An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Sir Laurence Olivier is making a movie in London. Young Colin Clark, an eager film student, wants to be involved and he navigates himself a job on the set. When film star Marilyn Monroe arrives for the start of shooting, all of London is excited to see the blonde bombshell, while Olivier is struggling to meet her many demands and acting ineptness, and Colin is intrigued by her. Colin's intrigue is met when Marilyn invites him into her inner world where she struggles with her fame, her beauty and her desire to be a great actress. Written by
In the screening room sequences, a close up of the projector lens reveals an anamorphic lens, which would be projecting the image in Cinemascope. "The Prince & The Showgirl" is not a wide-screen movie and rather shot in full academy, 1.37:1 aspect ratio. Furthermore, when the dailies are shown on screen, the image looks closer to 1.85:1, much wider than the original format of the movie. See more »
In 1956, at the height of her career, Marilyn Monroe went to England to make a film with Sir Laurence Olivier. While there she met a young man named Colin Clark, who wrote a diary about the making of the film. This is their true story.
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Performed by Johnny Ace
Written by Don D. Robey (as Don Robey) and David J. Mattis
Published by Universal/MCA Music Ltd
Courtesy of MCA Records Inc.
Under license from Universal Music Operations Ltd See more »
Michelle Williams achieves the impossible. We believe she's Marilyn! Judi Dench is a hoot as Dame Sibyl Thorndike and Kenneth Brannagh has his moments. But the rest...Oh dear, Oh dear. Who though of Julia Ormond as Vivien Leigh!? and Eddie Redmeyer, he's a good actor, I've seen him on stage, but here he is a hole on the screen. He doesn't project anything that could possibly touch us. I remember loving "The Prince And The Showgirl" and thinking how remarkable Marilyn was. With the benefit of hindsight she had managed to keep her performance as fresh as timeless as a real work of art. While Olivier, the"actor" of his generation seems stilted and dated. My week with Marilyn misses the mark, big time but Michelle Williams performance makes it a must.
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