About an aging Swiss professor of classical languages who, after a chance encounter with a Portuguese woman, quits his job and travels to Lisbon in the hope of discovering the fate of a certain author, a doctor and poet who fought against Portuguese dictator Antonio de Oliveira Salazar. Written by
There are some language issues in the movie that one could take as goofs. But in fact the movie takes English as a convention. The option to maintain Portuguese where logical would had made it a Portuguese-spoken film trough the entire flashback and even some present scenes. So, all the characters speak English, even if they should speak Portuguese, or German. The reference to their actual language is made trough their accents. That's why most of the actors playing Portuguese - even Brits - speak English with an effort to have the typical Portuguese accent. See more »
When Raimund (Irons) comes to the hotel (my timer shows 51 minute of the movie length), he takes the keys, and then in the room he opens the closet door, and we see the film crew members (the two contours) reflecting in mirror of that door. See more »
What could... what should be done, with all the time that lies ahead of us? Open and unshaped, feather-light in its freedom and lead-heavy in its uncertainty? Is it a wish, dreamlike and nostalgic, to stand once again at that point in life, and be able to take a completely different direction to the one which has made us who we are?
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Nunca & Tarde
Composer: Annette Focks
Lyrics & Vocal: Maria Carvalho
Portugese Guitar: David Pircher
Guitar: António de Brito, Cello: Benjamin Walbrodt
Sound Mixer: Tim Tautorat
Recording & Mix Strudio: Emil Berlin Studios See more »
Night Train to Lisbon is one of the most philosophical movies to hit theaters in the last couple of years. The trip started by Raimund is not between places but between identities. An existential journey into the great unknown of the soul. Some say we take ourselves everywhere we go. This movie tries to tell us instead that we *find* ourselves in those places, we discover a new way of seeing with our own eyes and, when we leave, a part of us stays in that place forever. Returning there is a way of visiting ourselves, like we would an old friend... There's so many layers, so many subtle metaphors, so much poetry in the imagery and storytelling, that despite being such a straightforward story you can't help feeling like you're walking through a maze, a labyrinth of emotions and thoughts, where present, past and future merge into a vast uplifting eternity. One of the best crafted uses of mise-en-abîme i recall ever seeing in a movie! Raimund is Raimund, but he's also Pascal Mercier, and also Amadeu Prado and also You. There's a fiction within a fiction here: a book within a book within a movie. A lie within a lie: a poet within a reader, within a spectator, within a person. This dilution between fiction and reality and between the actor and the audience often occurs, but rarely is it ever a theme, rarely is it ever presented as a question to the audience and rarely so beautifully answered. This game of mirrors will leave you full of wonder and hungry for life. There couldn't be a better outcome for a story that starts with a suicide attempt... There's too many reasons to watch this movie and too little space to review it properly unfortunately... The scenery of Lisbon, the universal anguish of the characters, the excruciating portrayal of the Portuguese dictatorship, the lessons it offers on some of the most important questions one can ask oneself... Do yourself a favor and go see it!
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