| Photos (See all 15 | slideshow) | Videos (see all 2) |
| Jennifer Love Hewitt | ... | Samantha Horton | |
| Teddy Sears | ... | Rex Horton | |
| Sonja Bennett | ... | Dee | |
| Lynda Boyd | ... | Jacie | |
| Chelah Horsdal | ... | Doreen | |
| Heather Doerksen | ... | Tanya | |
| Kacey Rohl | ... | Emma Hollings | |
| Kandyse McClure | ... | Laura | |
| Cybill Shepherd | ... | Cassie Dale | |
| Andy Nez | ... | Phil | |
| Carmon McDonald | ... | Jim Reed | |
| Haviland Stillwell | ... | Carol Reed | |
| Olivia Steele-Falconer | ... | Charlie Horton | |
| Valin Shinyei | ... | Brady Horton | |
| John Innes | ... | Minister | |
| Linden Banks | ... | Judge J.J. Ogilvy | |
| Brohm Chevalier | ... | Jenna Horton | |
| Brookmere Chevalier | ... | Jenna Horton | |
| Sophie Lui | ... | Reporter Trisha Wong | |
| Mark Brandon | ... | Roger - Anchorman | |
| Garry Chalk | ... | Carl | |
| Chris Kalhoon | ... | Arthur | |
| Alberta Mayne | ... | Sarah | |
| Steve Garry | ... | Jamie | |
| Barry Haggis | ... | Customer | |
| Gwenda Lorenzetti | ... | Woman | |
| Kevin James | ... | Trevor | |
| Paul Herbert | ... | Cop #1 | |
| Walcott E. Morgan | ... | Cop #3 | |
| Dan Willmott | ... | Drunk Guy at Bar | |
| Maria Marlow | ... | Woman in Restaurant #3 | |
| Glynis Davies | ... | Woman in Line #1 | |
| Terri Anne Taylor | ... | Woman in Line #2 (as Terri O'Neill) | |
| Chris Nowland | ... | Man in Line | |
| Dolores Drake | ... | Bank Woman | |
| Annabel Kershaw | ... | Salon Woman #1 | |
| Catherine Barr | ... | Salon Woman #2 | |
| Mark Acheson | ... | News Vendor | |
| Kelly-Ruth Mercier | ... | News Stand Lady #1 | |
| Donna Lysell | ... | News Stand Lady #2 | |
| Forbes Angus | ... | Bar Patron #1 | |
| David Beairsto | ... | Gary | |
| Darren Daurie | ... | Cookie Tin Man | |
| Iris Paluly | ... | Wronged Wife | |
| Susan Coodin | ... | Church Lady #1 | |
| Luisa Jojic | ... | Church Lady #2 | |
| Gary Ellison | ... | Actuary Client | |
| Terry Steven | ... | Scarf Client | |
| Juan Llorens | ... | Necklace Client | |
| Mark Oliver | ... | Watch Client | |
| Robert Clark | ... | Boxer Shorts Man | |
| Marny Eng | ... | Sam Stunt Double | |
| rest of cast listed alphabetically: | |||
| Matt Battaglia | ... | Don | |
| Nicholas James | |||
| Onrico Nightingale | ... | Beaumont Police Officer (2013) | |
| Tommy O'Reilly | ... | Handsome Client | |
| Lina Patel | ... | Dr, Mueller | |
| Reila Aphrodite | ... | Sophia (uncredited) | |
Directed by | |||
| Eric Laneuville | |||
Writing credits(WGA) | ||
| Suzanne Martin | (written by) | |
Original Music by | |||
| Richard Marvin | |||
Cinematography by | |||
| Tony Westman | (director of photography) | ||
Film Editing by | |||
| Lisa Robison | (as Lisa Jane Robison) | ||
Production Design by | |||
| Phil Schmidt | |||
Art Direction by | |||
| Teresa Weston | |||
Set Decoration by | |||
| Terry Lewis | |||
Costume Design by | |||
| Lorraine Carson | |||
Makeup Department | |||
| Karen Bartek | .... | key hair stylist: Ms. Hewitt | |
| Emma Clarke | .... | assistant hair stylist | |
| Jill Corp | .... | hair department head | |
| Brittany Isaacs | .... | assistant makeup artist | |
| Patricia Murray | .... | makeup department head | |
| Antonella Renyer | .... | personal makeup artist: Jennifer Love Hewitt | |
| Viola Rock | .... | makeup artist | |
| Amy Van Wormer | .... | makeup artist | |
| Patricia Gundlach | .... | hairstylist (uncredited) | |
Production Management | |||
| Lynne Bespflug | .... | production manager | |
| Dawn Knight | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Karin Behrenz | .... | third assistant director | |
| Dawn Charette | .... | trainee assistant director | |
| Darius Matheson | .... | first assistant director | |
| Jody Ryan | .... | second assistant director | |
Art Department | |||
| Bill Burd | .... | property master | |
| Ben Krakowsky | .... | props | |
Sound Department | |||
| Kevin Belen | .... | sound re-recording mixer | |
| Brian Campbell | .... | dialogue editor | |
| Jay Cheetham | .... | background sound editor | |
| Graham Crowell | .... | boom operator | |
| Hugo DeLaCerda | .... | sound re-recording mixer | |
| Greg Hannas | .... | boom operator | |
| Graeme Hughes | .... | sound re-recording mixer | |
| Kirby Jinnah | .... | sound supervisor | |
| Eric Lamontagne | .... | sound mixer | |
| Ryan Nowak | .... | sound designer | |
| Christopher M. Ray | .... | assistant sound re-recording mixer (as Chris Ray) | |
| Lisa Varetakis | .... | adr supervisor | |
| Andy Welker | .... | adr recordist | |
Visual Effects by | |||
| Nadine Blackler | .... | compositor | |
| Romald Geoffery | .... | visual effects | |
| Sean Gilhooly | .... | visual effects coordinator | |
| Adam Stern | .... | visual effects supervisor | |
| Brent Veal | .... | compositor | |
Stunts | |||
| Brett Armstrong | .... | stunt coordinator | |
| Katie Eischen | .... | stunt performer | |
| Marny Eng | .... | stunt double: Sam | |
| Ralph Eugster | .... | stunt truck driver | |
| Justin Riemer | .... | stunt performer | |
Camera and Electrical Department | |||
| T.C. Chapman | .... | gaffer (as Tracey Chapman) | |
| Kevin Fairbairn | .... | grip | |
| Robin Forst | .... | camera operator | |
| Nicholas McKenzie | .... | first assistant camera | |
| Tyler Olson | .... | best boy grip | |
| Michael Rich | .... | grip | |
| Jim Stacey | .... | camera operator | |
| Chris Tate | .... | key grip | |
| Aaron Von Hagen | .... | camera trainee | |
Costume and Wardrobe Department | |||
| Dorothy Amos | .... | costume designer: Ms. Hewitt | |
Editorial Department | |||
| Romald Geoffery | .... | colorist | |
| Romald Geoffery | .... | on-line editor | |
| Michael Levy | .... | colorist | |
| Brae Norwiss | .... | assistant editor | |
| Marshall Watson | .... | digital dailies editor | |
Music Department | |||
| Scott Schirle | .... | music editor | |
| Derek Syverud | .... | music editor (uncredited) | |
Transportation Department | |||
| Frank Guadagno | .... | driver: cast | |
| Kent MacDonald | .... | transportation coordinator | |
Other crew | |||
| Carolyn Adair | .... | stand in/double: Cybill Sheppard (as Caroline Matthews) | |
| Lukia Czernin | .... | production coordinator | |
| Chris Dow | .... | production assistant | |
| Michael Farias | .... | assistant location manager | |
| Les Ford | .... | computer playback designer | |
| Dan Hanks | .... | story investigator | |
| Sarah Harris | .... | production coordinator | |
| Tom Hoeverman | .... | location manager | |
| Colin House | .... | first assistant coordinator | |
| Alison Hunter | .... | script supervisor | |
| Lynn Josephson Delaney | .... | executive assistant to producer | |
| David Konkin | .... | production assistant | |
| Cathy Landry | .... | assistant production accountant | |
| Amanda Mason | .... | assistant to executive | |
| Darin Oishi | .... | production accountant | |
| Ron Pachkowski | .... | co-production coordinator | |
| Winona Sim | .... | playback coordinator | |
| Caroline Jaden Stussi | .... | stand-in for lacey | |
| Nicole Mak | .... | dailies film assistant: Deluxe Vancouver (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I'd definitely rate this movie as mediocre all around. I've seen stories like this all the time. So&So starts off doing something morally wrong for money to get out of debt or to buy something they desperately want, then by the time they're out of debt or have everything they wanted and are at a good stopping point, they're addicted to the money until the they hit a wall, like police arriving to arrest them. Stories like this are a dime a dozen, even Pepper Ann had a similar episode to this, involving using her friend as a slave to cut lawns for her, so she can use the money to buy roller-skates. I think even The Weekenders did an episode similar to this, involving selling cheaply made, yet over-priced slushys to people without a food serving license. It's a very old plot, whether this movie was based off a true story or not. As for the acting, Jennifer Love Hewitt and Cybil Shepard do their best, but the script is pretty bad. Also, this movie is TV-14 on Lifetime, so yeah, a lot of innuendo but nothing too bad.