| Photos (See all 14 | slideshow) | Videos (see all 6) |
| Rutger Hauer | ... | Hobo | |
| Pasha Ebrahimi | ... | Bumfight Filmmaker | |
| Robb Wells | ... | Logan (as Rob Wells) | |
| Brian Downey | ... | Drake | |
| Gregory Smith | ... | Slick | |
| Nick Bateman | ... | Ivan / Rip | |
| Drew O'Hara | ... | Otis | |
| Molly Dunsworth | ... | Abby | |
| Jeremy Akerman | ... | Chief of Police | |
| André Haines | ... | Large Man (as Andre Haines) | |
| Agnes M. Laan | ... | Prostitute (as Agnes Laan) | |
| Duane Patterson | ... | Pimp | |
| Brian Jamieson | ... | Santa | |
| Timothy Dunn | ... | Store Clerk (as Tim Dunn) | |
| Glen Matthews | ... | Gang Leader | |
| Zach Tovey | ... | Gang Member #2 (as Zack Tovey) | |
| Alexander Rosborough | ... | Gang Member #3 (as Zander Rosborough) | |
| George Stroumboulopoulos | ... | TV Host | |
| Mark A. Owen | ... | Coke Lord (as Mark Owen) | |
| David Brunt | ... | Dirty Cop | |
| Scott Vrooman | ... | Rookie Cop | |
| Juanita Peters | ... | Doctor #1 | |
| Peter Simas | ... | Grinder | |
| John Awoods | ... | Doctor with Gun | |
| Scott Owen | ... | Civilian | |
| rest of cast listed alphabetically: | |||
| Eliese MacKinnon | ... | Arcade Punk | |
| Rhys Bevan-John | ... | Thug #1 (uncredited) | |
| Maddi Clarke | ... | Mob member 2 (uncredited) | |
| Robert Cotterill | ... | (uncredited) | |
| Michael Ray Fox | ... | Doctor (uncredited) | |
| Shayna Fried | ... | (uncredited) | |
| Larry Goldstein | ... | Mob Member (uncredited) | |
| Colin David MacDonald | ... | Mob member (uncredited) | |
| Cadence MacMichael | ... | Drake's Prostitute (uncredited) | |
| Lauren Messervey | ... | Dancing Prostitute (uncredited) | |
| Keith Daniel Morrison | ... | Bum Fighter (uncredited) | |
| Gregory Richardson | ... | Angry Citizen (uncredited) | |
| Sam Tarasco | ... | (uncredited) | |
| Carolyn Thomas | ... | Western Pigtailed Sharpshooter (uncredited) | |
Directed by | |||
| Jason Eisener | |||
Writing credits | ||
| John Davies | written by & | |
| Jason Eisener | story & | |
| Rob Cotterill | story | |
| John Davies | story | |
Produced by | |||
| Chris Bell | .... | associate producer | |
| Rob Cotterill | .... | producer | |
| Niv Fichman | .... | producer | |
| Paul Gross | .... | producer | |
| Kevin Krikst | .... | associate producer | |
| Andrea Raffaghello | .... | line producer | |
| Frank Siracusa | .... | producer | |
| Mark Slone | .... | executive producer | |
Original Music by | |||
| Adam Burke | |||
| Darius Holbert | |||
| Russ Howard III | |||
Cinematography by | |||
| Karim Hussain | |||
Film Editing by | |||
| Jason Eisener | |||
Casting by | |||
| Deirdre Bowen | |||
| Sheila Lane | |||
Production Design by | |||
| Ewen Dickson | |||
Costume Design by | |||
| Sarah Dunsworth | |||
Makeup Department | |||
| Graham Chivers | .... | sculptor/mold maker | |
| Mallory Glenn | .... | assistant hair stylist | |
| Barbi Jollota | .... | key hair stylist | |
| Zane Knisely | .... | key special makeup effects | |
| Amanda O'Leary | .... | makeup department head | |
| Lindsay Thorne | .... | makeup special effects artist | |
| Henry Townsend | .... | special makeup effects artist | |
| Paul Jones | .... | prosthetic body parts (uncredited) | |
Second Unit Director or Assistant Director | |||
| Nicole Close | .... | second assistant director | |
| Robert Cotterill | .... | second unit director | |
| Preston Hudson | .... | third assistant director | |
| Megan Malet-Veale | .... | trainee assistant director | |
| Catherine Maltais | .... | daily assistant director | |
| Jason Shipley | .... | first assistant director | |
Art Department | |||
| Gary Allen Ferguson | .... | property master | |
| Nat Jones | .... | illustrator | |
| Matt Likely | .... | assistant art director | |
| Mark MacAulay | .... | concept artist | |
Sound Department | |||
| Paolo Amati | .... | assistant re-recording mixer | |
| Steve Baine | .... | foley artist | |
| Adam Burke | .... | boom operator | |
| Steve Foster | .... | sound re-recording mixer | |
| Barry Gilmore | .... | dialogue editor | |
| Gina Gyles | .... | foley assistant | |
| Krystin Hunter | .... | assistant sound editor | |
| Aram Kouyoumdjian | .... | boom operator | |
| Adam Labadie | .... | audio coordinator | |
| Graham Rogers | .... | assistant re-recording mixer | |
| Alexander Rosborough | .... | production sound mixer (as Zander Rosborough) | |
| David Rose | .... | sound effects editor | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Robert Warchol | .... | co-sound designer | |
Visual Effects by | |||
| Kyle Boylen | .... | digital compositor | |
| Noel Hooper | .... | visual effects supervisor | |
| Haydn Masuda | .... | digital compositor | |
| Christa Tazzeo | .... | visual effects producer | |
Stunts | |||
| Beth Amiro | .... | stunt double | |
| John Awoods | .... | stunt actor | |
| John Awoods | .... | stunt rigger | |
| Nick Bateman | .... | stunt performer | |
| Rene Bishop | .... | stunt double | |
| Randy Boliver | .... | stunt coordinator | |
| Randy Boliver | .... | stunt rigger | |
| Brian MacWilliam | .... | stunt double | |
| Arnold Rafuse | .... | stunt performer | |
| Alexander Rosborough | .... | stunts (as Zander Rosborough) | |
| Peter Simas | .... | stunt performer | |
| E. Nova Zatzman | .... | stunts (as Elana Zatzman) | |
Camera and Electrical Department | |||
| Paul Begin | .... | first assistant camera | |
| Lori Ann Bellefontaine | .... | generator operator | |
| Matt Eakin | .... | electrician | |
| Darcy Fraser | .... | second assistant camera | |
| Gerald Gillis | .... | electrician | |
| Pat Holland | .... | daily electric | |
| Pat Holland | .... | daily grip | |
| Karim Hussain | .... | camera operator | |
| Mark Kenny | .... | daily electrician | |
| Matt Lynds | .... | daily grip | |
| Jordan Schella | .... | gaffer | |
| Will Semple | .... | grip | |
| Alan Sweet | .... | best boy electric | |
| Jeffrey Wheaton | .... | camera operator | |
Casting Department | |||
| Christopher Richards | .... | casting associate | |
Costume and Wardrobe Department | |||
| Bethana Briffett | .... | costume supervisor | |
| Diana Redmond | .... | set costumer | |
Editorial Department | |||
| Darcy Arthurs | .... | digital intermediate producer | |
| Frank Biasi | .... | digital intermediate editor | |
| Jim Fleming | .... | digital intermediate colorist | |
| Caley MacLennan | .... | first assistant editor | |
Music Department | |||
| Kevin Banks | .... | music editor | |
| Oren Hadar | .... | scoring mixer | |
Transportation Department | |||
| Brian Douglas Sears | .... | driver | |
Other crew | |||
| Fraser Ash | .... | production assistant: Rhombus Media | |
| Jeff Bowes | .... | assistant to producers | |
| Joe Caporale | .... | production assistant | |
| Jesse Fawthrop | .... | asst. production coordinator | |
| Sean Grady | .... | storyboard artists | |
| Phil Hatcher | .... | location manager | |
| Shauna Hatt | .... | production coordinator | |
| Jessica Jennings | .... | assistant to producer | |
| Tim Marczenko | .... | executive assistant to Niv Fichman | |
| Bianca Marini | .... | office production assistant | |
| Austin Wong | .... | production counsel | |
Thanks | |||
| Mark MacAulay | .... | special thanks | |
| Josh MacDonald | .... | special thanks | |
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| Machete | Sin City | Ichi the Killer | Kill Bill: Vol. 1 | Enbamingu |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Canada section |
***1/2 out of (****)
Eisener's exploitative 80's grindhouse throwback, "Hobo with a Shotgun", showcasing its brutality shamelessly, is easily the best grindhouse film to ever grace the silver screen. "Grindhouse", "Machete", and "Drive Angry 3D" are all strong staples to the beloved subgenre, but "Hobo" is where its at. It's bigger, louder, and prouder. In all honesty, this is one of the goriest films I've seen in a while, and it takes a lot for me to say that because even the goriest Saw film doesn't fulfill my bloody craving. The best part about "Hobo" is not only doesn't it play it safe, but there's so much meaning, and depth underneath it, and is executed so strongly that the message never becomes lost or preachy.
"Hobo" revolves around well... a hobo. An anonymous one at that who witnesses the catastrophes of the city, and decides to fight back.
First of all, the plot is just ingenious. A hobo who's tired of getting picked on and besmirched by the townspeople decides to take a stand. Not only is it a badass story, but can't we all relate to the plot? Haven't we all been pushed around too long, and just wanted to do something. To be something truly special. Also, while the deaths are pretty sick, there's more meat on these bones. The film relies on what a film should rely on. Its characters. The relationship between Abby and the hobo is a strong one. I actually cared about these two. What does it say if a film of the title "Hobo with a Shotgun" has more character development than 95% of the garbage being released today?
To put the icing on the cake, the production values are sweet. This film has a superb nostalgic look, and it's one of the most colorful and vibrant movies projected on screen. But why are we here? For the deaths! And boy, do they not disappoint. Eating glass, decapitating heads, and shots to the head are not even the goriest segments. Actually, they're the tamest. Not only that but almost every five minutes there's blood. Whether a dead body in a shot, random blood, or a kill occurring. This is just a huge blood bath. And a great one at that.
Also, what I loved about this movie is the lack of gratuitous nudity. I hate how almost every grindhouse flick has to have the need to throw in random boobs or sex in the film. I know it's part of the titillation, but it's rather absurd, and feels out of context. "Hobo" had one scene exposing those jugs, and it actually fit the mood because of its humor. However, it was just THAT scene and wasn't littered throughout the movie.
Ignore those reviewers saying they were "disappointed" because it wasn't "what they were expecting". If you're expecting a good time, dammit, you're going to get one. Two strong leads, heaps and heaps of blood, a slick story, and some solid production values. You're going to tell me that doesn't even get you excited in the slightest? "Hobo with a shotgun" might just be the best movie I'll see this year. The others have just not delivered on what they promised. How sad is it to see a movie with this title can actually be the best movie of the year, when probably half of the Oscar choices will be pretentious dribble. Don't even think about seeing this film. Just do it. Go ahead, I'll wait.