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I Wish (2011) More at IMDbPro »Kiseki (original title)

2015 | 2014 | 2013 | 2011 | 2010

9 items from 2015

Our Little Sister review [Lff 2015]: “This is perfect drama.”

14 October 2015 2:55 AM, PDT | The Hollywood News | See recent The Hollywood News news »

Our Little Sister review: Presents us with a number of quiet stories unfolding like a modern day Ozu. Our Little Sister review

Saying that Hirokazu Koreeda’s latest is great should go without saying. Koreeda pumps out brilliant films as though it was nothing more than a natural reflex. Emblazoned with a loving sense of realism – even for his more fantastical efforts such as After Life and Air Doll – Koreeda delves into engaging tales of love and family like no other. Our Little Sister is the third consecutive film from Koreeda this decade that deals with family ties. Previously he has warmed our hearts with a tale of brotherly love in I Wish, before looking at complex bonds between fathers and sons in Like Father, Like Son. Now it’s the turn of sisters in Our Little Sister.

Sachi (Haruka Ayase) is the head of a three sister household. As »

- Luke Ryan Baldock

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Three Sisters with Laden Hearts: Hirokazu Koreeda and the Non-traditional Family

26 June 2015 5:00 AM, PDT | SoundOnSight | See recent SoundOnSight news »

It was interesting to note the reaction, head bowed in a pained half-smile, of Japanese director Hirokazu Koreeda when hit with his first Cannes press conference question this year: “Is this an homage to Ozu?” or at least something to that extent. In fairness, it’s probably a question the man is sick of hearing at this point, but in the case of Our Little Sister it’s not quite as wayward or as ignorant as one might think. Indeed, Koreeda acknowledges as much in response: admitting to revisiting some of the master’s work in preparation for the project, or perhaps simply in preparation for such questions. And he’s right: there are similarities, and more than enough to provoke such a question. The opening shots alone of a sleepy suburban neighborhood, houses split by an unseen railway line whose heavy clients must shake these small abodes to their foundations, »

- Nicholas Page

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Cannes: Sony Pictures Classics Acquires ‘Our Little Sister’ (Exclusive)

14 May 2015 3:00 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Sony Pictures Classics has acquired U.S. distribution rights for the Cannes in-competition drama “Our Little Sister” (“Umimachi Diary”) directed by Hirokazu Kore-eda, Variety has learned.

Sold by Wild Bunch, the Japanese family film is an adaptation of Akimi Yoshida’s popular serialized comic about four sisters living in the eponymous city. Cast is headlined by Masami Nagasawa, Haruka Ayase and Suzu Hirose. Kore-eda received a jury prize and an ecumenical prize at Cannes two years ago for “Like Father, Like Son,” and he was also in competition with “Nobody Knows” (2004) and “Distance” (2001). His 2009 film “Air Doll” premiered in Un Certain Regard.

“‘Our Little Sister’ is a perfect match for Sony Classics and we’re really grateful that Wild Bunch and Gaga have entrusted us with this special film,” said Sony Pictures Classics.

In a glowing Variety review, Maggie Lee wrote: “‘Our Little Sister’ is Kore-eda’s fourth film (after ‘Nobody Knows, »

- Ramin Setoodeh and Elsa Keslassy

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Our Little Sister | 2015 Cannes Film Festival Review

13 May 2015 3:45 PM, PDT | ioncinema | See recent ioncinema news »

Sisters Doing It For Themselves: Kore-eda’s Continued Examination of Polite Familial Discord

Japanese auteur Hirokazu Kore-eda returns with Our Little Sister (aka Umimachi Diary), another entry in his continued exploration of slightly strained familial connections. Only, the accent on his latest is on the ‘slight.’ An opening line to a famous piece of literature asserts that all happy families are the same, a phrase that more or less applies to the strangely well-adjusted alternative option on display here. Kore-eda seems determined to denude a scenario of blatant sentimental tendencies by remaining vague on the exact details causing this unique formation, yet the film often plays like a warm yet inescapably modest account of emotions often hyperbolized. In the end, the film feels like a sight trifle from Kore-eda, though fans of the director’s work should certainly enjoy it.

Three grown sisters living in their grandmother’s house are »

- Nicholas Bell

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Cannes Film Review: ‘Our Little Sister’

13 May 2015 2:21 PM, PDT | Variety - Film News | See recent Variety - Film News news »

Marking the subtle transitions in the lives of three sisters after they take under their wing a teenage half-sibling they never knew, “Our Little Sister” is so meticulously shot and gracefully orchestrated that it can be considered a worthy contempo successor to Kon Ichikawa’s masterpiece “The Makioka Sisters.” Yet, in attempting to evoke an overwhelmingly femme-centric universe for the first time, Hirokazu Kore-eda adopts an approach so serene that his protagonists’ pain as well as their personalities remain largely muffled as they drift soulfully through the seasons. While gently engaging throughout, the pic nonetheless doesn’t reverberate as deeply as the helmer’s 2013 Cannes jury prizewinner, “Like Father, Like Son,” but Kore-eda’s standing among the worldwide culturati will ensure a warm response at festivals and arthouse cinemas.

Our Little Sister” is Kore-eda’s fourth film (after “Nobody Knows,” “I Wish” and “Like Father, Like Son”) to center on abandoned children. »

- Maggie Lee

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Cannes Review: Hirokazu Kore-eda's 'Our Little Sister'

13 May 2015 9:11 AM, PDT | The Playlist | See recent The Playlist news »

Even the gentlest caress too repetitively delivered can eventually cause abrasion. Japanese director Hirokazu Kore-eda's films, especially his recent string of honeyed, humanist explorations of childhoods, generational gaps and family dynamics, often have the feel of a hand on your shoulder, or a soft palm beneath your elbow, guiding you toward an ever-more-perfect sympathy with his finely wrought, desperately winning characters. And that sense of a careful human touch is one of many reasons to admire and enjoy the director's unshowy style. Certainly, his last films, the affecting, Cannes Jury Prize-winning "Like Father, Like Son," and the sublime and tiny "I Wish" both fit that pattern, in being tender investigations into familial bonds, both marked out by semi-miraculous child performances. But to say that "Our Little Sister" is a return to these themes is both praise and criticism: the lovely moments, the charming, held-in-check performances and the »

- Jessica Kiang

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Cannes Unveils 2015 Official Selection Lineup

16 April 2015 3:12 AM, PDT | Variety - Film News | See recent Variety - Film News news »

Star-studded English-language dramas from Todd Haynes, Gus Van Sant, Denis Villeneuve, Justin Kurzel, Paolo Sorrentino and Matteo Garrone will vie for the Palme d’Or alongside new films by Valerie Donzelli, Jacques Audiard, Hou Hsiao-hsien and Jia Zhangke at the 68th annual Cannes Film Festival, which unveiled its official selection lineup on Thursday.

While there are only two U.S. directors in competition — Haynes with “Carol,” a 1950s lesbian love story starring Cate Blanchett, and Van Sant with his suicide drama “The Sea of Trees,” pairing Matthew McConaughey and Ken Watanabe — this year’s Palme race looks to feature more high-profile Hollywood talent than any in recent memory. Canada’s Villeneuve (“Prisoners,” “Enemy”) will bring his Mexican drug-cartel drama “Sicario,” with Emily Blunt, Benicio Del Toro and Josh Brolin, while Australia’s Kurzel (“The Snowtown Murders”) secured a Palme berth for “Macbeth,” his Shakespeare adaptation toplining Michael Fassbender and Marion Cotillard. »

- Justin Chang and Elsa Keslassy

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Hirokazu Koreeda discusses Japanese films & Chinese / Korean Competition

4 February 2015 5:35 PM, PST | Film-Book | See recent Film-Book news »

  Hirokazu Koreeda speaks about the International Film Industry. One of Japan’s most eminent contemporary directors has a new film coming out and bold opinions on Japanese cinema. Hirokazu Koreeda, the director of such films as After Life, I Wish and Like Father, Like Son, was at the Marrakech Film Festival in Morocco to lead [...]

Continue reading: Hirokazu Koreeda discusses Japanese films & Chinese / Korean Competition »

- Derek Sun

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Top 100 Most Anticipated Foreign Films of 2015: #55. Hirokazu Koreeda’s Kamakura Diary

7 January 2015 7:15 AM, PST | ioncinema | See recent ioncinema news »

Kamakura Diary

Director: Hirokazu Kore-eda// Writer: Hirokazu Koreeda

Another Japanese auteur returning with another project is Hirokazu Koreeda, whose last film, 2013’s Like Father, Like Son won the Jury Prize at Cannes (and was optioned by Steven Spielberg for a Us remake). He’s back with an adaptation of Kamakura Diary by Akimi Yoshida, and stars several notable actors, including Riri Faranki (from Like Father, Like Son), Ryohei Suzuki (from Sono’s Tokyo Tribe and Kurosawa’s Seventh Code) and Masami Nagasawa (from Koreeda’s 2011 I Wish). Koreeda tends to prize the perspective of children (most notably with 2004’s Nobody Knows), and his latest concerns three sisters who live in their grandmother’s home, their existence disturbed at the arrival of their 13-year-old half sister.

Cast: Haruka Ayase, Masami Nagasawa, Suzu Hirose, Ryo Kase

Production Co.: Gaga, TV Man Union, Toho Company

U.S. Distributor: Rights available

Release Date: Already in post-production, »

- Nicholas Bell

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2015 | 2014 | 2013 | 2011 | 2010

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