With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.
A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
Thirty-seven year old Mavis Gary seems incapable of happiness. She has had one failed marriage with no romance in her immediate horizon. She ghosts writes a young adult series of books, which has just been canceled due to low sales. She is in the process of writing the last book, with which she is having a mental block. She lives vicariously through Kendall Strickland, the teenaged female heroine in her books, as like Kendall she believes her high school years were the best years of her life when she was the prom queen. When she receives news that her high school beau, Buddy Slade, and his wife, Beth Slade, have just had their first child, Mavis takes it as a sign that she and Buddy are meant to be together. As such, she devises a false pretense to travel from her Minneapolis home back her her old hometown of Mercury, Minnesota to reclaim Buddy from Beth. As Mavis slyly or not so slyly does whatever she can to hang out with Buddy, even in Beth's company if need be, she also runs into ... Written by
In the movie, Mavis is the ghostwriter of a popular YA book series. In real life, Diablo Cody, the writer of the film, is a big Sweet Valley High fan (another YA book series with a ghostwriter). The book covers in "Young Adult" resembles those of the "Sweet Valley High" books. Cody actually plans to make a "Sweet Valley High" movie. See more »
Mavis's car, earlier in the movie when struck to a post in the parking lot, has only the bonnet deformed with lights intact. Later when she is shown driving it again the lights are messed up too. See more »
Weren't you that hate crime guy?
You totally were. You're the hate crime guy! Oh my God, why didn't you just say that? Now I know who you are. Matt, the hate crime guy.
Yes, Mavis. When when we were seniors a bunch of jocks who thought I was gay jumped me in the woods.
And hit me on the legs and dick with a crowbar.
With a crowbar. I totally remember that.
It was national news. I mean, until people found out I wasn't really gay. Then it wasn't a hate crime anymore. It ...
[...] See more »
This is one of those films you read about and really look forward to; but, once seen, you realize that, while good, it's not quite worthy of the build up.
Charlize Theron is quite good and makes the most of the script she has to work with. As always, hers eyes, facial expression and body language all help her bring life to the role.
Patton Oswalt also does a star turn as a bit of conscience for Charlize's character.
The story is well told, albeit a bit of a stretch. For someone reaching back to her past for a lost love, Charlize's character is quite believable; it's her long ago beau, Patrick Wilson, that's not quite up to snuff. Given that these two play off each other for a great deal of the film, it would be nicer to have had a better performer opposite her.
That said, it's worth watching, though probably a bit depressing for many viewers.
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