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Storyline
Will is stung that Emma's new boyfriend is loosening her up, so to get closer to her he decides to have the club stage "The Rockey Horror Picture Show" as the school play. Sue decides to hang Will and the club out to dry in her weekly "Sue's Corner" TV commentary on opening night, so she encourages the production. There are casting challenges: who will play Frank-N-Furter and Eddie? Finn worries about appearing in his underwear, and Sam is ready to show off his six-pack. Is Will's focus on Emma going to expose his exposed kids to criticism and the club to ruin? Will Sue get her regional Emmy? Written by
<jhailey@hotmail.com>
Plot Summary
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Plot Synopsis
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Did You Know?
Trivia
Sue says that she took her sister to a midnight "Rocky Horror" showing once and complains that "the audience was so enraged there was a disabled person in the audience that they threw toast at us." Throwing toast is one of the many standard audience participation features of all midnight screenings of
The Rocky Horror Picture Show; Sue took something personally that would have happened regardless of her or her sister's presence.
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Goofs
When Finn as Brad is getting ready to do "Sweet Transvestite" he mentions that he knows he should be in his underwear. In reality he should not be in his underwear till after that song.
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Quotes
Sue Sylvester:
Becky, that is the best Halloween costume I've ever seen.
Becky Jackson:
[
Dressed up as Sue]
Thanks, Coach.
Sue Sylvester:
There's only one thing missing.
[
hands Becky a megaphone]
Sue Sylvester:
Go scream at some fatties.
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Crazy Credits
The title card of this episode, instead of the usual white "glee" logo, is orange for Halloween.
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Soundtracks
"Touch-a Touch-a Touch-a Touch Me"
(uncredited)
Music and Lyrics by
Richard O'Brien
Performed by
Jayma Mays,
Heather Morris,
Naya Rivera,
Matthew Morrison,
Chris Colfer,
John Stamos and
Cory Monteith See more »
As ever, I am torn about Glee. While it is perhaps a guilty secret of mine, I am something of a Gleek and don't want to miss an episode, but... the Autotune in this second series seems to have got ever more intrusive.
The cast are mostly respected Broadway professional who know how to sing, yet they Autotune their performances to oblivion. It isn't even subtle.
Saying that, Sweet Transvestite last night just went to show how Amber Riley/Mercedes is far and away the best singer on the show (and not coincidentally, the one cast member who suffers the least from the dreaded Autotune).