Guan yun chang (2011)

The story of legendary Guan Yu crossing five passes & slaying six generals. He played a major role in the civil war that led to the collapse of Han Dynasty & the establishment of Shu Han of the 3 Kingdoms, making Liu Bei its first emperor.

Directors:

Felix Chong, Alan Mak

Writers:

Felix Chong, Alan Mak

Stars:

Donnie Yen, Wen Jiang, Betty Sun

1 win.

Cast

Credited cast:
Donnie Yen	...	Guan Yu
Wen Jiang	...	Cao Cao
Betty Sun	...	Qi Lan
Bing Shao	...	General Zhang Liao
Bo-Chieh Wang	...	Emperor Liu Xie
Yong Dong	...	Xuyou
Andy On	...	General Kong Xiu
Yuan Nie	...	Han Fu
Xuebing Wang	...	Wang Zhi
Zonghan Li	...	General Qin Qi
Ailei Yu	...	General Bian Xi
Alex Fong	...	Liu Bei
Rest of cast listed alphabetically:
Yang Biao
Hong Chen	...	Lady Gan / Liu Bei's first wife
Siu-hou Chin	...	Yan Liang

Storyline

This historical martial arts film adapted from the story of Guan Yu crossing five passes and slaying six generals in Luo Guanzhong's historical novel Romance of the Three Kingdoms. In AD 200 during the late Eastern Han Dynasty, Cao Cao eliminates his political opponents Dong Cheng and others, before turning his attention towards rival warlords Liu Bei and Yuan Shao. To avoid fighting a war on two fronts, Cao Cao decides to attack Liu Bei first. Liu Bei flees north to join Yuan Shao, while his family is captured by the enemy. Liu Bei's sworn brother Guan Yu (Donnie Yen), surrenders to Cao Cao to uphold his oath of brotherhood and preserve his honor. Cao Cao knows he's a great warrior & hopes that Guan Yu will continue serving him. Meanwhile, Guan Yu is secretly in love with his sworn brother's concubine Qilan, but is afraid to express his feelings to her. Qilan reproaches Guan Yu for serving Cao Cao. By then, Guan Yu has also received news of Liu Bei's whereabouts, so he prepares to ...

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Plot Keywords:

concubine | martial arts | warlord | year 200 | three word title | 

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Genres:

Action | Biography | Drama | History

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Details

Official Sites:

Official site [jp]

Country:

China Hong Kong

Language:

Mandarin

Release Date:

28 April 2011 (China)

Also Known As:

The Lost Bladesman

Company Credits

Production Co:

Star Union Skykee Film Investment Co, Shanghai Film Group, Anhui Media Industry Group

Technical Specs

Runtime:

109 min

Sound Mix:

Dolby Digital EX (Dolby Surround 7.1)

Color:

Color

Aspect Ratio:

2.35 : 1

User Reviews

A Nutshell Review: The Lost Bladesman

TFor starters, Donnie Yen as Guan Yu certainly raised a few eyebrows, although you realize the filmmakers may have wanted to break conventions. I can live with that, having Guan Yu more of Donnie's physical stature, although traded off with being a little bit more nimble. While Yen's portrayal of Guan's fighting prowess is excellent par none, with the actor also taking up action choreography responsibilities, his dramatic range is undoubtedly hampered, nary breaking into a smile (which is a good thing after that very smiley performance in All's Wel, Ends Well 2011). Thankfully this got compensated by the presence of Jiang Wen as Cao Cao, adding much needed gravitas to a role that Jiang excelled in making Cao both a hero and a villain, who on the outside does and makes everything fine and dandy for Guan Yu, but harbouring deep evil beneath the facade that we see behind closed doors amongst his most loyal of generals.

And given that the set action sequences are spaced far apart, it is Jiang Wen who prevented the film from sagging in its middle act, as we see Cao Cao's dogged pursuit to build camaraderie with Guan Yu, and wonders just what it takes to have men of quality joining his ambition to rule all of China. Meanwhile we have a romantic interlude that deals with Guan Yu's infatuation with Qi Lan (Sun Li) the woman he loves but cannot woo because she is betrothed to Liu Bei. While this was inserted to show how Guan Yu is a man who sacrifices personal happiness for others, what with his saving of her skin a number of times and with his escorting her back to Liu Bei's camp, this was perhaps the weakest link in the story given Yen's unconvincing performance, and Sun Li's role being nothing more than decorative and a pretty face to build on the temptation factor.

But the second half picked up from where the first scene left off, with large action pieces to thrill audiences with Guan Yu in full battle, despite not having his famed Green Dragon Crescent Blade with him, nor the story of the Red Hare steed incorporated, which would be a nice touch to build on established mythos. Yen shows why he still has it in him as a top notch action star and choreographer with a variety of fighting styles and mano a mano battles against opponents hell bent on slaying his Guan Yu to gain instant recognizing and fame. The characters Guan Yu come up against are adapted from the infamous Five Passes Crossing, which happened because of Cao Cao's instruction to go against his own word, or that of his subordinates' defiance of orders (which is why Jiang Wen is best here as an astute politician presented with a dilemma with trying to please one man at the risk of losing loyalties of the others), and becomes almost like a computer game with the clearing of one boss level after another.

There's Kong Xiu (Andy On) refusal of safe passage resulting in a fight within a constricted passageway getting in the way of weapons in full swing (sort of reminiscing Yen's swordplay in Tsui Hark's Seven Swords), Han Fu's betrayal and his poisoned dart episode, Bian Xi's ambush with hundreds within a temple, and the governor Wang Zhi's fight with Guan Yu in a snow covered landscape, which is probably the best amongst them all despite losing plenty of backstory that builds up to the fight. Come to think of it, there was a conscious drop of background to how Guan Yu got to each stage which removes plenty of drama, and made it really look like Guan Yu going on a rampage to rid all who stood in his way.

The cinematography also was found to be left very much wanting with one extended fight sequence shot very much in the dark so much so that you can hardly see anything, except knowing that Guan Yu is dispatching a lot of goons repeatedly, and Bian Xi's episode was also quite the let down in a cheat sheet of shots, stylistically quite innovative, but with doors closed and plenty of noise coming from within before revealing the obvious winner, you would have hoped the camera was placed on the other side instead. Perhaps it will be there as a deleted scene in the DVD. And while I mentioned this isn't your usual gigantic Guan Yu, Donnie Yen's fight choreography may have confused him with Chen Zhen which Donnie also played in The Legend of the Fist (directed by Andrew Lau), having Guan execute dexterous moves as seen in that film running around in a circle and dodging arrows which seemed to have been fired from a machine gun. I'm all for reinterpretation, but adopting something so recent from one's own film (perhaps he really liked those moves to repeat them here again), is shortchanging fans and audiences, coming so recent.

Romance of the Three Kingdoms cannot possibly be made into a one off feature film, but it contains a lot of stories and characters that serve as a wealth of resource material to tap upon for translation to the big screen. This probably isn't the best and won't be the last of the lot, and despite its flaws, still managed to turn in some pure entertainment, although with the pedigree of talent involved, one can be forgiven to have expected a lot more.