A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.
Thirty-seven year old Mavis Gary seems incapable of happiness. She has had one failed marriage with no romance in her immediate horizon. She ghosts writes a young adult series of books, which has just been canceled due to low sales. She is in the process of writing the last book, with which she is having a mental block. She lives vicariously through Kendall Strickland, the teenaged female heroine in her books, as like Kendall she believes her high school years were the best years of her life when she was the prom queen. When she receives news that her high school beau, Buddy Slade, and his wife, Beth Slade, have just had their first child, Mavis takes it as a sign that she and Buddy are meant to be together. As such, she devises a false pretense to travel from her Minneapolis home back her her old hometown of Mercury, Minnesota to reclaim Buddy from Beth. As Mavis slyly or not so slyly does whatever she can to hang out with Buddy, even in Beth's company if need be, she also runs into ... Written by
One of Matt Freehof's dolls is Nite Owl, one of the original members of the Minutemen, the team of vigilante heroes featured in Watchmen (2009). Patrick Wilson portrayed Nite Owl II in the same film. See more »
Mavis orders a Maker's Mark and then gulps down 2/3, then when she goes to drink again, the glass is full again. However, Mavis pours more of the Maker's Mark into the glass and finishes it, she then proceeds to grab an already poured full glass of wine from the table. See more »
Nothing? What do you mean nothing? My God! What is wrong with you? Are you like one of those little kids who need a fucking chart to learn feelings? Stand up for yourself! Why are you covering for me?
That's enough, Mavis! You're drunk.
Oh, I've been drunk since I've been back, mom, and nobody gave two shits until this one got all bent out of shape.
Mavis, what the hell is going on?
Why did you invite me?
I didn't invite you. My wife did. Beth practically forced me to ...
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If nothing else, 'Young Adult' is a breath of fresh air. Written by Juno creator Diablo Cody and director Jason Reitman, YA is like a distant sequel - if Juno had moved to the city, got married and divorced and started drinking. 'Young Adult' is darkly funny, confronting, a bit depressing at times and has a refreshing sense of realism. It's not afraid to show broken characters battling their own demons and the mundane and sometimes bleak suburban existence.
Charlize Theron played Mavis, a relatively successful teen fiction author in Minneapolis who's reached a crossroads. Recently divorced and struggling to write her latest novel, she receives an email from her high school flame Buddy (Patrick Wilson) announcing his new baby. Mavis convinces herself that Buddy still loves her - despite being happily married to Beth (Elizabeth Reaser) and goes back to Minnesota to win him back. Along the way she meets Matt (Patton Oswalt), a short, fat, reclusive man still emotionally and physically scarred by a hate crime in high school, who was all but ignored by the younger Mavis despite being locker-mates. Despite her intentions for Buddy, Mavis and Matt bond.
The unlikely relationship between Mavis and Matt is, for me, is the highlight of the movie: Matt sees through Mavis' charade and isn't afraid to let her know about it, being downright rude at times, he's not the "Mr. Nice Guy" you may expect. The chemistry between Theron and Oswalt is brilliant. While they may be worlds apart socially and physically, their relationship is believable. After "uglying herself up" for 'Monster', Theron again eschews her glamorous image for the sake of a role. While Mavis is undoubtedly beautiful, she's clearly damaged and lonely, clinging onto an imagined ideal of happiness and completely ignoring reality. Her obsession with Buddy is demonstrated on her drive to Minnesota: playing an old mix tape in her car, she repeatedly plays the song that she and Buddy first made love to.
While 'Young Adult' may be a shock to some, that's what makes it so good. In a climate littered with clichéd, paint-by-numbers rom-coms with nauseatingly happy endings, its refreshing to see a movie which tackles the darker side of life.
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