In Paris, Ella, a.k.a. Hell, is a promiscuous and reckless teenager with absent upper class parents that does not study or work and spends her time going to night-clubs, using cocaine and ... See full summary »
Vincent is about to become a father. At a meeting with childhood friends he announces the name for his future son. The scandalous name ignites a discussion which surfaces unpleasant matters from the past of the group.
Alexandre de La Patellière,
With barely anything to live for, Emman Toledo (Aga Muhlach), a former dancer, is just about to start his life all over again. He holds the good memories of his past dearly, knowing he will... See full summary »
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving... Written by
Baya tells that her parents met during a demonstration against the Military Coup in Chile by Agusto Pinochet, and later she says that her parents got married in 1972. The Chilean Military Coup occurred during September 1973. See more »
I don't judge, but forcing ideas through art is nauseating as happens too often with politically correct influencers
What this movie does in excess:
Promotes interracial relationships; Pointless nudity: the leading actress has little dignity; It's way too hyperactive; Pretentious ; Pushes political ideas in you face; Supposes leftwingers are what's good, right wingers are naturally bad
What this movie does well: It is ultimately a well acted picture with some very charismatic lead characters. There's lots of chemistry between the two of them and they manage to make you laugh in a charming but understated way.
Ultimately it uses the power of art as a way of mass manipulation, which was at the core of the fascist practice. That aside, if you choose not to bother with these views it's a good comedy.
The cathartic, somewhat nuancing, last third of the film made me raise its score by 1.
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