| Filippo Pucillo | ... | Filippo | |
| Donatella Finocchiaro | ... | Giulietta | |
| Beppe Fiorello | ... | Nino (as Giuseppe Fiorello) | |
| Mimmo Cuticchio | ... | Ernesto | |
| Martina Codecasa | ... | Maura | |
| Tiziana Lodato | ... | Maria | |
| Claudio Santamaria | ... | Finanziere | |
| Filippo Scarafia | ... | Marco | |
| Timnit T. | ... | Sara | |
| Pierpaolo Spollon | ... | Stefano | |
| Rubel Tsegay Abraha | ... | Omar | |
| Lois Clottey | ... | Bimba Sara | |
| Filippo Luna | ... | Dottore | |
| Giovanni Cintura | ... | Tonino | |
| Tindaro Veca | ... | Pasquale | |
| Biagio Barone | ... | Vecchio pescatore | |
| Carmelo Marchetta | ... | Vecchio pescatore | |
| Antonino Bellomo | ... | Vecchio pescatore (as Nino Bellomo) | |
| Carmelo Cannavò | ... | Pescatore (as Carmelo Rosario Cannavò) | |
| Vincenzo Saltalamacchia | ... | Pescatore | |
| Piero Oscar Cardamone | ... | Franco | |
| Fabio Pucillo | ... | Banda Franco | |
| Roberto Pucillo | ... | Banda Franco | |
| Silvio Inguanta | ... | Banda Franco | |
| Eugenio Bonadonna | ... | Banda Franco | |
| Mary Di Malta | ... | Donna biglietteria | |
| Pasquale Giardina | ... | Prete |
Directed by | |||
| Emanuele Crialese | |||
Writing credits | ||
| Emanuele Crialese | (story) | |
| Vittorio Moroni | (screenplay) and | |
| Emanuele Crialese | (screenplay) | |
Original Music by | |||
| Franco Piersanti | |||
Cinematography by | |||
| Fabio Cianchetti | |||
Film Editing by | |||
| Simona Paggi | |||
Casting by | |||
| Chiara Agnello | |||
Production Design by | |||
| Paolo Bonfini | |||
Costume Design by | |||
| Eva Coen | |||
Makeup Department | |||
| Marzia Colomba | .... | assistant hair stylist | |
| Massimo Gattabrusi | .... | hair designer | |
| Chiara Ugolini | .... | assistant makeup artist | |
| Alessandra Vita | .... | makeup artist | |
Production Management | |||
| Federico Foti | .... | unit production manager | |
| Valentino Lo Cascio | .... | assistant production manager | |
| Simone Sterpetti | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Vincenzo Rosa | .... | second assistant director | |
| Stefano Ruggeri | .... | second assistant director | |
| Emiliano Torres | .... | assistant director | |
Art Department | |||
| D'Ubaldi Cinzia | .... | digital intermediate assistant | |
| Erminio Lauri | .... | digital artist | |
| Giuseppe Liotti | .... | storyboard artist | |
| Marco Ruggieri | .... | digital artist | |
Sound Department | |||
| Jacopo Anzellotti | .... | sound effects editor | |
| Luca Anzellotti | .... | foley editor | |
| Massimo Anzellotti | .... | foley artist | |
| Angelo Bonanni | .... | boom operator | |
| Davide D'Onofrio | .... | boom operator | |
| Vincent Gregorio | .... | sound assistant | |
| Vincent Guillon | .... | sound editor | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Pierre-Yves Lavoué | .... | sound mixer | |
| Johann Nallet | .... | sound re-recording mixer assistant | |
| Loïc Prian | .... | sound editor | |
| Velislava Stoyanova | .... | second boom operator | |
Visual Effects by | |||
| Andrea Baracca | .... | digital color timing | |
| Fabio Luongo | .... | visual effects artist: Visualogie | |
| Stefano Marinoni | .... | visual effects supervisor | |
| Federica Nisi | .... | visual effects coordinator | |
| Paola Trisoglio | .... | visual effects producer | |
Stunts | |||
| Stefano Maria Mioni | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Luigi Andrei | .... | camera operator | |
| Alessio Bastianelli | .... | first assistant camera | |
| Jeremy Braben | .... | aerial director of photography | |
| Claudio Frollano | .... | gaffer | |
| Alias Gallione | .... | second assistant camera | |
| Romualdo Nati | .... | supertechnocrane technician | |
| Massimo Rinella | .... | grip | |
| Marco Sticchi | .... | electrician | |
| Giovanni Tancredi | .... | electrician | |
| Marco Tani | .... | camera operator: "b" camera | |
| Paolo Tiberti | .... | key grip | |
Casting Department | |||
| Maurilio Mangano | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Margherita Meddi | .... | assistant costume designer | |
Editorial Department | |||
| Andrea Baracca | .... | colorist | |
| Iolanda Pinna | .... | assistant editor | |
Music Department | |||
| Joshua Berman | .... | music coordinator | |
| Goffredo Gibellini | .... | score mix engineer | |
| Angelo Giovagnoli | .... | orchestra coordinator | |
| Giannandrea Mazza | .... | music pre-production | |
| Roma Film Orchestra | .... | music performed by | |
Other crew | |||
| Joshua Berman | .... | co-production supervisor | |
| Francesco Casisa | .... | runner | |
| Federica Cinquepalmi | .... | assistant production coordinator | |
| Claudia Croce | .... | production assistant | |
| Clemence Forestier | .... | chief financial officer: Babe films | |
| Giovanni Giardina | .... | runner | |
| Christian Giuliani | .... | production coordinator | |
| Giuseppe La Russa | .... | production office assistant | |
| Marco Mattei | .... | production accountant | |
| Francesca Romana Miani | .... | production assistant | |
| Erica Negri | .... | development coordinator | |
| Christian Peritore | .... | location manager | |
| Nathanaël Poupin | .... | business & legal affairs | |
| Antonia Tammaro | .... | assistant accountant | |
| Natale Aldo Tuccio | .... | runner | |
| Recent Posts (updated daily) | User |
|---|---|
| Terraferma vs Le Havre | bdem |
| 2012 Newport Beach Film Festival - Special Screening | shivajabbari |
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| Respiro | Christ Stopped at Eboli | Golden Door | La terra trema | Undertow |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
A remarkable film from a group of busy Italian film makers whose output is largely unknown in the English speaking world, though the director's RESPIRO did get some sub-titled screening. This one deserves the Oscar it's been put up for.
Hardships among Sicilian fishermen (oh oh) who become involved with I clandestini - illegal immigrants (Oh Oh!) but this one has a sharper edge than the do gooder-films that usually make their way into art theatres. The night time white water advancing on the small boat has genuine menace and the again admirable Finocchiaro turning on the black woman they saved, when pregnant and abandoned by her fellow escapees, is all the more effective because it's unfamiliar. The film is not without compassion but underlays it with a new realism.
Cast, crisp camera-work, sunny scenes of ocean front life, the spectacle of half clothed tourist merry makers, whose relation with the locals is as dodgy as that of the Africans, all add to the impact of an involving and accomplished production.