All his life, Leonard (Joshua Leonard, Humpday (2009)) has dreamed of being a famous filmmaker, but he's better at making excuses than making art. A chance encounter with a wasted A-list ... See full summary »
Cartographer Will Shepard hits the road for his latest job: to create a new, more accurate satellite survey of Armenia. During his assignment, he forms a bond with an Armenian expatriate and art photographer.
Dave Brown is a Los Angeles police officer who works out of the Rampart Division. Dave is misogynistic, racist, brutally violent, egotistical and a womanizer, although he defends himself against many of these accusations as he says that his hate is equal opportunity. However unlawful, he uses intimidation and brutal force to defend his ideals. The most notorious of his actions is purportedly murdering a suspected serial date rapist, which is why he has been given the nickname "Date Rape Dave". He lives with two of his ex-wives - sisters Barbara and Catherine - in an effort to keep family together, namely his two daughters, Helen and Margaret, who each have a different sister as their mother. Dave still maintains a sexual relationship with both sisters - whenever the mood suits any of them - while he openly has other sexual relationships. His life is put under a microscope after he is caught on video brutally beating a person with who he got into an automobile crash. This situation is ... Written by
Dave (Woody Harrelson), a Vietnam war veteran, quips to homeless war veteran Terry (Ben Foster) that he is not Santa Claus. In their previous collaboration in The Messenger (2009), both Harrelson and Foster play war veterans, where the former quips about Christmas when the two are on casualty notification. See more »
At the beginning of the film, the screen is black and a graphic states "Los Angeles 1999" As the film fades into a wide shot overview of the hamburger stand, a 2005 Cadillac CTS drives through the intersection. See more »
Regarded in the trailer as "one of the most corrupt cops ever on screen," Woody Harrelson's character was honestly underwhelming. The actor did an exceptional job portraying a dirty cop, but was no where near the capacity of evil as Denzel in Training Day or Damon in The Departed. His portrayal was very real which is a characteristic that Oren Moverman appears to gravitate to in his films and while Moverman, in his second theatrical film, does a good job, it is no where near what he achieved in his amazing debut The Messenger. Harrelson did a fine job but he also failed to achieve the same greatness that he displayed in The Messanger as well. Some of the talented character actors in the film like Ben Foster and Sigourney Weaver deliver solid performances but aren't on screen enough make any impact overall to the film. It's a film that due to it's original limited release will likely struggle at the box office and moviegoers aren't missing too much in the process. I enjoy dramatic movies more than any other genre, but I found this film bland and the characters for the most part only OK at best. The actors did a good job but not good enough to make the film a success. There was just no wow factor in this film, which anticipated the wow factor being Harrelson's villainous performance. I'd give it a C in large part due to a broad and bland plot which could've been much better.
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