The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter,
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Bryce Dallas Howard
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
The film was shot primarily in German. To give an impression how the Turkish guest workers and their families felt when they came to Germany in the 1960s, the passages spoken by German characters in the flashback scenes are spoken in a German-like gibberish. See more »
To be fair: who says that migration-related films cannot be positive, but have to be bleak and ripe with social criticism à la 'Into this World'? The idea to portray the arrival and gradual integration of a Turkish family in Germany without a speck of racism or aggravation could appear almost bold, given that such a subject matter almost invariably descends into the abysses of social or moral decay. Yet 'Almanya' attempts to be an uplifting, encouraging comedy of sorts, and obviously intends to highlight the positive aspects of integration. Religious matters are completely obliterated, women's issues are gently brushed aside, the entire story revolves around a family so intact, so void of disintegration and serious conflict that it could very well substitute for a Turkish Trapp family, if there was more singing.
Being so picture-perfect, the family (and the film) can never shake a whiff of artifice and dullness. Given its inclusion in this year's Berlin competition, and a fairly wide release for a domestic film, one cannot help but wonder if this isn't a German propaganda effort promoting integration to lesser satisfied migrants: Look, this is how easy you could make it for yourselves in our golden land of opportunity. Perceived as such, 'Almanya' becomes almost enjoyable as a parody of sorts. But if you're interested in how things really are for migrants in Germany, you're better off with Faith Akin's 'Head-on' and 'Short Sharp Shock', or Özgür Yildirim's 'Chiko'.
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