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A mysterious criminal rolls into a small town planning to knock off the local bank, assuming it will go off without a hitch. But when he encounters a retired poetry professor, his plans ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Sado
Tony Nardi ...
Loco
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Max
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Vivienne
...
Tough Guy
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The Boy
R.D. Reid ...
Barber
Paula Boudreau ...
Shop Assistant
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Surgeon
Samuel C. Jephcott ...
Darbon (as Sam Jephcott)
Pamela Scott ...
Waitress
...
Paramedic
Paul Wainwright ...
Pharmacist
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Storyline

A mysterious criminal rolls into a small town planning to knock off the local bank, assuming it will go off without a hitch. But when he encounters a retired poetry professor, his plans take an unlikely turn. With no place to stay, the professor generously welcomes him into his home. As the two men talk, a bond forms between these two polar opposites, and surprising moments of humor and compassion emerge. As they begin to understand each other more, they each examine the choices they've made in their lives, secretly longing to live the type of lifestyle the other man has lived, based on the desire to escape their own. Written by Tribeca Film

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Drama

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Release Date:

28 October 2011 (USA)  »

Also Known As:

Passagem para a Vida  »

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2.35 : 1
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Did You Know?

Trivia

Larry Mullen Jr is also a member of the group U2. See more »

Quotes

The Professor: [to his student] I don't know who is the more obtuse, you who see questions when there are only answers to be seen, or me who seeks an answer when there might not even be a question.
See more »

Connections

Remake of Man on the Train (2002) See more »

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User Reviews

 
interesting drama
18 December 2011 | by (United States) – See all my reviews

Donald Sutherland is a retired professor of poetry living alone in a large Victorian house, listening to Schubert in most of his spare time. He meets a stranger, played by Larry Mullen, Jr.(yes, it is the drummer of the Irish rock band U2), a criminal type who is the complete opposite of the professor.

Mr. Mullen can definitely give up his day job, he is the cinematic acting discovery of the year. His style is that of James Dean in "Rebel Without A Cause" or Martin Sheen in "Badlands," and he matches the veteran Sutherland in scene after scene. The two are terrific together. Mullen possesses a natural, charismatic charm.

A major problem is the soundtrack, which frequently features a piano in the background at a volume clashing with the actors' lines; at times I was wishing for subtitles.

The professor and the stranger with no name ponder each others lives, contemplating the paths they have chosen, a universal theme we can all relate to. The two leads keep it moving along and make it worthwhile.


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