| Photos (See all 97 | slideshow) | Videos (see all 19) |
| Charlize Theron | ... | Mavis Gary | |
| Patton Oswalt | ... | Matt Freehauf | |
| Patrick Wilson | ... | Buddy Slade | |
| Elizabeth Reaser | ... | Beth Slade | |
| Collette Wolfe | ... | Sandra Freehauf | |
| Jill Eikenberry | ... | Hedda Gary | |
| Richard Bekins | ... | David Gary | |
| Mary Beth Hurt | ... | Jan | |
| Kate Nowlin | ... | Mary Ellen Trantowski | |
| Jenny Dare Paulin | ... | Nipple Confusion Bassist | |
| Rebecca Hart | ... | Nipple Confusion Guitarist | |
| Louisa Krause | ... | Front Desk Girl | |
| Elizabeth Ward Land | ... | Sales Lady | |
| Brian McElhaney | ... | Book Associate | |
| Hettienne Park | ... | Vicki | |
| John Forest | ... | Wheelchair Mike | |
| Rightor Doyle | ... | Babysitter | |
| Brady Smith | ... | Date Man | |
| Timothy Young | ... | Champions Server | |
| Erin Darke | ... | Teen Employee | |
| Jee Young Han | ... | Teen Employee | |
| Ella Rae Peck | ... | Girl | |
| Aleisha Allen | ... | Girl (as Aleisha Lanae Allen) | |
| Matt Wilson | ... | Teenage Clerk | |
| Orlagh Cassidy | ... | Party Guest | |
| Charles Techman | ... | Parking Attendant | |
| Emily Meade | ... | Denny's Waitress | |
| Neil Hellegers | ... | Young Dad | |
| Michael Nathanson | ... | Champions Greeter | |
| rest of cast listed alphabetically: | |||
| Landyn Banx | ... | Business Person (uncredited) | |
| Julie E. Davis | ... | Shopper (uncredited) | |
| Fredrika Dukes | ... | Business Person (uncredited) | |
| Devon A Early | ... | Denny's Customer (uncredited) | |
| John Edel | ... | Businessman in Skyway (uncredited) | |
| Kirsten Gregerson | ... | Business Person (uncredited) | |
| Rosemary Howard | ... | Guest at Baby Naming Party (uncredited) | |
| Eric Jon Pierson | ... | Restaurant Patron (uncredited) | |
| J.K. Simmons | ... | Mavis's Publisher (uncredited) | |
| Joel Thingvall | ... | Businessman in Skyway (uncredited) | |
Directed by | |||
| Jason Reitman | |||
Writing credits(WGA) | ||
| Diablo Cody | (written by) | |
Produced by | |||
| Brian Bell | .... | line producer | |
| Jason Blumenfeld | .... | associate producer (as Jason A. Blumenfeld) | |
| Diablo Cody | .... | producer | |
| Helen Estabrook | .... | executive producer | |
| Lianne Halfon | .... | producer | |
| Nathan Kahane | .... | executive producer | |
| Beth Kono | .... | co-producer | |
| Kelli Konop | .... | co-producer | |
| Mary Lee | .... | co-producer | |
| John Malkovich | .... | executive producer | |
| Mason Novick | .... | producer | |
| Steven M. Rales | .... | executive producer (as Steven Rales) | |
| Jason Reitman | .... | producer | |
| Russell Smith | .... | producer | |
| Charlize Theron | .... | producer (uncredited) | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Eric Steelberg | (director of photography) | ||
Film Editing by | |||
| Dana E. Glauberman | |||
Casting by | |||
| Jessica Kelly | |||
| Suzanne Smith | (as Susanne Smith Crowley) | ||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Michael Ahern | |||
Set Decoration by | |||
| Carrie Stewart | |||
Costume Design by | |||
| David C. Robinson | (as David Robinson) | ||
Makeup Department | |||
| Mary Aaron | .... | key makeup artist (as Mary R. Aaron) | |
| Deanna Johnson | .... | hair assistant: Minneapolis (as Deanna L. Johnson) | |
| Maureen Landa | .... | makeup assistant: Minneapolis (as Maureen Landa McGavin) | |
| Mandy Lyons | .... | hair department head | |
| Mia Neal | .... | key hair stylist (as Mia M. Neal) | |
| Nuria Sitja | .... | makeup department head | |
| Jonathan Gording | .... | contact lenses: special (uncredited) | |
Production Management | |||
| Brian Bell | .... | unit production manager | |
| Luca Borghese | .... | post-production supervisor | |
| Frank Murray | .... | production supervisor (as Fran¸ois Murray) | |
| Jillian Nodland | .... | production supervisor: Minneapolis | |
| Jennifer Scudder Trent | .... | post-production executive (uncredited) | |
Art Department | |||
| Glen Aldous | .... | scenic | |
| Michael Boucher | .... | set dresser | |
| Peter Bundrick | .... | key carpenter | |
| Terrence Burke | .... | construction grip | |
| James Dewolf | .... | construction grip (as Jim DeWolf) | |
| Daniel Dietrich | .... | carpenter (as Dan Dietrich) | |
| Faith Farrell | .... | scenic artist: Minneapolis | |
| Glenn Gatti | .... | on-set dresser | |
| Alex Gorodetsky | .... | charge scenic (as Alexander Gorodetsky) | |
| Sandy Hamilton | .... | property master | |
| Richard Hebrank | .... | construction coordinator (as Rich Hebrank) | |
| Colby Ippoliti | .... | set dresser | |
| Dan-ah Kim | .... | assistant art director | |
| Joe Kupillas | .... | carpenter (as Joseph Kupillas) | |
| Michael Leather | .... | leadperson | |
| Hank Liebeskind | .... | set dresser | |
| Eugene Melvin | .... | on-set dresser (as Eugene Melvin Jr.) | |
| Michael Miller | .... | key construction grip (as Mike Miller) | |
| Leann Murphy | .... | art department coordinator | |
| Bruce J. Paquette | .... | carpenter (as Bruce Paquette) | |
| Susan Perlman | .... | buyer | |
| Vinny Perrella | .... | scenic industrial (as Vincent J. Perrella III) | |
| Nicole Scoppa | .... | set dresser | |
| Theo Sena | .... | on-set dresser | |
| Lee Shevett | .... | construction grip | |
| Sha-Sha Shiau | .... | art department coordinator | |
| Brian J. Simpson | .... | set dresser: Minneapolis (as Brian Simpson) | |
| William Smith | .... | set dresser | |
| Gary Sommers | .... | set dresser | |
| Ryan Tallant | .... | on-set dresser: Minneapolis | |
| Susan Tatom | .... | set decorating coordinator | |
| Chris Thickins | .... | set dresser: Minneapolis (as Chris Thickens) | |
| Billy Vann | .... | construction grip | |
| James Wassmann | .... | carpenter | |
| Joel Weaver | .... | assistant property master | |
| Mark Wojahn | .... | leadperson: Minneapolis | |
| Gary Surber | .... | set dresser (uncredited) | |
Special Effects by | |||
| Drew Jiritano | .... | special effects coordinator (as Drew Jiritano Jr.) | |
| Mike Myers | .... | special effects technician | |
| Stephen Powers | .... | special effects technician | |
Visual Effects by | |||
| Peter Amante | .... | lead digital compositor: Phosphene | |
| John Bair | .... | visual effects supervisor: Phosphene | |
| Vivian Connolly | .... | visual effects producer: Phosphene | |
| Constance Conrad | .... | digital compositor: Phosphene | |
| Chris MacKenzie | .... | smoke artist: Deluxe New York | |
| Thomas Panayiotou | .... | digital compositor: Phosphene | |
| Aaron Raff | .... | lead digital compositor: Phosphene | |
| Ariela Rotenberg | .... | visual effects assistant producer: Phosphene | |
| Scott Winston | .... | lead digital compositor: Phosphene | |
| Andrew Yates | .... | digital compositor: Phosphene | |
| Kevin Quinlan | .... | visual effects artist (uncredited) | |
| Mark Wilhelm | .... | digital compositor (uncredited) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
| Janet Paparazzo | .... | stunt double: Mavis | |
| Shawnna Thibodeau | .... | stunt double: Mavis | |
Casting Department | |||
| Diana Blue | .... | background casting assistant | |
| Erin Darke | .... | casting assistant | |
| Karen E. Etcoff | .... | background casting (as Karen Etcoff) | |
| Matthew Feeney | .... | background casting: Minneapolis | |
| Bill Tripician | .... | background casting assistant | |
| Dann Fink | .... | adr voice casting (uncredited) | |
| Jamie Jacobson | .... | child extras casting (uncredited) | |
| Bruce Winant | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Barbara Hause | .... | costume supervisor (as Barbara J. Hause) | |
| Cynthia Kurkowski | .... | seamstress: Minneapolis | |
| Penelope Laughman | .... | key set costumer (as Penelope L. Laughman) | |
| Crystal Thompson | .... | tailor/seamstress | |
| Cerah Tymoshuk | .... | wardrobe assistant: Minneapolis | |
| Laura Wehrman | .... | set costumer | |
| Tsigie White | .... | assistant costume designer (as Tsigie White Robinson) | |
Editorial Department | |||
| Matt Breitenbach | .... | colorist assistant: dailies (as Matthew Breitenbach) | |
| Matt Breitenbach | .... | digital intermediate assist | |
| Tricia Chiarenza | .... | color timer | |
| Yanosh Cuglove | .... | editorial intern | |
| Shaina Holmes | .... | dailies project manager | |
| Oliver Horovitz | .... | editorial assistant | |
| Markus Janner | .... | digital intermediate recordist | |
| Brent Kleinman | .... | digital intermediate engineer | |
| Natasha Leonnet | .... | digital intermediate colorist | |
| Ryan Murphy | .... | first assistant editor | |
| David Pultz | .... | color timer | |
| Anthony Raffaele | .... | colorist: dailies | |
| Jonathan Sanden | .... | digital intermediate editor | |
| Robert Sirianni | .... | video data center technician | |
| Darrell R. Smith | .... | digital intermediate supervising producer | |
| Andrew Weisblum | .... | addtional editor | |
| Angel L. Acevedo III | .... | post-production technician: dailies (uncredited) | |
Music Department | |||
| Sterling Andrews | .... | assistant: Mr. Kent | |
| Linda Cohen | .... | music supervisor | |
| Stephen Coleman | .... | music programmer | |
| Jessica Dolinger | .... | music licensing | |
| Katherine Gordon Miller | .... | music editor (as Katherine Miller) | |
| Alistair South | .... | music assistant | |
| Nick South | .... | music editor | |
| Greg Townley | .... | scoring mixer | |
Transportation Department | |||
| Michael Arnold | .... | transportation captain: Minneapolis (as Michael Hallett-Arnold) | |
| Kenny Gaskins | .... | transportation captain | |
| James S. Keegan | .... | transportation captain | |
| Andrew Garski | .... | driver: mechanic (uncredited) | |
| Richard P. Pecora | .... | driver (uncredited) | |
| John 'Detroit' White | .... | driver: honeywagon (uncredited) | |
Thanks | |||
| Michael Boucher | .... | in memory of | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
When Jason Reitman and Diablo Cody struck gold with "Juno" in 2007, they did so with a rare combination of contemporary wit, quirkiness and heart. Their four-year reunion in "Young Adult" won't be nearly as heralded, but it might arguably be a better film.
Although ironic when juxtaposed with its main character, a 37-year-old who hasn't gotten over her high school sweetheart, Reitman and Cody display obvious evidence of maturation. The subject and humor are decidedly darker, and the emotional energy more raw and challenging.
Charlize Theron stars as Mavis Gary, perhaps one of film's most hopelessly pathetic protagonists. Before giving the opening credit sequence its cue, Reitman puts Theron to work and paints a clear picture of spiraling drunken loneliness, reality TV and apathy toward responsibility. Appropriately, she's a young-adult fiction writer for a dwindling book series who's also a former prom queen. Theron is perfect for the role with her combination of in- concealable beauty and dramatic prowess. Mavis never becomes a caricature under her watch.
Unable to get past the fact that her high school boyfriend Buddy Slade (Patrick Wilson) just had a baby, Mavis flees her depressing cyclical lifestyle in Minneapolis for her home town of Mercury, Minn. with the intention of winning him back.
Mavis' delusional and deceitful quest to be a home-wrecker proves maddening through much of the film at the slow-burn pace Reitman has dictated, and it becomes obvious that at some point the bubble on her misguided journey will burst into an ugly mess. Yet despite this foreseeable direction, the climax proves stirring and not without a set of surprises.
Adding to the complexity of Mavis reclaiming her past is Matt (Patton Oswalt), a former classmate she barely noticed because they were miles apart on the social spectrum. The two bond over their appreciation for (or dependency on) bourbon, and their relationship allows Theron's character a chance to blow off steam, albeit irresponsibly.
Mavis eventually remembers Matt as the "hate crime kid" because he was brutally beaten to the point of being disabled in high school at the hands of some jocks who thought he was gay. He serves as a strong comparison point for Mavis' high school experience throughout the film. Oswalt's wit also matches well with Cody's style and Matt actually turns into one of the better depictions of a disabled character probably ever. Other than the incident that caused it, we're not asked to sympathize excessively with his condition, nor do Mavis' snarky remarks about it come across as rude.
Cody's dialogue is much more restrained this time around; "Juno" is eons funnier as a result, but the sacrifice of laughs allows us to focus on the film as a character study of a woman who hasn't quite learned how to be an adult. The script's only deficiency comes from a crater- sized hole in Mavis' history. "Young Adult" deserves praise for being a film about living in the past that contains not a single flashback, but knowing more about Mavis' divorce and how she came to break up with Buddy the first time could have significantly informed the story, especially as to why Mavis willfully lives her life as the trainwreck it clearly is.
The film's climax helps a bit in this regard, and Mavis' epiphany avoids being cliché despite the obvious "appreciate what you have" motif. Part of the message oddly suggests that small- town folks lead purposeless lives for the sake of achieving some kind of blissful stasis, but at the same time the idea that all of us are broken people that need to affirm and trudge forward not backward with our various blemishes, will surely resonate.
~Steven C
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