Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
A decade after his heroic defeat of the monstrous Kraken, Perseus-the demigod son of Zeus-is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity's lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades and Poseidon. The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld. Perseus cannot ignore his true calling when Hades, along with Zeus' godly son, Ares (Edgar Ramírez), switch loyalty and make a deal with Kronos to capture Zeus. The Titans' strength grows stronger as Zeus' remaining godly powers are siphoned, and hell is unleashed on earth. Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), ... Written by
Warner Bros. Pictures
The movie takes place 10 years after the previous one. See more »
Since this film is fantasy rather than history, some minor anachronisms are allowed, such as a Greek army using Roman tools or flags. Since many iconic "Greek myth" images come in fact from the Italian Renaissance, anything from up until the 17th century AD is fair game. See more »
I'm one of the 3% of the population of Americans that actually enjoyed the 2010 remake of "Clash of the Titans". It wasn't a masterpiece, in fact, I wouldn't even call it good. But there was a charming simplicity to it all. It involved generic characters getting from Point A to Point B in an hour and a half. Sure, it was plagued with problems, but for me, it's a serious guilty pleasure. But that's another review for another time.
The most glaring problem with "Wrath" is that it's essentially the same thing as the first one, with a few tweaks here and there. Sam Worthington plays Perseus. He's strong, powerful, and dull as a rock. It's just Worthington's generic, bland good guy. He's not a terrible role model, he's just not that particularly engaging. The only character that's more boring is Queen Andromeda, played by Rosamund Pike. These two characters share such an awful, contrived romance that it makes Anakin and Padme from the Star Wars prequels look like Romeo and Juliet.
But, as I said before, this sequel is merely a re-tread of the first movie. Sure, the first one was predictable, but at least it gave us a bit of time to know each of the characters. Here, there's no development because they just assumed you know these characters because you watch the first movie. That's a problem I find many sequels running into, and here, it really weakens it.
The special effects here are used in a way that makes me want to sterilize the people who came up with them. The filmmakers operate under the impression that if you throw a ton of special effects onto the screen, it will give your audience something to look at. The problem with that logic is that the factors of character development and motivation are canceled out by the pointless action sequences to such a degree that the audience becomes bored by these fight scenes. The special effects don't dazzle audience members like they did in the past when they're used in such a repetitive fashion.
With really bad movies like this, when all hope is lost, I try to focus on the positive aspects of the film. And there are a few good things found here. Liam Neeson, Ralph Fiennes, and Bill Nighy are pretty entertaining as the gods of Mt. Olympus, and I do like that there is some, though not a lot, of development with these guys. The movie sort of touches on the messed up issues of family in Greek mythology, and it was interesting. Whenever I found myself watching Sam Worthington and his band of bland beatniks (try saying that five times fast), I was wishing that I could be watching Liam Neeson and the others, because they were interesting! Unfortunately, not even the awesome acting of Liam Neeson can save this stinker, kind of how Optimus Prime couldn't save the "Transformers" sequels.
Final verdict: If you're a fan of rich cinematic genius like Citizen Kane or 12 Angry Men, this is not your kind of movie. It's too long, too forced, and too choppily edited. I'll admit, there were people in the theater that watched it and seemed to get really invested, and if you think you can, go ahead and watch it. For me, there were just too many things that didn't add up for me to enjoy this one. I don't regret seeing it, but repeat viewings are not in my future.
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