The sequel to Yossi & Jagger finds Dr. Yossi Gutmann reminiscing about his love ten years after his death. However, as he encounters a group of young soldiers, one of them, Tom, reignites his romantic feelings.
After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
In Manhattan, filmmaker Erik bonds with closeted lawyer Paul after a fling. As their relationship becomes one fueled by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries while being true to himself.
Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have ... See full summary »
Pim, the emotionally abandoned and affection-starved young gay son of a small seaside town's resident floozy, grows up dreaming intensely of a loving father who will someday come for him, but never does. Frequently home alone, Pim often spends time at a neighbor's house where another single mom and her two teenage children accept him matter-of-factly. As Pim is about to turn 15, he and neighbor boy Gino become each other's friend-with-benefits, entering a period of sexual awakening together. Life, however, is all about change, and while Gino (a couple years older) is ready to move on and move out, Pim is not, leaving Pim behind to carry on with his continuing crush for Gino (while Gino's sister Sabrina develops an unrequited crush for Pim). Written by
The young Pim parts his hair on the left, contrary to Gino, who Pim has a crush on. The slightly older Pim now parts his hair on the right like Gino, with whom he has fallen unalterably in love. See more »
Pim's page with drawings of Gino on it changes between cuts. See more »
What are you thinking of?
You forgot to bring your tent.
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Dedicated to all the kids whose parents would not allow them the chance to take part in this film. It gets better. See more »
Written by music Cominotto
Performed by Adriano Cominotto See more »
In a movie that is about so little, attention to detail is important and in this one the director completely missed the boat. It opens quite nicely and even though it begins as a typical coming of age/coming out story, the cinematography promises something bigger. However the film never delivers. For starters the central character, Pim, has no personality. He is a complete dud. The director tries to show him interested in drawing, but Pim only does it occasionally and seems to have no passion in it whatsoever. The film also opens with Pim as a much younger kid who is somehow fascinated by his mother's beauty queen crown & sash, both of which he puts in a shoebox (the mother doesn't notice? doesn't care?). It is clear that the director is just accumulating things for Pim to put in his collection box, but with little reason to do so except fulfill a director's plot device at the end of a movie.
Although the actors do an admirable job, the film is just not very well conceived. The beginning has lots of quick cuts, that end abruptly & leave things unexplained, then the film ends with longer shots in which very little happens. Pim's love interest runs off with a girl, and then all of sudden he comes back....no explanation, no development of the characters means the viewer has no explanation for why things happen except that it's just a series of random events a director tried to string together. Beautiful Thing, Ma Vie En Rose, My Beautiful Laundrette....the list of films that explore the themes that this film only touches on is quite long & they do a much better job, so I don't really see any point to this one.
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