6-year old Hayat turns up in Hartmut's taxi without a word of German. All attempts to get rid of her fail. So he resigns himself to helping her find her mother. But is he helping her or she... See full summary »
A film director loses his sight in an accident and must learn to live without his eyes. He and the blind woman assigned to help him go on a funny and romantic adventure that will change both their lives.
Hilmir Snær Guðnason,
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring ... See full summary »
Leroy (16) is an Afro-German boy who, not only notoriously unlucky, must also battle with an identity crisis born of the fact that he is both a highly cultured, well-mannered German AND ... See full summary »
Constantin von Jascheroff
The film was shot primarily in German. To give an impression how the Turkish guest workers and their families felt when they came to Germany in the 1960s, the passages spoken by German characters in the flashback scenes are spoken in a German-like gibberish. See more »
Bad comedy, pathetic melodrama, performance on the level of commercial for washing powder
The movie plots on two opposite lines the story of Turk family on the way to Germany as foreign workers, and their way back to Turkey. The relationship between the Turkish guests and the German hosts are idealistically depicted - the Germans love their Turkish hard-workers (if things are so happy, why Turkey has been time and again declined from joining the European Union?), the Turkish family is completely modern - like a normal Westernized family : they react tolerantly to their young daughter who gets pregnant from a non-German guy (no word on the common and prevalent honor-killings among the Turks in Germany, no word on arranged marriage which is also the very common among Turks in Germany, etc.) I've been living many years in Germany, and the story this movie tells us is completely unconvincing.
As far as the artistic sides of the movie are concerned, it starts as a comedy and suddenly, with no seen reason, it turns into saccharine melodrama. The performance, the dialogs, the mimic and gestures reminded me of typical German TV commercials for Washing Powder, Yogurt, etc.
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