| Toby Kebbell | ... | Robert Miller | |
| Adi Bielski | ... | Alayna Wallace | |
| Tony Curran | ... | Chris Turner | |
| Ashley Thomas | ... | Tyrone Jones | |
| Tom Brooke | ... | Danny Turner | |
| Ivanno Jeremiah | ... | Fahad Sahal | |
| Brian Cox | ... | Gerry Langdon | |
| Mem Ferda | ... | Hakeem | |
| Eboseta Ayemere | ... | Ryan Sahal | |
| Brendon Read | ... | Big Benny | |
| Selva Rasalingam | ... | Fawwaz Abdullah | |
| Christopher Peter Smith | ... | Omar | |
| Conrad Peters | ... | Khaled | |
| Steve Weston | ... | Ramush Jashari | |
| Adrian Bouchet | ... | Chechen 1 | |
| Josh Myers | ... | Chechen 2 | |
| Warren Rusher | ... | Napoleon | |
| Bob Mercer | ... | Ski-Mask Man 1 | |
| James Alexander | ... | Ski-Mask Man 2 | |
| Max Callum | ... | Shooter | |
| Gary Barnshaw | ... | Iconiq Cafe Owner | |
| Miles Harrington | ... | Assassin in Van | |
| Shiden Mezghebe | ... | Gang Member | |
| rest of cast listed alphabetically: | |||
| David Lyddon | ... | Passer by (uncredited) | |
Directed by | |||
| Matthew Hope | |||
Writing credits | ||
| Matthew Hope | (written by) & | |
| Robert Henry Craft | (written by) | |
Cinematography by | |||
| Philipp Blaubach | |||
Film Editing by | |||
| Emma Gaffney | |||
Casting by | |||
| Amelia Hashemi | |||
| Rose Wicksteed | |||
Production Design by | |||
| Chris Richmond | |||
Art Direction by | |||
| Adam A. Makin | (supervising art director) | ||
Costume Design by | |||
| Emma Fryer | |||
Makeup Department | |||
| Claire Carter | .... | daily makeup artist | |
| Jane Oginsky | .... | hair and make up artist | |
| Lynn Taylor-Wood | .... | chief hair and make-up artist | |
Production Management | |||
| Beth Timbrell | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jude Campbell | .... | first assistant director | |
| Glen Carroll | .... | third assistant director: second unit | |
| Emily Perowne | .... | crowd second assistant director | |
| Tom Fenwick Smith | .... | third assistant director | |
| Tom White | .... | first assistant director: second unit | |
| Tom White | .... | second assistant director | |
Art Department | |||
| Dion Banner | .... | charge painter | |
| Charles Bodycomb | .... | supervising armourer | |
| Tony Brady | .... | chargehand construction carpenter | |
| Alfie Burgess | .... | stand-by prop | |
| Steve Clark | .... | assistant art director | |
| Mervin Cooper | .... | stagehand | |
| Ian Curtis | .... | carpenter | |
| Roddy Dolan | .... | dressing props | |
| Billy Edwards | .... | chargehand stand-by prop | |
| Adrian Greenwood | .... | prop buyer | |
| Peter Holden | .... | carpenter | |
| Douglas Ingram | .... | storyboard artist | |
| Peter Johnson | .... | construction manager | |
| Peter Jones | .... | carpenter | |
| Dean Kelly | .... | painter | |
| Terry Machin | .... | painter | |
| Dominic Madden | .... | graffiti artist | |
| Amy Meakin | .... | art department assistant | |
| James Ott | .... | standby props | |
| Ewan Robertson | .... | prop master | |
| Boadicea Shouls | .... | art department trainee | |
| Andrew Tapper | .... | graphic designer | |
| Oli van der Vijver | .... | stand-by art director | |
| Kevin Waite | .... | carpenter | |
Sound Department | |||
| Dafydd Archard | .... | sound mix technician | |
| Steve Browell | .... | sound designer | |
| Steve Browell | .... | sound re-recording mixer | |
| Nick Del-Molino | .... | mix assistant | |
| Ben Jeffes | .... | sound assistant | |
| Philip Jenkins | .... | foley mixer | |
| Nick Kray | .... | adr mixer | |
| Jules MacDonald | .... | additional sound re-recording mixer | |
| David Mackie | .... | foley editor | |
| Gavin Marshall | .... | boom operator | |
| Patrick Roche | .... | first assistant sound editor | |
| Jack Stew | .... | foley artist | |
| Sven Taits | .... | sound re-recording mixer | |
| Sven Taits | .... | supervising sound editor | |
| Tarn Willers | .... | additional sound mixer | |
| Julian Willson | .... | sound mixer | |
| Robert Karlsson | .... | dolby sound consultant (uncredited) | |
Special Effects by | |||
| Colin Gorry | .... | special effects | |
| Dan Martin | .... | special effects makeup | |
| Jody Taylor | .... | senior special effects technician | |
| Alastair Vardy | .... | special effects technician | |
| Jonathan Wilson | .... | special effects assistant | |
Visual Effects by | |||
| Fiorenza Bagnariol | .... | digital film bureau | |
| Simone Coco | .... | digital compositor | |
| Louise Hussey | .... | visual effects producer | |
| Paul Jones | .... | visual effects coordinator | |
| Timothy P. Jones | .... | digital film bureau | |
| Gavin McKenzie | .... | digital compositor | |
| Naveen Medaram | .... | digital compositor: rushes | |
| Jonathan Privett | .... | visual effects supervisor: Rushes Postproduction | |
| Aurora Shannon | .... | digital intermediate assistant | |
Stunts | |||
| Rob Cooper | .... | stunts | |
| James Embree | .... | stunt performer | |
| Julian Spencer | .... | stunt coordinator | |
| Mens-Sana Tamakloe | .... | stunt performer | |
| Arran Topham | .... | stunt performer | |
| Andy Wareham | .... | stunt performer | |
| Calvin Warrington-Heasman | .... | stunt performer | |
| William Willoughby | .... | stunt performer | |
Camera and Electrical Department | |||
| Ben Brown | .... | camera assistant | |
| Peter Byrne | .... | focus puller | |
| Abigail Catto | .... | loader | |
| Rachel Clark | .... | second assistant camera: dailies | |
| Matt Fisher | .... | camera operator: "b" camera | |
| Matt Fisher | .... | steadicam operator | |
| Steve Fitzpatrick | .... | rigger | |
| Ben Fordesman | .... | daily electrician | |
| Rob Gilmour | .... | second assistant camera: dailies | |
| Christian Hayes | .... | electrician | |
| Gary Hedges | .... | lighting technician | |
| Tony Kay | .... | first assistant camera: "b" camera | |
| Nick Kenealy | .... | video assist operator | |
| Tracey Leggatt | .... | stills photographer | |
| Andy McBrearty | .... | gaffer | |
| James Ray | .... | grip assistant | |
| Dean Rogers | .... | official stills photographer | |
| Chris Rusby | .... | key grip | |
| Joelle Smith | .... | camera trainee: dailies | |
| Morgan Spencer | .... | camera trainee: dailies | |
| Ricky Stelling | .... | rigger | |
| Chris Stones | .... | electrician | |
| David Tett | .... | stills photographer | |
| Pete West | .... | electrician | |
| Jonathan Yates | .... | best boy | |
Casting Department | |||
| Darren Baba | .... | extras casting assistant | |
| Johnny Lynch | .... | extras casting | |
| Isabella Odoffin | .... | casting assistant | |
| Andy Shepherd | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jane Leonard | .... | assistant costume designer | |
| Shona McCallum | .... | costume assistant | |
| Wyn Vaughan-Humphreys | .... | standby costume | |
| Wyn Vaughan-Humphreys | .... | wardrobe master | |
Editorial Department | |||
| Patrick Malone | .... | digital intermediate head of department | |
| Mike Saxton | .... | post production supervisor | |
| Lisa Thompson | .... | first assistant editor | |
Music Department | |||
| Mark Delany | .... | composer: theme music | |
| Paul Saunderson | .... | music mixing assistant | |
Transportation Department | |||
| Tony Killington | .... | unit driver | |
| Andy Levett | .... | h.o.d facilities | |
| Darren Litten | .... | action vehicle coordinator | |
| Michael White | .... | unit driver | |
Thanks | |||
| Darren Ashton | .... | thanks | |
| Andrew Aston | .... | thanks | |
| Emma Atherton | .... | thanks | |
| Adam Betteridge | .... | special thanks | |
| Mark Bond | .... | thanks | |
| Peter Dally | .... | thanks | |
| Karl Dye | .... | special thanks | |
| Denise Edwards | .... | thanks | |
| Jonathan Edwards | .... | thanks | |
| Philip Goodall | .... | thanks | |
| Antony Gostyn | .... | thanks | |
| Chris Grasby | .... | thanks | |
| Debbie Haze | .... | thanks | |
| Billy Hurman | .... | thanks | |
| Jordan James | .... | special thanks | |
| Ann Jennings | .... | thanks | |
| Mick Jennings | .... | thanks | |
| Steve Joberns | .... | special thanks | |
| Graham Jones | .... | thanks | |
| James Jones | .... | thanks | |
| Petra Kenyon | .... | thanks | |
| Sade Kharbanda | .... | thanks | |
| Fiona Kihlstrom | .... | special thanks | |
| Martin Lea | .... | thanks | |
| Barbara Morgan | .... | thanks | |
| Martin Myers | .... | special thanks | |
| Nadia Naguib | .... | special thanks | |
| David Peck | .... | special thanks | |
| Kari Hoseth Peters | .... | thanks | |
| Mick Pilot | .... | thanks | |
| Marcus Searancke | .... | special thanks | |
| Alistair Sharpe | .... | thanks | |
| Austin Shaw | .... | special thanks | |
| David Stacey | .... | thanks | |
| Adam Thompson | .... | special thanks | |
| Alena Trower | .... | special thanks | |
| Kris White | .... | thanks | |
| Max White | .... | thanks | |
| Jessica Wilcock | .... | thanks | |
| Kevin Williams | .... | special thanks | |
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| The A-Team | The Living Daylights | Lone Wolf | Clear and Present Danger | Johnny Was |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
This is actually a brilliant film, if you can forgive a few minor flaws. Kebbel plays 'Bobby' brilliantly and the key characters are all convincing; a tip of the hat to the absence of prima donna Hollywood stars there.
The accuracy and attention to detail in certain areas more than make up for the relative shortness of the film, for example how Bobby takes a quick visual check of the chamber on his rifle before moving from cover in between contacts in the main firefight scene. This scene gets the old adrenalin going a little, it is actually very similar to the street battle scene from 'Heat'; no music, just the sound of gunfire echoing in the streets.
The espionage element and the political scheming is portrayed smoothly, allowing the viewer to think for themselves and make up their own mind without going overboard on the conspiracy element. Whatever your views on whether or not this side of the plot is fictional, it's a film worth watching. The only difference between 'worth watching' and 'great film' is just a matter of budget and time really.