Young Ondra has asthma and so his mom throws away his favorite toy: a musty old stuffed bear named Kooky. That night Ondra dreams that Kooky is determined to find his way back home from the... See full summary »
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A set of original and folk stories in Michel Ocelot's on-off lifetime work of silhouette animation fairy tales take their inspiration from, among others, Caribbean, Meso-American, Russian and Tibetan culture.
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The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is ... See full summary »
Young Ondra has asthma and so his mom throws away his favorite toy: a musty old stuffed bear named Kooky. That night Ondra dreams that Kooky is determined to find his way back home from the dump. In the boy's fantasy, the bear gets lost in a forest occupied by strange animals and remarkable beings that he never heard of while living on the toy shelf in Ondra's room. And of course even in this small imaginary world, true good exists as does real evil, which Kooky must face up to in order to become a real hero. Written by
Karlovy Vary Int'l Film Festival
Kooky's Return (Kuky se vrací) is a story about children's imagination
we don't know if everything happens only in Ondra's fantasy or if
it's for real. Jan Svěrák won't tell you which one of these two options is right. YOU - the viewer - have to decide. Most of the characters are moving puppets and they are... well, they are quite ugly but very charming. They are little forest gods or tiny monsters made of garbage (ecology is one of the topics in this movie but don't worry, it won't bother you). And Kooky. Kooky is a cult toy in the Czech Republic right know because he's old-fashioned, pink and plain but sooo cute at the same time. I didn't mention the story so far because it's not the most important thing in Kooky's return. It's adequate: story of a lost toy that wants to come back to its owner and experience some adventures in the forest with picturesque characters. It's the good old manual work with puppets and imagination the the scriptwriter and director Jan Svěrák.
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