The 25-year-old Lara (Aylin Tezel) takes her studies in architecture not very seriously and spends her free time with her best friend Nora (Henrike of Kuick) in Techno clubs. She is ... See full summary »
Pola Schirin Beck
Henrike von Kuick,
Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a ... See full summary »
Eight friends help each other repeatedly move house. One year of moving, from apartment to apartment, from shared flat to shared flat. These changes of the apartment are also a changes of relations -some break, others grow.
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring ... See full summary »
Marcus H. Rosenmüller's first feature movie deals with a boy thinking that he is responsible for his mother's death and his unusual way to fight his feelings of guilt. 11-year-old Sebastian... See full summary »
6-year old Hayat turns up in Hartmut's taxi without a word of German. All attempts to get rid of her fail. So he resigns himself to helping her find her mother. But is he helping her or she... See full summary »
The film was shot primarily in German. To give an impression how the Turkish guest workers and their families felt when they came to Germany in the 1960s, the passages spoken by German characters in the flashback scenes are spoken in a German-like gibberish. See more »
The "Gone With The Wind" Of Culture Clash Comedies
I went to see Almanya (the Turkish word for "Germany") expecting to see a movie on the level of e. g. "Süperseks" -- harmless, contrived and predictable. My girlfriend wanted to see it, and I'm smart enough to give in to her once in a while, it's called tactics. I was all the more surprised to see an insightful and witty film that plays with clichés but doesn't pander to them. The story of a family of three generations of Turkish immigrants is revealed through flashbacks -- how young Turkish lovers elope from Anatolia without ever having spoken to each other before: a quintessential story of couth romance, even though it is revealed later in the film that pregnancy also played a slight role in this development. I also liked the gadget that the Turks speak German while the Germans speak a sort of Teutonic gibberish: that way, the movie delivers some real insight how arriving in Germany must have felt like. And also the idea that the movie portrays the life of not the famous one-millionths, but of the one-million-and-first "guest worker". So, welcome to Almanya, enjoy your stay!
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