How well does Adam Sandler hold up in animated for? Less bearable than in human form. The Nostalgia Critic reviews Sandler's 2002 foray into animation as the world's only well-known Hanukkah movie, which could possibly ...
The Critic returns from the Plot Hole, ready to review again. First up on the chopping block is The Odd Life of Timothy Green, a horribly misguided 2012 family film with a mixed message about parenting and too much focus on pencils than story.
To wrap up the "Month of Love", the Critic takes a look at the world's most popular love story, Romeo and Juliet, analyzing all the movie adaptations and determining whether or not it deserves to be as beloved as it is.
Satan searches for the right movie to put his daughter back on the right path, but unfortunately for him, the Nostalgia Critic gets his hands on it first. The infamous, 2005 Carrey-less sequel to The Mask: Son of the Mask. Having to endure the frightening imagery, asinine plot and horrible performances nearly scares the Critic half out of his wits.
Critic reviews the 1999 animated adaptation of The King and I. He criticizes the lack of loyalty to the source material and too much attention focused on cartoonish side characters. On the side, he addresses fan complaints about the color of the wall.
What's up with all the hate towards princesses these days? Are they really such bad role models for little girls? Well, the Nostalgia Critic is here to get to the bottom of this quandary with surprising results.
Catwomen Anonymous seeks out The Nostalgia Critic and forces him to include them in his review of the 2004 flop Catwoman. Despite what the Catwomen think, it was not the fault of Halle Berry the film failed, as the Critic actually praises her performance.
Does the new Looney Tunes Show stay true to the Golden Age Warner Bros. cartoons of old; or is it yet another uninspired schlock-fest made to cash-in on our childhoods? That's what the Nostalgia Critic is here to find out.
While babysitting Satan's daughter, Evilina, the Nostalgia Critic is forced to watch one of the worst movies ever made, The Cat in the Hat. Frightening images, adult humor and lack of loyalty to Seuss' work really grind the Critic's gears.
The Critic looks at two shows, Seinfeld and Louie, that are seemingly "about nothing." When comparing the two, Seinfeld had more substance, so were they being honest when they said it was a show about nothing?
Have you seen the latest spoof movies? They all suck, don't they? What happened to parody movies as an art; and when did spoof start to equal cesspool of references? The Nostalgia Critic intends to find that out.
In a controversial move, the Nostalgia Critic reviews a good movie: Jurassic Park. He points out the flaws that people didn't notice before, he worships the T-Rex as the silver screen's biggest hero, and he says it has held up well these past 20 years.
Really, girls? Thor's evil, immature but powerful and merciless brother is the object of your affections? What is it about Loki that sets the ladies' hearts aflutter? Maybe the Nostalgia Critic can get to the bottom of this.
When the Nostalgia Critic takes one too many pot shots at TMZ, they decide to employ him. While the other reporters run around obtaining pointless, mindless mundane celebrity gossip, the Critic reviews A.I.
Being a semi-casual gamer himself, the Critic decides to find an answer to that age-old question: are video games art? He studies the evolution of games as an art form and finds there is more than meets the eye.
The Critic reviews The Master of Disguise, a horrendous, ill-conceived and unfunny comedy featuring an obnoxious performance by Dana Carvey and produced by Adam Sandler's infamous garbage factory, Happy Madison.
In honor of the Power Rangers' 20th anniversary, Zordon summons the Nostalgia Critic to outwit Rita Repulsa and review Turbo: A Power Rangers Movie. It's a listless, shameful, advertisement whore of a ride, but someone's got to do it.
Even a perfect trilogy of movies like The Lord of the Rings is bound to have its share of stupid, dumb-ass moments, which is why The Nostalgia Critic has compiled a list of his personal top 11. Hi-jinx to follow.
To the shock of absolutely no one, the Nostalgia Critic admits to being a nitpicker. However, there is a method to this madness as the Critic explores the need to nitpick, when it's appropriate, and determines how much is too much.
The Critic talks about the fourth season of Batman: The Animated Series, or rather the first season of The New Batman Adventures. He compares and contrasts looks and environments, and agrees that when all is said and done, the Joker's new design looks like hell.
The Nostalgia Critic looks back on the mid-'90s Anime sensation, Sailor Moon. It's your basic, run-of-the-mill Japanese animated kids show, and to the Critic's dismay, he realizes he's been ogling scantily-clad 14-year-old girls, albeit animated ones, all this time.
Before Itchy and Scratchy, we had Tom and Jerry as the ultimate cat and mouse disaster team. Why were they truly the masters of animated slapstick and why are they not as popular today? Who better to find out than a real-life cartoon character: the Nostalgia Critic.
The Critic, Paw and Oancitizen review the 2012 hit musical Les Miserables. Paw loves it, Oan hates it, and the Critic is somewhere between. Not only that, but the review is constantly hindered by guest stars Brentalfloss and Todd in the Shadows; Maven and Paw start a fling, and Linkara feels left out of the whole thing.
While the Critic is busy making his latest epic, explosive review for next week, he manages to compile a Top 11 list of jokes from movies and cartoons we probably didn't get in our first viewings as children.
The Critic is called upon by the Waterbenders to review the abysmal movie adaptation of Avatar: The Last Airbender, to help save the franchise. The Critic discovers what he already expected: the movie makes every mistake in the book.
Was the ending to The Graduate happy or more bittersweet? Did our hero win in the end, or wind up in more trouble? The Nostalgia Critic decides to get to the bottom of this with a thorough analysis of the film and its underlying themes.
The Nostalgia Critic keeps his promise to review Bridge to Terabithia. He finds it to be an overly whimsical, atypical and bland film, with a juvenile female lead character who is a borderline obsessive psychotic.
Is the 1998 Coen Brothers' comedy really the masterpiece it is perceived to be? Is it just a comedy about oddball characters in ludicrous situations, or is there much, much more beneath the surface to be studied? The Nostalgia Critic decides to find out.
Nostalgiaween returns, and what better way to mark the occasion than another Stephen King mini-series? First up is The Shining. The Critic feels it's mundane and monotonous, as opposed to the 1980 Kubrick version. Needless to say, Stan wins...or does he?
Seriously, what is it about walking corpses who crave human brains that excites and intrigues us so? For his first Nostalgiaween editorial, the Critic investigates the latest zombie craze to determine their true appeal.
The Cinema Snob visits the Critic to help him figure out why Sharknado is such a runaway success, given how crappy of a film it is. So the two review the movie to find out why, as well as come up with gimmicky schlock film ideas of their own.
The Nostalgia Critic finally addresses the age-old mystery of why so many children's movies have such scary imagery, and what is the purpose of making them wet their pants in fear? He finds there may be more to it than just being scary for scary sake.
Nostalgiaween 2013 concludes with The Nostalgia Critic finding himself trapped on an elevator with, of all people, Rita Repulsa, Santa Christ, and Satan himself. To pass the time, they review the 2010 Shyamalan vehicle Devil, which may or may not reflect their current situation.
Mama Mia! Super Mario Bros. comics are actually pretty good? How come Mario and Luigi have faltered in movies and TV shows, but not in printed media? Quite the bamboozling mystery, but the Nostalgia Critic intends to get to the bottom of this.
In his 'I Donut Donuts' T-shirt, the Nostalgia Critic plops down on the couch to review more commercials, including patriotic pancakes, Toys R Us kids who probably never grew up, disgusting twin baby dolls and a few controversial PSA's. Also, the Wicked Witch of the West tries her luck at seduction.
The Nostalgia Critic discusses the pros and cons of CGI effects in movies, in which cases they're necessary and when they're not. He compares it to practical effects in older movies, determining the true appeal of both and when one should be used instead of the other.
The Nostalgia Critic and Angry Joe team up to review the one superhero movie that half the internet loved and the other half hated: Man of Steel. Critic hates it, Joe loves it, and they go over the movie, beat by beat, to determine which side is right.
It's Christmas time again, and to kick off this holly jolly season, the Nostalgia Critic, an avid lover of Christmas, lists off his Top 12 best Santa Clauses from movies and TV specials. Why 12? Because it's Christmas.
How well does Adam Sandler hold up in animated for? Less bearable than in human form. The Nostalgia Critic reviews Sandler's 2002 foray into animation as the world's only well-known Hanukkah movie, which could possibly be the worst holiday special the Critic has ever seen...this year.