |
| Ian Hutchinson | .... | assistant location manager | |
| Jemma Kearney | .... | assistant: Michelle Williams | |
| James R. Kipping | .... | floor runner (as James Kipping) | |
| Lance Kline | .... | executive in charge of business and legal affairs: The Weinstein Company | |
| Kate Lee | .... | unit publicist: Freud Communications | |
| Kathleen Marshall | .... | choreographer: "Heatwave" and "That Old Black Magic" | |
| Richard Maynard | .... | catering manager (as Richard Mynard) | |
| Norman Merry | .... | representative: Lipsync Productions | |
| Christos Michaels | .... | representative: Lipsync Productions | |
| Simon Osborn | .... | legal and business affairs manager: BBC Films | |
| Beth Pattinson | .... | development editor: BBC Films | |
| Michal Podell | .... | executive in charge of business and legal affairs: The Weinstein Company (as Michal Podell Steinberg) | |
| Marcin Ptak | .... | catering assistant | |
| Greta Seacat | .... | acting coach: Michelle Williams | |
| Trevor Stanley | .... | post production accountant | |
| Ashley Stowell | .... | medic | |
| Elizabeth Walker | .... | pre-production accountant | |
| Howard Watkins | .... | head of title design: Lipsync Design | |
| Jason Wheeler | .... | location manager | |
| Paige Williams | .... | assistant: Michelle Williams | |
| Michael Wood | .... | production executive: BBC Films | |
| Andy Young | .... | key floor runner | |
| Thom Berryman | .... | media transfer engineer (uncredited) | |
| Lex Donovan | .... | production secretary: additional photography (uncredited) | |
| Vinnie Jassal | .... | location scout (uncredited) | |
| Matthew Jenkins | .... | production coordinator: additional photography (uncredited) | |
| Yuen-Wai Liu | .... | assistant coordinator: additional photography (uncredited) | |
| Hugues Mace | .... | runner: additional photography (uncredited) | |
| Katie Watson | .... | business representative: SAG (uncredited) | |
Thanks | |||
| Lucas Webb | .... | special thanks | |
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| The Young Victoria | Swimming Pool | One Day | The Collector | Nicholas Nickleby |
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I liked this movie, it was a non-judgemental re-telling of a slice of history. I thought the performances were all very good by the leading characters. I have no idea what the real Marilyn was like and I don't think many people do, but Michelle Williams character is a more than plausible interpretation, vulnerable at times, manipulative at others, who really knows where the reality lies, but there was something for everyone's interpretation. The movie did a good job of depicting that moment in time and transporting the audience there for a couple of hours. I guess it is every man's fantasy to have this opportunity, so the story is a satisfying one for any man who has ever wondered what the real Marilyn may have been like.