The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
After Kick-Ass' insane bravery inspires a new wave of self-made masked crusaders, led by the badass Colonel Stars and Stripes, our hero joins them on patrol. When these amateur superheroes are hunted down by Red Mist -- reborn as The Mother F%&*^r -- only the blade-wielding Hit Girl can prevent their annihilation. When we last saw junior assassin Hit Girl and young vigilante Kick-Ass, they were trying to live as normal teenagers Mindy and Dave. With graduation looming and uncertain what to do, Dave decides to start the world's first superhero team with Mindy. Unfortunately, when Mindy is busted for sneaking out as Hit Girl, she's forced to retire-leaving her to navigate the terrifying world of high-school mean girls on her own. With no one left to turn to, Dave joins forces with Justice Forever, run by a born-again ex-mobster named Colonel Stars and Stripes. Just as they start to make a real difference on the streets, the world's first super villain, The Mother F%&*^r, assembles his ... Written by
Creators Mark Millar and John Romita Jr have cameos as superheroes in the climatic battle between the superheroes and the supervillains. See more »
When Mother Russia is destroying the police cars, she puts a lawn mower on the trunk of one and then backs that car into another one, which launches the lawn mower into the windshield of the police car. That model lawn mower needs to have the control handle held down, otherwise the motor turns off. See more »
Despite the change of director, Kick-Ass 2 doesn't feel one bit different from its predecessor. It doesn't try anything revolutionary or groundbreaking, but what's here is very well executed and enjoyable. It's a prime example of how a proper sequel should be made.
As a direct continuation from the first, the viewer should feel right at home with the familiar characters. The story feels exactly like a sequel should: changed characters facing new conflicts with higher stakes and new faces to join in. Hit-Girl is this time facing difficulties trying to adapt into the real world with her high school life, while Kick-Ass himself finds new faces to fight crime with. All the while Chistopher Mintz-Plasse's "world's first supervillain" (whose name breaks the IMDb review guidelines) goes through a frightfully convincing descent into madness and villainy and starts to wreck things up.
Kick-Ass 2 brings a whole bunch of new colourful lunatics to the cast, with the standouts being Jim Carrey's erratic Colonel Stars and Stripes, and Mother Russia, played with ruthless authority by Ukrainian actress Olga Kurkulina. The cavalcade of new "good" superheroes in the newly found superhero team "Justice Forever" get fairly little screen time, but manage to feel like actual characters instead of mere cutouts. The acting is spot-on, and I struggle to find a single weak performance in the film.
The action hasn't been softened at all from the first film. It's visceral, brutal, and immensely gratifying. If anything, Kick-Ass 2 far surpasses the level and amount of violence of the first, so much so that at times the viewer might be wondering "Is it okay I'm having so much fun with this?" Special mention must be paid to the sound effects team, because the various crunches and cracks really drive the physicality home. The final fight scene is truly spectacular, and the film is worth paying full ticket price for it alone.
If I was forced to find bigger flaws in the film (which there are next to none), the tone of the film should be addressed. It sways wildly between comedic, brutal, somber, parodic and downright cruel, but it never feels inconsistent; the tone feels appropriate for each scene. To me it wasn't a problem, but some viewers might find the more extreme scenes wince-worthy, because of how dark and brutal this film feels at times.
Recommendation: If you liked Kick-Ass, you're definitely going to like this. It's not the new Citizen Kane, but if you're up for a good, bloody, violent time, Kick-Ass 2 delivers in spades.
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