In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Sir Laurence Olivier is making a movie in London. Young Colin Clark, an eager film student, wants to be involved and he navigates himself a job on the set. When film star Marilyn Monroe arrives for the start of shooting, all of London is excited to see the blonde bombshell, while Olivier is struggling to meet her many demands and acting ineptness, and Colin is intrigued by her. Colin's intrigue is met when Marilyn invites him into her inner world where she struggles with her fame, her beauty and her desire to be a great actress. Written by
On Colin and Lucy's first date (dancing in the nightclub), the image is briefly transposed (seen in the musicians' positions on the stage and the bassist's temporary left-handedness). See more »
In 1956, at the height of her career, Marilyn Monroe went to England to make a film with Sir Laurence Olivier. While there she met a young man named Colin Clark, who wrote a diary about the making of the film. This is their true story.
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Excellent performance in a not very satisfactory movie
My Week with Marilyn went through a similar case to the one of The Iron Lady...everybody acclaimed the lead actress' performance, but nobody spoke too much about the film itself. That might be because the people expected a biography of the iconic blonde, when it is in fact a more modest movie in which Marilyn Monroe (1926-1962) is almost a tangential element...an influence who alters the behaviour of those who are around her, even without proposing it to herself. And My Week with Marilyn also offers a look to the English cinematographic industry during the '50s, completely different to the excesses and spectacle from Hollywood. Anyway, you don't have to expect a biography/analysis about Monroe, or you will feel disappointed, like it happened to me.
Even though Monroe was one of the most famous people from 20th century, her private life preserves an aura of mystery which still makes it fascinating to the new generations. That's why I think it was strange to make a film about a kinda trivial moment in the actress' life. Monroe had a very difficult childhood, a meteoric rise to fame, and legendary personal relationships with figures from the sport, the literature and the politics...and they decided to make a film about her experiences shooting a rural comedy in England? However, I found My Week with Marilyn moderately entertaining, mainly because of the extraordinary performances.
Michelle Williams makes a magnificent work as Monroe, because she doesn't make an imitation of her; instead of that, she completely becomes her character. Kenneth Branagh brings a perfect balance of arrogance and professionalism as Laurence Olivier (1907-1989), while Judi Dench brings a lot of enthusiasm and conviction to her short role. As for Eddie Redmayne, he brings an adequate performance, but he feels darkened by Williams, Branagh and Dench.
Nevertheless, My Week with Marilyn didn't leave me very satisfied, because of its weak direction and structural problems in the screenplay which make the film occasionally disjointed and not very credible. However, I can give it a slight recommendation mainly because the performances were enough to keep me moderately entertained.
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