| Photos (See all 53 | slideshow) | Videos (see all 11) |
| Sara Paxton | ... | Sara | |
| Dustin Milligan | ... | Nick | |
| Chris Carmack | ... | Dennis | |
| Katharine McPhee | ... | Beth | |
| Joel David Moore | ... | Gordon | |
| Donal Logue | ... | Sabin | |
| Joshua Leonard | ... | Red | |
| Sinqua Walls | ... | Malik | |
| Alyssa Diaz | ... | Maya | |
| Chris Zylka | ... | Blake | |
| Jimmy Lee Jr. | ... | Carl | |
| Damon Lipari | ... | Keith | |
| Christine Bently | ... | Jess (as Christine Quinn) | |
| Kelly Sry | ... | Wonsuk | |
| Tyler Bryan | ... | Kyle | |
| rest of cast listed alphabetically: | |||
| David Speed | ... | Tom (uncredited) | |
| Michael Warren | ... | College Student (uncredited) | |
| Stephen Warren | ... | College Student (uncredited) | |
Directed by | |||
| David R. Ellis | |||
Writing credits | ||
| Will Hayes | (written by) & | |
| Jesse Studenberg | (written by) | |
Produced by | |||
| Chris Briggs | .... | producer | |
| Douglas Curtis | .... | executive producer | |
| Tawny Ellis | .... | co-producer (as Tawny Ellis Lehman) | |
| Mike Fleiss | .... | producer | |
| Lynette Howell | .... | producer | |
| Kelly McCormick | .... | co-producer | |
| Crystal Powell | .... | associate producer | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Gary Capo | |||
Film Editing by | |||
| Dennis Virkler | |||
Casting by | |||
| Kelly Wagner | |||
Production Design by | |||
| Jaymes Hinkle | |||
Art Direction by | |||
| Craig Jackson | |||
Set Decoration by | |||
| Tricia Schneider | |||
Makeup Department | |||
| Allan A. Apone | .... | special makeup designer | |
| Louisa Gore Hamn | .... | key makeup artist | |
| Chrissy Morris | .... | makeup artist | |
| Melizah Schmidt | .... | key hair stylist | |
| Solina Tabrizi | .... | department head hair stylist | |
| Kristina Vogel | .... | makeup department head | |
| Crystal Woodford | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Jason Altieri | .... | key second assistant director | |
| Kim Barnard | .... | second second assistant director | |
| Jeffrey J. Dashnaw | .... | second unit director | |
| Robert Lee | .... | first assistant director | |
Art Department | |||
| Curtis Akin | .... | property master | |
| Rick Broderman | .... | head painter | |
| Eddie Burcham | .... | set dresser | |
| Daniel Coe | .... | construction coordinator | |
| Matthew L. Crowson | .... | set dresser | |
| Phillip Joffrion | .... | set dresser | |
| Jeff Lavezoli | .... | storyboard artist | |
| Michael V. Nichols | .... | leadman | |
| Siobhan O'Brien | .... | set decorating assistant | |
| Hannah May Roark | .... | assistant property master | |
| Derek Tovar | .... | props p.a. | |
| Michael Wynn | .... | painter | |
Sound Department | |||
| Steve C. Aaron | .... | production sound mixer | |
| Wade Barnett | .... | adr recordist | |
| Brian Dunlop | .... | foley editor | |
| Christopher Eakins | .... | ADR editor | |
| Christopher Eakins | .... | dialogue editor | |
| Keith Elliott | .... | sound re-recording mixer | |
| David Esparza | .... | sound effects editor | |
| Lana Marie Hattar | .... | assistant sound re-recording mixer | |
| Steven Iba | .... | adr mixer | |
| Ron King | .... | additional sound mixer | |
| Brad Lokey | .... | sound utility | |
| A. Josh Reinhardt | .... | sound mixer | |
| Michael Santopolo | .... | foley assistant | |
| Natasha Shumny | .... | sound editor | |
| Lauren Stephens | .... | sound designer | |
| Andrew Tay | .... | sound re-recording mixer | |
| Callie Thurman | .... | assistant sound editor | |
| Jared Watt | .... | boom operator | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Robert Benavidez | .... | special effects technician | |
| Walt Conti | .... | animatronic effects | |
| Eric Coon | .... | special effects foreman | |
| Donnie Dean | .... | special effects technician | |
| Damien Fitzpatrick | .... | special effects crew | |
| Roy Goode | .... | special effects technician | |
| Matt Kutcher | .... | special effects supervisor | |
| Caius Man | .... | special effects coordinator | |
| Zachary Supar | .... | animatronic effects | |
| Robert G. Willard | .... | special effects technician | |
Visual Effects by | |||
| David Alexander | .... | CG artist: Switch VFX | |
| Kemal Ally | .... | digital compositor: Switch VFX | |
| Alexandra Altrocchi | .... | visual effects producer | |
| Bogdan Amidzic | .... | digital compositor: Crater Studio | |
| Milos Aradjanin | .... | animator: Crater Studio | |
| Christopher Babiak | .... | assistant editor: visual effects | |
| Yogesh Badhe | .... | visual effects artist: Reliance Media Works | |
| Kaustubh Borwankar | .... | visual effects coordinator | |
| Marko Bugarski | .... | support modeler: Crater Studio | |
| Jon Campfens | .... | visual effects supervisor: Switch VFX | |
| Jayesh Chavan | .... | digital compositor: RMW VFX India | |
| Chad Cortvriendt | .... | stereo conversion coordinator | |
| Zoran Cvetkovik | .... | matte painting supervisor: Crater Studio | |
| Mehul Desai | .... | digital effects artist | |
| Aleksandar Djordjevic | .... | digital compositor: Crater Studio | |
| Anup Gore | .... | roto artist | |
| Anup Gore | .... | rotoscopy | |
| Nikola Grebenarovic | .... | modeller: texturer: Crater Studio | |
| Gudrun Heinze | .... | digital compositor: Switch VFX | |
| Amy Hopkins | .... | visual effects coordinator | |
| Traci Horie | .... | animation supervisor: RMWVFX | |
| Vlado Ilieski | .... | modeller: Crater Studio | |
| Amit Jhamb | .... | visual effects producer | |
| Milos Jovanovic | .... | layout artist: Crater Studio | |
| Miljana Jovovic | .... | executive producer: Crater Studio | |
| Petar Jovovic | .... | vfx supervisor: Crater Studio | |
| Marko Kacanski | .... | digital compositor | |
| Tushar Kewlani | .... | cg supervisor | |
| Bojana Knezevic Radinkovic | .... | production assistant: Crater Studio (as Bojana Knezevic) | |
| Ivan Kocic | .... | modeller: Crater Studio | |
| Nikola Kudus | .... | lead programmer: 3lateral | |
| Saumitra Kumar | .... | modeller | |
| Gregor Lakner | .... | visual effects supervisor | |
| Sofija Leskov | .... | animator: Crater Studio | |
| Jef Lonn | .... | digital compositor: Switch VFX | |
| Ljubica Macan | .... | vfx coordinator: Crater Studio | |
| Keith MacGowan | .... | digital compositor | |
| Chulev Marko | .... | creature modeller: Crater Studio | |
| Vladimir Mastilovic | .... | rigging supervisor: 3lateral | |
| Benjamin Mattress | .... | senior compositor: RMWVFX | |
| Mimi Medel | .... | visual effects executive producer | |
| Predrag Mihic | .... | programmer: 3lateral | |
| Milicko Mijatovic | .... | animator: Crater Studio | |
| Borivoje Mikic | .... | matte painting: Crater Studio | |
| Marko Milankovic | .... | lighting artist: Crater Studio | |
| Djordje Milasinovic | .... | digital compositor: Crater Studio | |
| Nikola Milosavljevic | .... | modeller: Crater Studio | |
| Dragan Miokovic | .... | modeller: Crater Studio | |
| Zoran Mitrovic | .... | digital compositor: Crater Studio | |
| Milovan Mladenovic | .... | visual effects producer: Crater Studio | |
| Sasa Nikolic | .... | digital compositor: Crater Studio | |
| Nirshid | .... | roto/prep-comp supervisor | |
| Ranen Nongmaithem | .... | digital compositor | |
| Iva Obradovic | .... | vfx coordinator: Crater Studio | |
| Andrew Osiow | .... | senior pipeline developer | |
| Saurabh Pandey | .... | digital compositor | |
| Shawn Parker | .... | visual effects artist | |
| Beau Parsons | .... | digital compositor | |
| Beau Parsons | .... | visual effects coordinator: Switch VFX | |
| Devank Patel | .... | visual effects | |
| Amol Patil | .... | match move artist | |
| Vojislav Pavkov | .... | lead rigger: 3lateral | |
| Milorad Petkovic | .... | effects artist: Crater Studio | |
| John Pierce | .... | consulting stereographer: Prime Focus | |
| Aleksandar Popov | .... | lead creature artist: 3lateral | |
| Marko Popovic | .... | editing artist: Crater Studio | |
| Marko Radinkovic | .... | digital compositor: Crater Studio | |
| Sinisa Radosavljevic | .... | digital compositor: Crater Studio | |
| Prabhamrit Raryan | .... | roto/paint artist | |
| Sai Krishna Rimmalapudi | .... | digital compositor | |
| Brandon Rogers | .... | digital compositor: Switch VFX | |
| Jesse Russell | .... | senior compositor: RMWVFX | |
| Dhumal Sagar | .... | digital compositor | |
| Rishi Shah | .... | lighting technical director | |
| Nirav Sheth | .... | CG lighter | |
| Vaidehi Shinde | .... | matte painter | |
| Joel Skeete | .... | digital compositor: Switch VFX | |
| Nemanja Stavric | .... | lighting artist: Crater Studio | |
| Sasho Stojanoski | .... | matchmoving artist: Crater Studio | |
| Zoran Stojanoski | .... | vfx lead: Crater Studio | |
| Borislav Stojkovic | .... | lighting artist: Crater Studio | |
| Goran Tecic | .... | visual effects artist | |
| Brian A. Torres | .... | visual effects artist | |
| Andrija Trickovic | .... | digital compositor: Crater Studio | |
| Paul Van Camp | .... | pipeline supervisor | |
| Ivan Vasiljevic | .... | lighting artist: Crater Studio | |
| Aurelio x. Vera Jr. | .... | stereoscopic compositor | |
| Natasa Vidakovic | .... | production assistant: Crater Studio | |
| Nikola Visnjic | .... | rigger: 3lateral | |
| Devon Wagner | .... | digital compositor: Switch VFX | |
| Shivaji Waikhom | .... | compositor | |
| Chris Wallace | .... | digital intermediate colourist | |
| Danilo Zivkovic | .... | vfx artist: Crater Studio | |
| Nemanja Zivkovic | .... | support modeler: Crater Studio | |
| Mark Heiliger | .... | visual effects artist (uncredited) | |
Stunts | |||
| Kelly Bellini | .... | stunt double: Alyssa Diaz | |
| David Castillo | .... | stunt double: Joel Moore | |
| Eric Coon | .... | stunt double: Dustin Milligan | |
| Clay Cullen | .... | stunt double | |
| Jeffrey J. Dashnaw | .... | stunt coordinator | |
| Jeremy Fitzgerald | .... | stunts | |
| Ryan Fitzgerald | .... | stunt double | |
| Jessica Harbeck | .... | stunt double: Katharine McPhee | |
| Karson Kendall | .... | stunt double | |
| Matt Kutcher | .... | utility stunts | |
| Josh Palma | .... | stunt double: Sinqua Walls | |
| Barrett Perlman | .... | stunt double: Sara Paxton | |
| John Rottger | .... | utility stunts | |
| Mark Stefanich | .... | stunts | |
| Mallory Thompson | .... | stunts | |
| Keith Woulard | .... | water safety coordinator | |
| Arielle Zimmerman | .... | stunt double: Sara Paxton | |
Casting Department | |||
| Devin Lyne Brown | .... | casting assistant | |
| Chelsea Ellis Bloch | .... | casting intern (as Chelsea Bloch) | |
| Ryan Glorioso | .... | location casting | |
| Dominika Posserén | .... | casting associate | |
| Kate Warren | .... | extras casting director | |
Costume and Wardrobe Department | |||
| Gayle Anderson | .... | key costumer | |
| Alice Landry Boyer | .... | additional costumer | |
| Conan Castro Jr. | .... | costume supervisor | |
| Lexi Price | .... | set costumer | |
| Amanda Steeley | .... | costumer | |
Editorial Department | |||
| Michael Ashton | .... | 3D lab technician | |
| Kevin Downer | .... | assistant digital intermediate editor | |
| Danny Elhaj | .... | post-production assistant | |
| Samantha Housman | .... | post-production coordinator | |
| Tom Mayclim | .... | digital intermediate data wrangler | |
| Dave Muscat | .... | assistant digital intermediate editor | |
| Mark Reaser | .... | hd mastering | |
| Kevin Soares | .... | second assistant editor | |
| Motassem Younes | .... | digital intermediate editor | |
Music Department | |||
| Mark Curry | .... | score mixer | |
| Dieter Hartmann | .... | composer: additional music | |
| Laura Katz | .... | music licensing | |
| Ashley Revell | .... | music editor | |
| Andy Ross | .... | music consultant | |
| Tim Williams | .... | composer: stock music | |
Transportation Department | |||
| David Bell | .... | driver | |
| Donald Bradley | .... | driver | |
| Travis Carter | .... | driver | |
| Dennis W. Cook Jr. | .... | driver | |
| Dennis W. Cook Jr. | .... | picture car coordinator | |
| Kenneth Crenshaw | .... | driver | |
| Frank Cunningham | .... | driver | |
| Paul Edwards | .... | driver: honeywagon | |
| Bart Figueiredo | .... | driver | |
| Jeffrey Gowing | .... | driver: spfx truck | |
| Gerald Hardy | .... | driver | |
| Gary L. Horton | .... | driver | |
| A. Welch Lambeth | .... | transportation coordinator | |
| Buddy Loflin | .... | driver | |
| John McLaughlin | .... | driver | |
| Aaron D. Moore | .... | driver | |
| Aaron Pigg | .... | driver/generator operator | |
| Buddy Pine | .... | driver | |
| Cindi Randall | .... | transportation captain | |
| Beverly Reeves | .... | driver | |
| Daniel Woodcock | .... | driver | |
| James Yeates | .... | driver: camera car | |
| James Yeates | .... | transportation captain | |
| Felicia Zamora | .... | driver | |
| Christy Zeller | .... | transportation dispatcher | |
Other crew | |||
| Ransom Ashley | .... | stand-in/photo double | |
| Melanie Aymami | .... | assistant craft service (as Melanie Burck) | |
| Nathan Berry-Chaney | .... | office production assistant | |
| Aaron T. Brown | .... | production assistant | |
| Dottie Buck | .... | craft service | |
| Sue Chipperton | .... | dog trainer | |
| Jamie Coghill | .... | production legal services | |
| James J. Cullinane | .... | location assistant | |
| Paul Cumbie | .... | office production assistant | |
| Jon Dainty | .... | stand-in | |
| Tecia Esposito | .... | script supervisor | |
| Sean Gowrie | .... | production coordinator | |
| Pedro Guimaraes | .... | stereographer | |
| Thirl Haston | .... | marine coordinator | |
| Lee Hedgepeth | .... | water safety | |
| Jake Hicks | .... | boat captain | |
| Craig Hosking | .... | aerial coordinator/pilot | |
| Harrison Huffman | .... | office production assistant | |
| Holly Jordan | .... | production secretary | |
| Renee Kitterman | .... | second assistant accountant | |
| Liz Landers | .... | key craft service | |
| Ed Lipscomb | .... | location manager | |
| Carlos Marinccioni | .... | accounting clerk | |
| Traci Martin | .... | payroll accountant | |
| Skylar Mathey | .... | production assistant | |
| Joseph Matukewicz | .... | studio executive | |
| Paul Mayersohn | .... | production legal services | |
| Gregory McNamara | .... | key assistant location manager | |
| John A. Metoyer | .... | assistant location manager | |
| Lisandro Novillo | .... | production assistant: Los Angeles | |
| Wendy Price | .... | production accountant | |
| Terri Rainha | .... | assistant to executive producer and line producer | |
| Blair Richman | .... | assistant to Silverwood Films | |
| John Rottger | .... | dive operations coordinator | |
| Jason Salzman | .... | assistant production coordinator | |
| Joel Silverstein | .... | diving supervisor | |
| Joel Silverstein | .... | water safety | |
| Natalie Simpkins | .... | post-production house coordinator | |
| Scott Smith | .... | technology executive | |
| Aaron J. Stone | .... | basecamp production assistant | |
| Michael Swafford | .... | first assistant accountant | |
| Ryan Tew | .... | production assistant | |
| Michelle Tonjes | .... | stand-in (as Michelle Lott) | |
| Eric Scott Williamson | .... | key set production assistant | |
| Miranda Witherspoon | .... | office production assistant (uncredited) | |
Thanks | |||
| Charles M. Barsamian | .... | special thanks | |
| James Gibb | .... | special thanks | |
| Noel Lohr | .... | special thanks | |
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| Piranha | Resident Evil: Afterlife | Dreamcatcher | Deep Blue Sea | Avatar |
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About this time last year, I saw a movie called "Piranha." It was a loose remake of a 1978 cult favorite produced by Roger Corman; the sort of cheesy B-movie that was so laughably bad that it ascended to being good fun. That was, of course, the original film, not the remake, which made it onto my list of the worst movies of 2010. Now, exactly one year later, my hopes for seeing a good creature-feature on the silver screen have once again been crushed by what was, essentially, the exact same picture I saw last fall. The only difference is, now the obnoxious, hard-to-endure stick-figure characters are being munched on by big fake CGI sharks instead of big fake CGI piranhas.
But it's really the same scenario. Some brainless young adults are frolicking about on a big, freshwater lake when all of a sudden, people are being tossed about and pulled under by unseen attackers. About thirty minutes in, it's revealed (as if we didn't already know) that the lake has been infested by sharks. And not just great whites, either. No, there are hammerheads, tiger sharks, bulls, and even cookie-cutters. How are all of these oceanic species ending up in a freshwater lake? Well, the movie gives an explanation, but it's one of the most outrageously bad plot twists in recent years. And remember, I'm an aficionado on the junk monster movies that pop up on the SyFy Channel every weekend. Now, I do not go to a monster movie looking for great character study or plot logistics. I go there looking for good old-fashioned, escapist fun. Only when a B-movie becomes so incredibly empty and devoid of joy do I start nitpicking on things I might otherwise overlook until after the credits have rolled. But the writing and directing of "Shark Night" (which by the way, mostly takes place under a bright sunny sky) is so bland, so unenthusiastic, so absent-minded that it left me looking at my watch after about twenty minutes. After the first attack sequence, which starts with a predictable twist and then becomes a practical shot-for-shot knock-off from the all-more-effective opening scene in "Jaws," the only thing that ran through my mind was wondering how long it would be before Steven Spielberg and Universal decided to pitch out a lawsuit for copyright infringement.
The whole movie looks and feels very much like it was made directly for a television release, giving it a sort of schizophrenic, out-of-place feeling. The fact that the performances are beneath comment does not help any, since they are on screen far more often than the cartoony, computer-generated sharks who can twist their necks as flexibly as a human arm and snarl like lions. In addition, there is the other big problem that I also had with "Piranha": dopey exploitation. The movie's far more interested in ogling at the hindquarters and torsos of partially-naked models-turned-'actors' than it is in developing plausible attack scenarios or engaging the audience in the way only a good B-movie can.
Well, at least there weren't any underwater lesbian scenes this time. No chewed up, sex organs either. Thank heaven.
If the writers had realized that they were making a movie for the big screen and not for television, "Shark Night" might have proved to be a solid, lighthearted matinée. Instead, it fails to recognize what it ought to have been and pretends to be a grade-A exploitation flick, falling flat from the beginning. In regards to its 3D: it's thoroughly unimpressive. Granted, I am not the biggest fan of 3D; I think it's a cheap, unengaging gimmick. But half the time, you wouldn't know this were a 3D movie if it weren't for the bulky glasses sitting on your nose. It's still murky and nothing jumps out from the screen except for a few pieces from a motorboat and some seaweeds. Not scary, not entertaining, not even remotely interesting, "Shark Night" was one of the more unhappy times I've had at the movies.
It seems like the only folks who can still produce good monster flicks are the Japanese. Their contemporary rubber monsters smashing miniature Tokyos and Osakas are far more interesting than any monster mayhem I've seen on the big screen in a long while.