A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Sarah tells Paul that she wants out of their marriage; the next day she disappears. A year later and Paul along with their children return to his childhood town to start anew after the loss of his wife and their mother.
The year is 1926. In the Landes region, free-spirited Thérèse Larroque, the daughter of a wealthy pinery owner and radical-socialist politician, marries Bernard Desqueyroux, another pinery owner. Although she does it half-heartedly, she thinks that marriage may help her to "sort out all the ideas in her mind". But her disappointment is great. Her wedding night is all but fascinating and when she becomes pregnant she realizes the baby matters more to Bernard than herself. While Thérèse stifles in her husband's beautiful residence among stiff in-laws who do not think high of her, ideas keep on roaming her mind. Written by
This film is about a blue blooded woman marrying a tycoon, but quickly finds out that marriage is not a thing she likes.
The title "Thérèse Desqueyroux" doesn't give the plot away, but the Hong Kong Chinese title does. As a result, I kept guessing how the plot will turn out. Initially, we see Thérèse having a rather entangled relationship with Anne, which may or may not have played a part in her dissatisfaction in Thérèse's subsequent marriage. Then, the marriage itself is portrayed well, with the husband giving Thérèse much love that is clearly not reciprocated.
However, all these supposed seeds that led to the deed did not adequately explain Thérèse's criminal action. Without a plausible motive, I was left to wonder exactly why she did such a horrible deed. Such a lack of motive may drive suspense and keep viewers on edge, but in "Thérèse Desqueyroux" it only serves to confuse.
In addition, the subplot between Thérèse and Anne, and between Anne and Jean were left hanging, which was quite a pity. The amazing contrasts between the pre-deed, post-deed and liberated Thérèse could not help to lift "Thérèse Desqueyroux" to becoming a great film. I think it is a good film but it is unfortunately masked by hanging subplots and confusion.
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