Tales of the Night weaves together six exotic fables each unfolding in a unique locale, from Tibet, to medieval Europe, to the Land of the Dead. From the imagination of internationally renowned animator Michel Ocelot.
Angel is a selfish, abusive, morally bankrupt man who hangs out as his local bar, berating the other patrons. One day, Angel mysteriously wakes up with a pair of wings on his back. The ... See full summary »
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters--an aged song-and-dance team from the days of Fred Astaire--to rescue him.
A 19th-century drama about a man whose heart was replaced with a clock when he was born. The situation dictates that he should avoid feeling strong emotions -- love, most of all -- but he just can't keep his feelings under wraps.
Grand Corps Malade
While American popcorn-eating tourists wobble around Paris and pigeons are too fat to fly, a starving French gendarme is desperate for food. Watching the birds feast on cakes and crumbs ... See full summary »
Boy lives in the heart of the forest, raised by his father Courge, a tyrannical giant who reigns triumphant and prevents his son from exploring beyond limited boundaries. Ignorant about the... See full summary »
Each character in the Tuvache family has a first name referring to a famous suicide (or alleged one): Mishima (Yukio), Lucrèce (Lucretia), Vincent (van Gogh), Marilyn (Monroe) and Alan (Turing). See more »
This is not one of P.Leconte great films. The subject and poster are attractive, but the delivery is a complete let down to me.
The story itself doesn't make any sense. The way the shop is presented, it is nothing more than a place where to buy weapons. Selling ropes, poisons and guns with only one bullet doesn't cut it. The shop isn't even secret. By the way, many of the customers should be murderers, but we don't see any. The son's joy is feared as it might cause a loss of customers, but it never does... Big lack of imagination in the general design.
All this could be forgiven if balanced with small ideas, but there are very few of those, and most of them are deja vu. Suicide is illegal in public places, like in the comics Judge Dredd from the 70s. The family owes a lot to the Addams: the look of the father, the longing for death of almost all members...
The humour falls flat. No grief or sadness is ever felt. Poetry is absent. The animation is average. And they sing, awful songs, like in a Disney product. If you're going to make a musical, you have to come up with a good score. Just compare what they wrote with the Charles Trenet's classic used in the starting credits. Yuck !
6 of 11 people found this review helpful.
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