Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
Mavis Gary, once the high school 'It Girl', now an alcoholic divorcée who writes a soon to be canceled young adult fiction series, makes the decision to return to her childhood home in Minnesota. There she embarks on a plan to win back her former sweetheart, Buddy. The fact that Buddy is now married with a baby doesn't dissuade her. Along the way, she forms a bond with Matt Freehauf, another former classmate, who has been left disabled by a beating he took from a bunch of jocks. Written by
In the movie, Mavis is the ghostwriter of a popular YA book series. In real life, Diablo Cody, the writer of the film, is a big Sweet Valley High fan (another YA book series with a ghostwriter). The book covers in "Young Adult" resembles those of the "Sweet Valley High" books. Cody actually plans to make a "Sweet Valley High" movie. See more »
Mavis's car, earlier in the movie when struck to a post in the parking lot, has only the bonnet deformed with lights intact. Later when she is shown driving it again the lights are messed up too. See more »
Weren't you that hate crime guy?
You totally were. You're the hate crime guy! Oh my God, why didn't you just say that? Now I know who you are. Matt, the hate crime guy.
Yes, Mavis. When when we were seniors a bunch of jocks who thought I was gay jumped me in the woods.
And hit me on the legs and dick with a crowbar.
With a crowbar. I totally remember that.
It was national news. I mean, until people found out I wasn't really gay. Then it wasn't a hate crime anymore. It ...
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This is one of those films you read about and really look forward to; but, once seen, you realize that, while good, it's not quite worthy of the build up.
Charlize Theron is quite good and makes the most of the script she has to work with. As always, hers eyes, facial expression and body language all help her bring life to the role.
Patton Oswalt also does a star turn as a bit of conscience for Charlize's character.
The story is well told, albeit a bit of a stretch. For someone reaching back to her past for a lost love, Charlize's character is quite believable; it's her long ago beau, Patrick Wilson, that's not quite up to snuff. Given that these two play off each other for a great deal of the film, it would be nicer to have had a better performer opposite her.
That said, it's worth watching, though probably a bit depressing for many viewers.
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