Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
Jannicke, Morten Tobias, Eirik, Mikael and Ingunn are on a snowboarding vacation in Jotunheimen. They are forced to take shelter in an abandoned hotel when Morten Tobias breaks his leg and ... See full summary »
Ingrid Bolsø Berdal,
Rolf Kristian Larsen,
Tomas Alf Larsen
What if ... you let a stranger into your house to use your phone, but while you've been patiently waiting in the kitchen, he just disappears ... or does he? Félix, an architect who has just... See full summary »
Three strangers arrive one by one to a mysterious cabin in the middle of nowhere after enduring separate life-altering predicaments. Searching for a way out of the woods, frustrated, hungry and battling to stay warm they discover their mysterious connection and realize what they have to do in order to get out of the woods alive. Written by
Elizabeth Obermeier, Marketing Manager
At 1:00:48 into the movie, Hans is pointing a Mauser rifle at Tom, Jody and Samantha with the safety straight up. That would put a Mauser rifle on safe and lock the bolt in place as well as blocking the sights. At 1:17:39 Hans is threatening Hans with the safety straight up, again putting the rifle on safe, blocking the sights and locking the bolt. See more »
An indy without benefit of name director or stars, this is still one worth catching for those who prefer their supernatural in the tradition of "Outer Limits" or "The Twilight Zone". In true Serling-esque fashion three strangers arrive separately at the abandoned cabin that forms the setting for most of the story, one that convincingly fleshes out recognizable relationships between a man and two women who at first share little more in common than a need to get home. Each failed trip into the woods reveals something of their situation and each other, moving steadily toward a final revelation kept well under wraps.
Limited locale puts extra reliance on the cast and they deliver solidly. Special credit though goes to Sara Paxton, who so impressed in "The Innkeepers", as the petty thief skirting the edge of control.
For an obvious work of limited resources, "Enter Nowhere" makes excellent use of them all to come up with one of the better small films I've seen in a while.
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