In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
A regular family - Maria (Naomi Watts), Henry (Ewan McGregor) and their three kids - travel to Thailand to spend Christmas. They get an upgrade to a villa on the coastline. After settling in and exchanging gifts, they go to the pool, like so many other tourists. A perfect paradise vacation until a distant noise becomes a roar. There is no time to escape from the tsunami; Maria and her eldest are swept one way, Henry and the youngest another. Who will survive, and what will become of them? Written by
The real color of the Ball was Yellow not Red, as shown in the film. Maria Belón said it was the "biggest lie" in the movie. See more »
In the hospital, where Thomas and Henry are talking, the ceiling fan at the top left is off. In the next shot, the ceiling fan is on. See more »
On December 26th, 2004,the deadliest tsunami on record hit the South East Coast of Asia. The lives of countless families all over the world changed forever. This is the true story of one of those families.
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The title and the rest of the credits do not appear until the end of the film. The only credits that appear at the beginning are the production companies' logos and an explanation of how the Tsunami came about. See more »
An amazing story, but some questions about the telling
Amazing effects and stunts, along with and solid performances balance out some artistic lapses and ethical questions in this true story of one family's experiences of the horrendous Tsunami that killed 300,000.
The downsides; there's something a little off-putting about choosing a white, privileged family as a focus, while at the same time showing almost exclusively other white people as suffering and afraid in a disaster that killed far more local people than tourists. The Thai's are certainly shown in a good light, kindly helping all these suffering whites, but even in the hospital, almost every face we see in a bed is a white one. That hint of odd racial insensitivity is also underlined by replacing the original family, who were Spanish and dark, and making them into a gorgeous blond English family, a telling choice in a 'true' story.
On a more general level, the film can feel manipulative, from the tear jerking score, to the multiple carefully framed "will they spot each other?" shots that feel like a horror film's self-conscious suspense fames, but that cinematic technique feels distractingly artificial in this more naturalistic setting.
There's no question it's exciting and at times quite moving, but I couldn't help thinking I might have felt even more deeply if it wasn't pushing so hard to control my emotions.
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