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Directed by | |||
| Simon Curtis | |||
Writing credits | ||
| Adrian Hodges | (screenplay) | |
| Colin Clark | (books "My Week with Marilyn" and "The Prince, the Showgirl and Me") | |
Produced by | |||
| Kelly Carmichael | .... | executive producer | |
| Cleone Clarke | .... | associate producer | |
| Mark Cooper | .... | co-producer | |
| Simon Curtis | .... | executive producer | |
| Christine Langan | .... | executive producer | |
| Jamie Laurenson | .... | executive producer | |
| Ivan Mactaggart | .... | executive producer | |
| David Parfitt | .... | producer | |
| Colin Vaines | .... | co-executive producer: The Weinstein Company | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | producer | |
Original Music by | |||
| Conrad Pope | |||
Cinematography by | |||
| Ben Smithard | (director of photography) | ||
Film Editing by | |||
| Adam Recht | |||
Production Design by | |||
| Donal Woods | |||
Art Direction by | |||
| Charmian Adams | (supervising art director) | ||
| Mark Kebby | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Zoe Brown | .... | hair stylist | |
| Zoe Brown | .... | makeup artist | |
| Michael Buckley | .... | hair dailies | |
| Michael Buckley | .... | makeup dailies | |
| Jennie Cooper | .... | hair stylist trainee | |
| Jennie Cooper | .... | makeup artist trainee | |
| Hannah Edwards | .... | hair stylist | |
| Hannah Edwards | .... | makeup artist | |
| Lisa Harris | .... | hair dailies | |
| Lisa Harris | .... | makeup dailies | |
| Ameneh Mahloudji | .... | hair dailies | |
| Ameneh Mahloudji | .... | makeup dailies | |
| Marc Pilcher | .... | hair stylist | |
| Marc Pilcher | .... | makeup artist | |
| Robin Pritchard | .... | prosthetic makeup artist | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
| Sam Smart | .... | hair dailies | |
| Sam Smart | .... | makeup dailies | |
| Emily Swift | .... | hair stylist trainee | |
| Emily Swift | .... | makeup artist trainee | |
| Robert Trenton | .... | prosthetic makeup artist (as Rob Trenton) | |
| Richard Glass | .... | contact lens optician (uncredited) | |
| Lynn Jackett | .... | makeup and hair: dailies (uncredited) | |
| Denise Kum | .... | makeup artist: Judi Dench (uncredited) | |
| Chris Lyons | .... | special effects teeth (uncredited) | |
| Alex Rouse | .... | wig maker (uncredited) | |
| Pippa Woods | .... | makeup artist: dailies (uncredited) | |
Production Management | |||
| Alison Beckett | .... | executive in charge of post production: The Weinstein Company | |
| Tania Blunden | .... | post-production supervisor | |
| John Crampton | .... | unit manager | |
| Sara Desmond | .... | production manager | |
| Matt Landon | .... | executive in charge of production: The Weinstein Company | |
| Tim Porter | .... | assistant unit production manager | |
| Matthew Shapiro | .... | additional post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Foggin | .... | third assistant director | |
| Guy Heeley | .... | first assistant director | |
| Alexander Holt | .... | additional third assistant director (as Alex Holt) | |
| Charlie Reed | .... | second assistant director | |
| Ben Woolf | .... | trainee director | |
| Liam Lock | .... | third assistant director (uncredited) | |
| Alex Oakley | .... | first assistant director: additional photography (uncredited) | |
Art Department | |||
| Barty Bailey | .... | painter | |
| Vivien Ball | .... | painter | |
| Corina Burrough | .... | production buyer (as Corina Floyd) | |
| Damian Butlin | .... | property storeman | |
| Laura Conway-Gordon | .... | stand-by art director | |
| Steve Deane | .... | supervising carpenter | |
| Andy Forrest | .... | standby props | |
| Nigel Hughes | .... | scenic artist | |
| Barry Lawrence | .... | carpenter | |
| Neil McAllister | .... | standby props | |
| Barry Moll | .... | construction manager | |
| Ian Murray | .... | stand-by rigger | |
| Robert Noble | .... | carpenter | |
| Clare Porritt | .... | art department assistant | |
| Mike Power | .... | property master | |
| Don Santos | .... | chargehand dressing props | |
| Chris Sibley-Hale | .... | stand-by carpenter | |
| Bob Thorne | .... | dressing props | |
| Chantelle Valentine | .... | assistant art director | |
| Roger Wilkins | .... | carpenter | |
| Joe Willmott | .... | carpenter (as Joseph Willmott) | |
| Mark Alexander Wood | .... | stand-by painter (as Mark Wood) | |
| Nick Wood | .... | supervising painter | |
| Matt Wyles | .... | dressing props | |
| Kevin Day | .... | additional stand-by props (uncredited) | |
| Lois Gabrin | .... | art department trainee (uncredited) | |
Sound Department | |||
| Nick Adams | .... | sound conform editor | |
| Phillip Barrett | .... | foley supervisor | |
| David Boulton | .... | adr mixer | |
| Steve Browell | .... | sound conform editor | |
| James Corless | .... | sound mix technician | |
| Mike Dowson | .... | sound re-recording mixer | |
| Richard Dyer | .... | production sound mixer | |
| John Hagenstede | .... | sound maintenance | |
| Glyn Hamer | .... | sound assistant | |
| Paul Hanks | .... | foley artist | |
| Catherine Hodgson | .... | sound effects editor | |
| Rob Hughes | .... | adr mixer | |
| Nick Lowe | .... | supervising sound editor | |
| Myron Nettinga | .... | sound effects editor | |
| Adam Scrivener | .... | sound re-recording mixer | |
| Alastair Sirkett | .... | sound effects editor | |
| Simon Trundle | .... | foley mixer | |
| Ian Waggott | .... | foley artist (as Ian Waggot) | |
| Gregg Baxter | .... | co-adr supervisor (uncredited) | |
| Laurent Boudaud | .... | sound re-recording mixer (uncredited) | |
| Brian Bowles | .... | dialogue editor (uncredited) | |
| Sandy Buchanan | .... | adr recordist (uncredited) | |
| Ben Collinson | .... | sound assistant: additional photography (uncredited) | |
| Ben Cross | .... | foley mixer (uncredited) | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Nick Foley | .... | adr mixer (uncredited) | |
| Michael Fowler | .... | adr recordist (uncredited) | |
| Glen Gathard | .... | adr mixer (uncredited) | |
| Dan Korintus | .... | dialogue editor (uncredited) | |
| Ric Schnupp | .... | adr recordist (uncredited) | |
| Yanti Windrich | .... | adr assistant (uncredited) | |
Special Effects by | |||
| Mark Holt | .... | special effects supervisor | |
| Dickon Mitchell | .... | special effects senior technician | |
| David Holt | .... | special effects technician (uncredited) | |
| Stephen Hutchinson | .... | special effects supervisor (uncredited) | |
Visual Effects by | |||
| Stella Ampatzi | .... | digital compositor: Peerless Camera Company | |
| Daniel Baker | .... | visual effects coordinator: Peerless Camera Company (as Dan Baker) | |
| Adrian Banton | .... | digital compositor: LipSync Post | |
| Antony Bluff | .... | visual effects producer: LipSync Post | |
| Luke Butler | .... | digital compositor: LipSync Post | |
| Naomi Butler | .... | digital compositor: LipSync Post | |
| Alan Church | .... | visual effects supervisor: Peerless Camera Company | |
| Tom Collier | .... | digital compositor: LipSync Post | |
| Sam Cox | .... | CG artist: Lipsync Post | |
| John Paul Docherty | .... | digital effects supervisor: Peerless Camera Company | |
| Stefan Drury | .... | head of visual effects: LipSync Post | |
| Colin Ebanks | .... | digital compositor: LipSync Post | |
| James Elster | .... | digital compositor: LipSync Post | |
| Sean Farrow | .... | executive visual effects supervisor: Lipsync Post (as Sean H. Farrow) | |
| Elysia Greening | .... | digital compositor: LipSync Post | |
| Kent Houston | .... | visual effects consultant: Peerless Camera Company | |
| U-Sun I Hu | .... | digital compositor: LipSync Post | |
| Mason Jarratt | .... | visual effects producer: Peerless Camera Company | |
| Diane Kingston | .... | visual effects producer: Peerless Camera Company | |
| David Lloyd | .... | senior systems engineer: Lipsync Post | |
| Sarah Marchant | .... | digital compositor: Peerless Camera Company | |
| Emelie Nilsson | .... | digital compositor: LipSync Post | |
| Dylan Owen | .... | digital compositor: LipSync Post (as Dylan Wyn Owen) | |
| Jane Paton | .... | digital compositor: LipSync Post | |
| Tim Pruce | .... | digital compositor: Peerless Camera Company | |
| Antonio Rodríguez Díaz | .... | digital compositor: LipSync Post (as Antonio Rodriguez Diaz) | |
| Katie Roehrick | .... | visual effects coordinator: Lipsync Post | |
| Paul Round | .... | digital compositor: Peerless Camera Company | |
| James Russell | .... | digital compositor: Peerless Camera Company | |
| Daniel Spain | .... | systems engineer: Lipsync Post (as Dan Spain) | |
| Alan Stucchi | .... | digital compositor: Peerless Camera Company | |
| John Swinnerton | .... | digital compositor: Peerless Camera Company | |
| Lucy Tanner | .... | visual effects coordinator: Lipsync Post | |
| Emeline Tedder | .... | digital compositor: Peerless Camera Company | |
| Sheila Wickens | .... | visual effects supervisor: LipSync Post | |
| Harry Wormald | .... | digital matte painter: Lipsync Post | |
| Martin Body | .... | lead rotoscope artist: Peerless Camera Co. Ltd (uncredited) | |
| Enid Dalkoff | .... | digital compositor (uncredited) | |
| Andrew Kingston | .... | systems administrator (uncredited) | |
| Rosanna Mennear | .... | digital effects producer (uncredited) | |
| Christopher T. Page | .... | rotoscope artist (uncredited) | |
| Josh Peterson | .... | additional visual effects artist (uncredited) | |
| Deepa Sebastian | .... | visual effects administrator: Peerless Camera Company (uncredited) | |
| Angela Stanley | .... | on-set supervisor: LipSync Post (uncredited) | |
Stunts | |||
| Belinda McGinley | .... | stunt performer | |
| Julian Spencer | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jacob Barrie | .... | clapper loader | |
| Sarah Brown | .... | assistant lighting designer | |
| Laurence Cendrowicz | .... | still photographer | |
| Nick Chetham | .... | grip trainee | |
| Mark Clayton | .... | lighting gaffer | |
| Shaun Cobley | .... | "b" camera focus puller | |
| Adam Coles | .... | focus puller: a camera | |
| Nicholas Crew | .... | grip trainee | |
| Hamish Doyne-Ditmas | .... | "b" camera operator | |
| Penny Eisenhauer | .... | lighting designer: theatrical lighting | |
| Enrico Faccio | .... | electrician | |
| Jules Fisher | .... | lighting designer: theatrical lighting | |
| Woody Gregson | .... | "b" camera clapper loader | |
| Rob Halliday | .... | lighting programmer: theatrical | |
| Guy Hammond | .... | electrician | |
| Guy Hammond | .... | generator operator | |
| Benny Harper | .... | best boy | |
| Alex Howe | .... | "c" camera clapper loader | |
| Brigitte Lacombe | .... | credit sequence photographer | |
| Rupert Lloyd-Parry | .... | key grip (as Rupert Lloyd Parry) | |
| Mark Milsome | .... | "c" camera operator | |
| David Penfold | .... | "b" camera focus puller | |
| Steve Reeve | .... | electrician: theatrical production | |
| Tony Sankey | .... | "b" camera grip | |
| Ben Smithard | .... | "a" camera operator | |
| Sam Smithard | .... | "b" camera clapper loader | |
| Derek Walker | .... | steadicam operator | |
| Andy Walton | .... | desk operator | |
| Andy Walton | .... | desk operator: theatrical | |
| Dan West | .... | central loader | |
| Leo Winslow | .... | video assist operator | |
| Steve Young | .... | electrician | |
| Guy Aldridge | .... | follow spot operator (uncredited) | |
| Marcus Blatchford | .... | rigger: additional photography (uncredited) | |
| Robbie Bryant | .... | camera department (uncredited) | |
| Linford Hudson | .... | follow spot operator (uncredited) | |
| James Starr | .... | video assist (uncredited) | |
| James Summers | .... | rigging gaffer (uncredited) | |
| Rachel Walsh | .... | follow spot operator (uncredited) | |
Casting Department | |||
| Deborah Aquila | .... | casting: US | |
| Vanessa Baker | .... | voice casting | |
| Kharmel Cochrane | .... | casting assistant: UK | |
| Lesley Gogarty | .... | extras casting: The Casting Network | |
| Nina Gold | .... | casting: UK | |
| Saraphina Monaco | .... | casting assistant: US | |
| Robert Sterne | .... | casting associate: UK | |
| Sue Wood | .... | crowd casting: Eton | |
| Tricia Wood | .... | casting: US | |
| Lisa Zagoria | .... | casting associate: US | |
| Dann Fink | .... | adr voice casting (uncredited) | |
| Patty Majorczak-Connolly | .... | adr voice casting (uncredited) | |
| Mark Sussman | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sally Crees | .... | costume dailies | |
| Adam Dee | .... | costume assistant | |
| Gerson Di Santo | .... | costume maker | |
| Valeria Di Santo | .... | costume maker | |
| Natalie Humphries | .... | assistant costume designer | |
| Jane Marcantonio | .... | costume dailies | |
| Julie Merritt | .... | costume dailies | |
| Emma Moore | .... | assistant costume designer | |
| Matthew Pachtman | .... | costume assistant: Martin Pakledinaz | |
| Martin Pakledinaz | .... | costume designer: USA | |
| Catherine Pearson | .... | costume assistant | |
| Anna Reynolds | .... | costume dailies | |
| Gwen Russell | .... | costume maker | |
| Charlotte Sewell | .... | costume supervisor | |
| Victoria Taylor | .... | costume assistant | |
| Aaron Timperley | .... | costume assistant | |
Editorial Department | |||
| Pete Beaudreau | .... | additional editor | |
| Dan Bentham | .... | post-production producer: Lipsync Post | |
| Linden Brownbill | .... | digital intermediate technical support | |
| Alberto Buron | .... | digital restoration artist | |
| Jo Burrows | .... | trainee assistant editor | |
| Lee Clappison | .... | digital colorist | |
| James Clarke | .... | digital intermediate supervisor | |
| Peter Collins | .... | digital lab operator | |
| Scott Goulding | .... | on-line editor | |
| Naomi Howarth | .... | post-production runner | |
| Ian Johnson | .... | first assistant editor | |
| Julia Kots | .... | additional editor | |
| Abigail McKenzie | .... | digital lab operator | |
| Lucy Seaborne | .... | on-line editor | |
| Wyatt Smith | .... | additional editor | |
| Kevin Tent | .... | additional editor | |
| Daniel Tomlinson | .... | scanning and recording manager | |
| Diana Vasquez | .... | on-line editor | |
| Mathieu Reid | .... | color timer (uncredited) | |
Music Department | |||
| David Arch | .... | musician: solo piano | |
| John Barclay | .... | musician: big band trumpet | |
| Chris Baron | .... | musician: percussions | |
| John Barrett | .... | music recording engineer assistant | |
| Dave Bishop | .... | musician: big band solo tenor saxophone | |
| Thomas Bowes | .... | orchestra leader | |
| Nicholas Bucknall | .... | musician: solo clarinet | |
| Tom Bullen | .... | music mixing assistant | |
| Perry Cavari | .... | musician: New York rehearsal drummer | |
| Jon Charles | .... | additional orchestrations | |
| Peter Clarke | .... | music editor | |
| Peter Cobbin | .... | music recording engineer | |
| Terry Davies | .... | vocal coach: MIchelle Williams | |
| Alexandre Desplat | .... | composer: Marilyn's Theme | |
| Jay Duerr | .... | music editor | |
| Richard Glasser | .... | executive in charge of music: The Weinstein Company | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | musicians contractor | |
| Dave Hage | .... | music preparation: Dakota Music | |
| Karen Jones | .... | musician: solo flute | |
| Gary Kettel | .... | musician: percussions | |
| David Krane | .... | arranger: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" | |
| David Krane | .... | music producer: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" | |
| David Krane | .... | vocal coach: Michelle Williams | |
| Lang Lang | .... | musician: featured piano soloist | |
| Charlotte Matthews | .... | assistant musicians contractor | |
| Adam Miller | .... | music recording engineer assistant | |
| Bill Newlin | .... | additional orchestrations | |
| Mark Nightingale | .... | musician: big band solo trombone | |
| Conrad Pope | .... | arranger | |
| Conrad Pope | .... | conductor | |
| Conrad Pope | .... | orchestrator | |
| Paul Pritchard | .... | music recording engineer assistant | |
| Colin Rae | .... | on-set music preparation | |
| Maggie Rodford | .... | music supervisor | |
| Dana Sano | .... | music supervisor | |
| Nan Schwartz | .... | additional orchestrations | |
| Jamie Talbot | .... | musician: big bang solo clarinet | |
| Clifford J. Tasner | .... | additional orchestrations | |
| Nick Taylor | .... | music mixer | |
| Michelle Williams | .... | performer: Marilyn's songs | |
| Alison Wright | .... | score supervisor | |
| Helen Yates | .... | assistant music supervisor | |
| Tass Filipos | .... | music editor (uncredited) | |
| Richard Glasser | .... | soundtrack album producer (uncredited) | |
| Patrick Jonsson | .... | assistant score recordist (uncredited) | |
Transportation Department | |||
| Bryan Agar | .... | driver: Judi Dench (as Bryan Algar) | |
| Martin Alderdice | .... | action vehicle coordinator (as Martin Allerdice) | |
| Tony Cooper | .... | unit driver | |
| Carlos Grayham | .... | facilities driver | |
| Dave Jones | .... | facilities driver | |
| Steve Meek | .... | facilities driver | |
| Kenny Miles | .... | facilities driver | |
| Jason Morgan | .... | facilities driver | |
| Jason Mortlock | .... | unit driver | |
| Nick Ridge | .... | facilities driver | |
| David Rosenbaum Jr. | .... | driver: Michelle Williams | |
| David Rosenbaum | .... | transport captain (as David Rosenbaum Sr.) | |
| Barry Stone | .... | facilities driver | |
| Xen Xenophontos | .... | driver: Kenneth Branagh | |
Other crew | |||
| Hannah Andrews | .... | assistant production coordinator | |
| Hailu Asfaw | .... | head chef (as Hailu 'H' Asfaw) | |
| Liz Barron | .... | financial controller | |
| Chris Bentley | .... | titles coordinator: Lipsync Design | |
| Samantha Black | .... | production coordinator | |
| Zoe Brown | .... | head of business affairs: BBC Films | |
| Tim Clawson | .... | executive in charge of physical production: The Weinstein Company | |
| Jamie Cook | .... | catering manager | |
| Jessica Corlett | .... | floor runner | |
| Warren Demer | .... | assistant accountant | |
| Jon Diamond | .... | representative: Lipsync Productions | |
| Penny Dyer | .... | dialect coach | |
| Peter Eardley | .... | production accountant | |
| Tina Falcone | .... | assistant accountant | |
| Denise Faye | .... | choreographer: "Heatwave" and "That Old Black Magic" | |
| Jo Fernihough | .... | unit publicist: Freud Communications | |
| Leah Foley | .... | catering assistant | |
| Jane Gibson | .... | choreographer | |
| Jane Gibson | .... | movement coach: Michelle Williams | |
| Julia Hall | .... | title designer: Lipsync Design | |
| Audrey Hamm | .... | assistant choreographer | |
| Peter Hampden | .... | representative: Lipsync Productions | |
| Beni Hardiman | .... | production assistant | |
| Paul Harding | .... | security manager | |
| Jane Hawley | .... | production executive: BBC Films | |
| Paul Hayes | .... | key floor runner | |
| Vicki Howe | .... | script supervisor | |
| Sarah Hughes | .... | legal clearances | |
| Ian Hutchinson | .... | assistant location manager | |
| Jemma Kearney | .... | assistant: Michelle Williams | |
| James R. Kipping | .... | floor runner (as James Kipping) | |
| Lance Kline | .... | executive in charge of business and legal affairs: The Weinstein Company | |
| Kate Lee | .... | unit publicist: Freud Communications | |
| Kathleen Marshall | .... | choreographer: "Heatwave" and "That Old Black Magic" | |
| Richard Maynard | .... | catering manager (as Richard Mynard) | |
| Norman Merry | .... | representative: Lipsync Productions | |
| Christos Michaels | .... | representative: Lipsync Productions | |
| Simon Osborn | .... | legal and business affairs manager: BBC Films | |
| Beth Pattinson | .... | development editor: BBC Films | |
| Michal Podell | .... | executive in charge of business and legal affairs: The Weinstein Company (as Michal Podell Steinberg) | |
| Marcin Ptak | .... | catering assistant | |
| Greta Seacat | .... | acting coach: Michelle Williams | |
| Trevor Stanley | .... | post production accountant | |
| Ashley Stowell | .... | medic | |
| Elizabeth Walker | .... | pre-production accountant | |
| Howard Watkins | .... | head of title design: Lipsync Design | |
| Jason Wheeler | .... | location manager | |
| Paige Williams | .... | assistant: Michelle Williams | |
| Michael Wood | .... | production executive: BBC Films | |
| Andy Young | .... | key floor runner | |
| Thom Berryman | .... | media transfer engineer (uncredited) | |
| Lex Donovan | .... | production secretary: additional photography (uncredited) | |
| Vinnie Jassal | .... | location scout (uncredited) | |
| Matthew Jenkins | .... | production coordinator: additional photography (uncredited) | |
| Yuen-Wai Liu | .... | assistant coordinator: additional photography (uncredited) | |
| Hugues Mace | .... | runner: additional photography (uncredited) | |
| Katie Watson | .... | business representative: SAG (uncredited) | |
Thanks | |||
| Lucas Webb | .... | special thanks | |
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| The Young Victoria | Swimming Pool | One Day | The Collector | Nicholas Nickleby |
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| Full cast and crew | Company credits | External reviews |
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I attended an advance screening of "My Week With Marilyn," and much to my surprise, was absolutely blown away. I was initially very reluctant to accept Michelle Williams as Marilyn, one of the most beautiful and glamorous women of all time, but she was extraordinary - luminous, even. She pulled off the role seamlessly, and turned Ms. Monroe into a layered, complex character, rather than the sex-kitten caricature we are all so used to seeing. Michelle managed to show us the real Marilyn - the woman who so desperately wanted to be loved, to be accepted, to be good at her job. The vulnerability, the mannerisms, the voice - all were pitch perfect. I have no doubt there will be yet another Oscar nomination in Michelle Williams' near-future.
I was also very impressed by Eddie Redmayne, who's character was arguably the heart of the film. He was excellent as the star-struck yet sensitive Colin Clark, who helped Marilyn through her very difficult time on the set of "The Prince and the Showgirl." This was definitely a star-making turn for Eddie - I expect we'll be seeing much more of him.
The movie is similar in tone to "The King's Speech," and was helped by a beautiful score and wonderful costumes. Director Simon Curtis, who devoted eight years of his life to this project, did a wonderful job capturing the essence of 1950's England. The wardrobe department deserves a nomination, as do the writers. Kenneth Branagh was superb as Laurence Olivier, as was the great Judi Dench as Dame Sybil.
All in all, one of the best films I've seen this year, and definitely the best (not to mention most authentic) portrayal of Marilyn ever to hit the silver screen. I couldn't have been more impressed.