Critic Reviews



Based on 11 critic reviews provided by
Village Voice
Giddy shots of the undead slogging through a decimated party-scape materialize the decadence and instability of upper-crust family life, even as groom and (pregnant) bride prepare to give birth to another generation of the Spanish elite.
Taking a weird swerve into rom-zom-com, the third [REC] shaky-horror ends up pulled apart by its own genre mutations.
Ditching the mock-doc aesthetic is a bold formal move, but without its immediacy and realism, [REC] 3: Genesis becomes just another walking-dead movie-and clocking in at a mere 80 minutes, one with no time for character development.
Where the first two films maintained a breathless tone and found new ground in the zombie genre by linking a physical virus to demonic possession, [REC]3: Genesis runs out of ideas early, and becomes a slogging massacre spiked with callbacks and visual gags.
Boxoffice Magazine
Paco Plaza turns his [REC] franchise on its rotting head with [REC]3: Genesis, switching up the series' blistering first-person-perspective terror for a more conventional, jokey and-much to the film's detriment-self-conscious approach.
The early franchise frights are missing. There's some ironic light-heartedness in the nuptial set, the religious overtones are distractingly self-conscious.
The Guardian
The dancefloor's full of bodies, the bride and groom have been backed into a corner by relatives desperate for their pound of flesh. Pretty much your average wedding, then.
With slapstick smothering the scares, [REC 3] is further marred by a plot in which the muted Catholicism of its antecedents is turned up to full blast.
Slant Magazine
If a fourth entry wasn't already in the works, [Rec] 3: Genesis could have easily represented the nail in the franchise's coffin.
It's the same-old flesh-chewing. Like vampires, this genre is getting deadly.

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