6.9/10
1,581
10 user 46 critic

My Joy (2010)

Schaste moe (original title)
The story about a few days in the life of truck driver Georgi seems to be a never-ending nightmare, a spiral of violence and abuses of power. A man goes to work and on his way he is sucked ... See full summary »

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(screenplay)
3 wins & 5 nominations. See more awards »
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Cast

Credited cast:
Viktor Nemets ...
Georgy
Vladimir Golovin ...
Old Man
Aleksey Vertkov ...
Young Lieutenant
Dmitriy Gotsdiner ...
Commander
Olga Shuvalova ...
Young prostitute
Maria Varsami ...
Maria
Boris Kamorzin ...
Truck driver
...
Major from Moscow
Olga Kogut ...
The Major's Wife
Rest of cast listed alphabetically:
...
Odnoglazyy
Konstantin Shelestun ...
Teacher
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Storyline

The story about a few days in the life of truck driver Georgi seems to be a never-ending nightmare, a spiral of violence and abuses of power. A man goes to work and on his way he is sucked into the everyday madness of his country, losing his health and memory in the process. A dark parable about the situation in deep Ukraine today. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Adventure | Drama

Certificate:

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Details

Official Sites:

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Language:

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Release Date:

30 September 2011 (USA)  »

Also Known As:

My Joy  »

Box Office

Opening Weekend:

$2,077 (USA) (30 September 2011)

Gross:

$5,457 (USA) (16 December 2011)
 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

| (Fujicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Connections

Referenced in Pozner: Andrey Zvyagintsev (2011) See more »

Soundtracks

Zaraza, bros!
Music & Lyrics by Traditionell
Arrangement: V. Lizner
Performed by A. Dyumin
Phonogram Kompaniya "Russkiy Shanson"
(c) Kompaniya "Russkiy Shanson"
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User Reviews

 
A True Masterpiece
20 January 2011 | by (Georgia) – See all my reviews

First of all, I want to say that the film simply blew me away. This film, Sergei Loznitsa's first feature is not only the best film (and discovery) of the year, but one of the biggest and most important works in cinema of this century.

Before, Loznitsa was a documentary film maker and this effect can be seen in his fiction film. It is not only true and violent, but also very unconventional, different (truly ascetic, and here can be seen influence of Loznitsa's mentor, Robert Bresson), Loznitsa's use of long take is truly remarkable, in Russian cinema, long take has been used very ofter, beginning from Tarkovsky, then Shepitko, Sokurov, Zvyagintsv... but Loznitsa's use is different and unique, he absolutely refuses style (there is no disgusting exploitation of manner, that spoils Zvyagintsev's overrated, stupid and pointless "Vozvrascheniye"), he doesn't have style as a director, the film itself creates its style and language (and trust me, it's much difficult and much remarkable).

And Loznitsa does very bold thing: he destroys notion of deep shot. Yes, Kiarostami shot films with digital camera (as Loznitsa does), but his shot is extremely static and Loznitsa makes very long travelings with hand held camera, what's truly new thing and it also creates a feeling of claustrophobia, of closed circle, of No Exit and it's really conceptual use of primitive cinematic method.

It's extremely difficult film, but it's not art house and it's not the proud film, so called "not for everyone". It IS for everyone, but on the other hand, it should be watched very carefully: consider that you'll be shocked and maybe even depressed but I have one very useful advise: if you decide to watch this TRUE masterpiece, be patient and watch it till the end.

It's really worth it.


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