Goofs
Close to the end of the film when Ned (Paul Rudd) and his friend have opened up a candle-store, his friend is dipping candles into obviously empty containers, since they come out as dry as when they go in, and in many shots you can see the jars being empty of candle mass.
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Quotes
Ned:
Hey, you know, I've been meaning to tell you. You're doing a really good thing here, Omar. Seriously. I mean you talk to us screw-ups, you give us a reason for getting out of bed in the morning.
Omar:
Thanks, man. So you get out of bed in another three weeks, OK?
Ned:
I'll do it.
Omar:
I appreciate the compliment. It's rare that we get love from the clients.
Ned:
Well, you're a good dude. And I just needed this appointment today, I'm having a tough go of it. I swear, I try and do good, but I just screw it up. Man, I...
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As I write this review at the end of August, 2011, I realize it's my last one of a good summer, and the movie, Our Idiot Brother, is a good movie. It's a light-hearted, low-key comedy about a hippie brother Ned (Paul Rudd) returning home from prison for selling pot to a uniformed policeman.
That little episode that put him in jail is not only humorous because of Ned's naiveté but also because of his big heart that would empathize with the seemingly depressed cop and sell him the weed. Ned is a sweet idealist who believes the best about his fellow humans and rarely is disappointed. Although he has been a biodynamic farmer but now doesn't have a job, his real job is turning his family honest, sister by sister, without even trying, without even knowing that his Ibsen-like Wild Duck openness has changed lives for the better.
For instance, when he forces his sister Miranda (Elizabeth Banks) to be honest with her publisher about a source for an important story, she eventually is better for the setback. A little like Forrest Gump with less cluelessness, Ned changes things with the force of his own honesty.
His three sisters are not wicked witches; they're just New Yorkers who have lost their way in marriage, sexual orientation, or plain old occupation. Director Jesse Peretz keeps the cast underplaying as he allows the ripening of their lives through the gentle ministrations of this child-like brother.
While I always favor the outré Royal Tenenbaums or eccentric Little Miss Sunshine, it's pleasant to experience a relatively mild comedy about family dysfunction and want more.