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Storyline
The whole team concentrates on the mysterious attacks of an intruder on rich homes of prominent Las Vegas citizens, known as philanthropists or heroes. They work out the criminal must be sort of a contortionist with a latex fetish. He stalked each victim long term, even taking up secret residence in their homes, and left clues indicating he objected to their honorable status, knowing some incriminating series. Despite the likeliness of another attack, Margot Wilton insists to return home without police protection after her hospital release. Written by
KGF Vissers
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Did You Know?
Goofs
When "Ian Moone" descends from the attic towards the end of the episode, he is holding some of Margot's letters. When he moves through the house, spider-like, he doesn't have the letters. Soon after, he has them again, as he throws them into the air.
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Soundtracks
"Waiting For The End"
(uncredited)
Performed by
Linkin Park See more »
Condensing Anthony E. Zuiker's serial killer novel "Level 26: Dark Origins" for a (seemingly) one-part episode of a television crime series was a risky move--and the returns might have paid off if only the writing here wasn't so one-dimensional. Ann-Margret guest-stars as a Las Vegas honcho who is attacked in her bedroom one night by a "slippery man" armed with a straight-razor. The Crime Scene Investigating team believe the attacker to be a stalker of the still-sexy redhead, until an unrelated woman is attacked by the same nutcase in her vehicle during a car-wash (!) and is killed. Nearly everything is laid out in elemental terms (i.e., dumbed-down) for an audience of a presumably limited intelligence. The killer's appearance (wear a full-body latex sex suit) and his acrobatic movements are really the only things of interest here, as the actors fall prey to the pedantic teleplay and the director's penchant for displaying open cuts and wounds in loving close-up.