Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
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A spell of time in the life of a family living in rural Tochigi prefecture, north of Tokyo. Though her husband is busy working at an office, Yoshiko is not an ordinary housewife, instead ... See full summary »
"I Wish" is the story of a man who stumbles on the ability to have his wishes granted. This real-life fantasy focuses on what the Average Joe would do with such ability and whether he'd do ... See full summary »
In Kagoshima, the boy Koichi lives with his mother Nozomi in the house of his grandparents. Koichi misses his younger brother Ryunosuke and his father Kenji, who live in Fukuoka, and he dreams on his family coming together again. One day, Koichi overhears that the energy released by two bullet trains passing by each other would grant wishes and he invites his two best friends, Tasuku and Makoto, to travel to the point of intersection of the two trains. Koichi also tells his plan to Ryunosuke that invites his three best friends to join him. Soon the seven children arrive to the meeting point in the journey of discoveries. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
If, as many have pointed out, Koreeda is Ozu's cinematic heir, then I Wish is Koreeda's take on Ozu's Good Morning. Both films focus on adorable young kids and Japanese family life, and I have no qualms about saying between the two films, Koreeda easily outdoes Ozu. Not only is Koreeda's depiction of children subtler and more intuitive (no fart jokes here), but he coaxes wonderfully naturalistic performances from his child actors. Is there a director alive who does better work with kids than Koreeda? The movie really takes flight once the kids hit the road on their quest, and I loved the Ozu-ish part where they meet an elderly couple that takes in all the children for a night. Just a wonderful movie with tons of heart. Puts the human in humanistic filmmaking.
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