Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
A decade after his heroic defeat of the monstrous Kraken, Perseus-the demigod son of Zeus-is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity's lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades and Poseidon. The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld. Perseus cannot ignore his true calling when Hades, along with Zeus' godly son, Ares (Edgar Ramírez), switch loyalty and make a deal with Kronos to capture Zeus. The Titans' strength grows stronger as Zeus' remaining godly powers are siphoned, and hell is unleashed on earth. Enlisting the help of the warrior Queen Andromeda (Rosamund Pike), ... Written by
Warner Bros. Pictures
Since this film is fantasy rather than history, some minor anachronisms are allowed, such as a Greek army using Roman tools or flags. Since many iconic "Greek myth" images come in fact from the Italian Renaissance, anything from up until the 17th century AD is fair game. See more »
We may not be gods. But we do what people say can't be done, we hope when there isn't any... whatever odds we face, we prevail.
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The Warner Bros and Legendary Pictures logos are each scrawled on a wall. See more »
Although Clash of the Titans was universally dismissed as an overwhelming disappointment – and featured the worst post-converted 3D ever – it raked in the big bucks and a sequel was naturally green-lit by Warner Bros. With a new director (Battle LA's Jonathan Liebesman replacing Louis Leterrier) and an extra $25m to toy with, Wrath was given the opportunity to learn from its predecessor's mistakes. Alas, this loud and sporadically entertaining mess largely fails to deliver; Sam Worthington's acting again doesn't cut the mustard, the action is well-choreographed but repetitive, and the CGI remains below par considering the dosh thrown at it. However, it's the lack of imagination and unpredictability in the plot department that truly stifles the proceedings. If you get to the end of the first act and don't already know how the rest of the movie is going to play out, you're probably sleeping. Liam Neeson and Ralph Fiennes spice things up as Zeus and Hades respectively, and Toby Kebbell's comic sidekick is a successful ploy to inject the humour sorely missing from Clash, but it's not enough to make this misfire recommendable.
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