After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
In Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari ... See full summary »
Muriel Santa Ana,
Although living a comfortable life in Salon-de-Provence, a charming town in the South of France, Julie has been feeling depressed for a while. To please her, Philippe Abrams, a post office ... See full summary »
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving... Written by
I don't judge, but forcing ideas through art is nauseating as happens too often with politically correct influencers
What this movie does in excess:
Promotes interracial relationships; Pointless nudity: the leading actress has little dignity; It's way too hyperactive; Pretentious ; Pushes political ideas in you face; Supposes leftwingers are what's good, right wingers are naturally bad
What this movie does well: It is ultimately a well acted picture with some very charismatic lead characters. There's lots of chemistry between the two of them and they manage to make you laugh in a charming but understated way.
Ultimately it uses the power of art as a way of mass manipulation, which was at the core of the fascist practice. That aside, if you choose not to bother with these views it's a good comedy.
The cathartic, somewhat nuancing, last third of the film made me raise its score by 1.
1 of 5 people found this review helpful.
Was this review helpful to you?