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Romeo and Juliet secretly wed despite the sworn contempt their families hold for each another. It is not long, however, before a chain of fateful events changes the lives of both families forever.

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Cast

Cast overview, first billed only:
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First Capulet Servant
Marcus J. Cotterell ...
Second Capulet Servant (as Marcus Cotterell)
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Storyline

In the city of Verona, two families have a prolonged and ancient feud. The Montagues and the Capulets co-exist under the stern eye of the Prince, but the hatred between the families threatens all, in particular the children. The young men of both families are hot-blooded and ready to fight at any provocation, despite the Prince's edict against such fights. But when young Romeo, a Montague, first sets eyes on the virginal Capulet daughter Juliet, no enmity between families can prevent his falling in love with her, and her with him. From this risk-laden romance comes both joy and tragedy for all. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

The most dangerous love story ever told.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and thematic elements | See all certifications »

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Details

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Release Date:

11 October 2013 (UK)  »

Also Known As:

Romeo & Juliet  »

Filming Locations:

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Box Office

Opening Weekend:

$520,116 (USA) (11 October 2013)

Gross:

$1,161,089 (USA) (29 November 2013)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Damian Lewis (Lord Capulet) played Romeo onstage for the Birmingham Rep's production of Romeo and Juliet in 1994. See more »

Quotes

Juliet: O, Romeo, Romeo.
See more »

Connections

Version of Runaway Robots! Romie-O and Julie-8 (1979) See more »

Soundtracks

Tourdion
(Pierre Attaignant)
Performed by Ensemble La Rossignol
P 2003 Tactus Records - Licensed by
Machiavelli Music Publishing
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User Reviews

A dummy's reply
25 August 2014 | by (United Kingdom) – See all my reviews

Of all the clever-clever barbs fired at the 2013 "Romeo and Juliet", "Shakespeare for Dummies" has probably given the film's detractors the most satisfaction. But, as anyone who has read my user reviews of the 1940 "Pride and Prejudice" and the 1999 "Mansfield Park" will quickly realise, I am no purist as far as literary adaptations for cinema are concerned. I suppose therefore I must be something of a dummy, but a dummy who would like to take the floor to confess to finding this recent version of literature's most famous youth-love-death cocktail rather wonderful. Not that it hasn't been well done before. I haven't seen Castellani's but Zefirelli's later version was a thoroughly worthy attempt, certainly of a standard to raise a question as to whether further interpretations were needed. I experienced serious unease fuelled by all those truly awful reviews before even the opening credits. Give it half an hour perhaps. Not that it started particularly well. A horseback contest between a Montague and Capulet reminded that we might well be entering "Ben Hur" country with all the boredom of that gargantuan epic. I suppose it was the entry of Douglas Booth's Romeo chipping away at a stone figure of Rosaline, his current love, in an artist's workshop that raised more than a glimmer of interest. Was ever a portrayer of the role more handsome! And this coming from a pretty 'straight' viewer! Just imagine his effect on all those Juliets in the audience! I have to admit to finding him the more engaging partner, hardly matched by a no more than pretty Juliet, who rather gabbles her lines and is, well, little more than average school dramatic society material. By now I am aware that I am hardly writing a review of something of a terrific film, so what makes it so outstanding? It can be summed up in the one word - passion. This version concentrates on the lovers to the exclusion of much else such as the groundings humour of Mercutio here played absolutely seriously as is Lesley Manville's pragmatically intelligent Nurse. For once,in Paul Giametti's outstanding portrayal, we can really feel the tragedy of Friar Lawrence's ghastly misguided solution to saving the young lovers which serves to drive the action forward to those tragic deaths presented with such moving intensity. It all culminates in a truly great moment when the young Benvolio clasps the dead lovers hands together. Not Shakespeare but nevertheless a masterstroke. As a bonus we are treated to beautifully shot locations. At one point where the lovers depart from one another on a riverbank the image is ravishing. The main quarrel of its detractors seems to be copious liberties with the playwright's text. There is no question but this is an adaptation in the same way as Kurosawa's "Throne of Blood" and "Ran" both of which are reverenced by cineastes yet contain not a line of Shakespeare. Why all the furious reactions to this version? Remembering the derision than was heaped against Powell and Pressburger's marvellous "Gone to Earth" when it first appeared in the early 1950's but has now achieved deserved recognition, I put it that Carlo's Carlei's "Romeo and Juliet" is possibly a film before its time. Sadly I shall not be around in a few decade's time to say, "I told you so."


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