Directed by | |||
| Baldvin Zophoníasson | |||
Writing credits(in alphabetical order) | ||
| Ingibjörg Reynisdóttir | written by | |
| Baldvin Zophoníasson | written by | |
Produced by | |||
| Birna Paulina Einarsdottir | .... | line producer | |
| Júlíus Kemp | .... | producer | |
| Ingvar Þórðarson | .... | producer | |
Original Music by | |||
| Ólafur Arnalds | |||
Cinematography by | |||
| Jóhann Máni Jóhannsson | |||
Film Editing by | |||
| Sigurbjorg Jonsdottir | |||
Production Design by | |||
| Halfdan Pedersen | |||
Art Direction by | |||
| Hulda Helgadóttir | |||
Costume Design by | |||
| Margrét Einarsdóttir | |||
| Selma Ragnarsdóttir | |||
Second Unit Director or Assistant Director | |||
| Katrín Björgvinsdóttir | .... | second assistant director | |
| Sindri Páll Kjartansson | .... | first assistant director | |
Art Department | |||
| Davíð Örn Arnarson | .... | stand by props | |
Stunts | |||
| Ásgeir Guðmundsson | .... | stunt driver | |
| Reynir Alfred Sveinsson | .... | stunt coordinator (as Reynir A.) | |
Costume and Wardrobe Department | |||
| Tinna Aðalbjörnsdóttir | .... | wardrobe | |
| Arndís Ey Eiríksdóttir | .... | wardrobe | |
Editorial Department | |||
| Luis Ascanio | .... | trailer editor | |
| Sigurbjorg Jonsdottir | .... | editor | |
| Magnús Torfi Magnússon | .... | assistant editor | |
| Ghislain Rio | .... | colorist | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Iceland section |
Jitters is okay; I didn't hate it, but I can't say I like it; it's just too unbelievable to react to in much of any way at all.
Atli Oskar Fjalarsson is very cute, and although it's completely unbelievable that every girl he knows has the hots for him, I'd believe it in an instant if they were boys (but they're not).
In any other movie, a boy like him - a sweet, gentle, graceful, sympathetic, six-foot, 90-pound sylph-like pretty boy with flawless skin - would constantly be having to prove he's not gay, and constantly be bullied by gangs of straight boys and ridiculed by gangs of straight girls; but evidently it's not like that in Iceland. Everybody in this movie, of every age, male and female, seems to see Matthew McConaughey in him instead of Audrey Hepburn. It's a great mystery.
Unfortunately, Atli Oscar's cuteness is about all this silly movie has going for it. I never believed in anybody, so I never cared what happened to anybody. What's obviously supposed to be the great tragedy is simply ludicrous, but no more ludicrous than anything else that happens.
This is my first Icelandic movie, so it may be a cultural thing; although I have loved and related deeply to movies from all the other Scandinavian countries, Iceland is very different, and very much smaller. But it's a little hard to believe - even as isolated as that country is and always has been - that teenagers and even adults are as naive, as clueless, as simpleminded, almost, as they are in this movie.
I'm pretty sure Iceland is a modern, advanced country, but these people seem more out of touch than the Amish. Maybe it's true that Icelanders are extraordinarily simple, naive, backward people; if so, I can understand why the world isn't swarming with Icelandic movies. But for now I'm going to assume that Iceland is a great country and Icelanders are smart, interesting people and that this is just a dumb movie.