| Photos (See all 28 | slideshow) | Videos (see all 5) |
| Kevin Zegers | ... | Simon | |
| Keisha Castle-Hughes | ... | Jellyfish | |
| Amanda Plummer | ... | Helga | |
| Trevor Morgan | ... | Renfield | |
| Adelaide Clemens | ... | Ladybird | |
| Yû Aoi | ... | Mina | |
| Kristin Kreuk | ... | Maria Lucas | |
| Rachael Leigh Cook | ... | Laura King | |
| rest of cast listed alphabetically: | |||
| Jodi Balfour | ... | Michaela | |
| Ian Brown | ... | Jack Hales | |
| R. Nelson Brown | ... | Nick Williams | |
| Kyle Cameron | ... | Abbot King | |
| Samuel Patrick Chu | ... | Brian | |
| Dustin Eriksen | ... | Gargoyle | |
| Herod Gilani | ... | Eclipse | |
| Teach Grant | ... | Morgan Hoffman | |
| Chad Krowchuk | ... | Polidori | |
| Paul Piaskowski | ... | Gallows | |
| Mandy Playdon | ... | Stella Snyder | |
| Ryan Robbins | ... | Kevin Grant | |
| Klodyne Rodney | ... | Cashier | |
| Gerry Rousseau | ... | Scott Adams | |
| Gale Van Cott | ... | Nurse Ray | |
Directed by | |||
| Shunji Iwai | |||
Writing credits(in alphabetical order) | ||
| Shunji Iwai | written by | |
Produced by | |||
| Deboragh Gabler | .... | line producer | |
| Shunji Iwai | .... | producer | |
| Tim Kwok | .... | producer (as Siew-Loong Tim Kwok) | |
Original Music by | |||
| Shunji Iwai | |||
Cinematography by | |||
| Shunji Iwai | |||
Casting by | |||
| Brad Gilmore | |||
Production Design by | |||
| Alexandra Rojek | |||
Set Decoration by | |||
| Oscar Trainor | |||
Costume Design by | |||
| Tanya Lipke | |||
Makeup Department | |||
| Cindy Barlow | .... | key makeup artist | |
| Paula Demille | .... | key hair stylist | |
| Nikita Pennock | .... | swing hair/makeup | |
Production Management | |||
| Jocelyn Bishop | .... | second assistant production manager | |
| Eileen Hoeter | .... | production manager | |
| Naoko Iwai | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthias Mellinghaus | .... | first assistant director | |
| Dave T. Nall | .... | third assistant director | |
| Quincy Wheeler-Hendren | .... | second assistant director | |
Art Department | |||
| Kathryn He | .... | assistant property master | |
| Matthew Law | .... | on-set dresser | |
| Ron McCall | .... | property master | |
| Adrian Patterson | .... | lead dresser | |
Sound Department | |||
| Benjamin MacDonald | .... | sound mixer (as Ben McDonald) | |
| Brian Magrum | .... | adr mixer | |
| Koji Yamamoto | .... | foley artist | |
Special Effects by | |||
| Brant McIlroy | .... | special effects coordinator | |
| Katrina McIlroy | .... | special effects technician | |
| Martin Testa | .... | special effects assistant | |
Visual Effects by | |||
| Yuka Hosomi | .... | digital compositor | |
Stunts | |||
| Jeffery Ong | .... | stunt coordinator | |
| Chad Sayn | .... | assistant stunt coordinator | |
| Chad Sayn | .... | stunt rigger | |
| Maja Stace-Smith | .... | stunt double | |
Camera and Electrical Department | |||
| Ahmad Badawi | .... | lighting technician | |
| Brett Hill | .... | electrician | |
| Cliff Hokansen | .... | steadicam operator | |
| Rina Hoshino | .... | camera crew translator | |
| Masami Ishitsuka | .... | camera operator | |
| Masashi Ishizuka | .... | first assistant camera | |
| Hajime Kato | .... | digital imaging technician | |
| Prem Marimuthu | .... | gaffer | |
| Tyler Jinx Moore | .... | key grip | |
| Kôji Onomichi | .... | camera operator | |
| Nicholas J. Palfy | .... | grip intern | |
| Ronald Richard | .... | lighting technician | |
| Jan Wolff | .... | first assistant camera | |
Casting Department | |||
| Brandy Davis | .... | casting assistant | |
| Kyle Dean | .... | casting assistant | |
| Tiffany Mak | .... | casting associate | |
| Annette McCaffrey | .... | extras casting | |
Costume and Wardrobe Department | |||
| Brittany Elchuk | .... | assistant costume designer | |
| Brittany Elchuk | .... | set costumer | |
| Cassandra Marbach | .... | truck costumer | |
Editorial Department | |||
| Emiko Kagawa | .... | post production intern | |
| Nodoka Kato | .... | post-production consultant | |
| J. Kitazaki | .... | project manager: EFilm | |
| Nobuo Mita | .... | post production intern | |
| Leroy Wolf | .... | color timer | |
Transportation Department | |||
| Tony Boulter | .... | production driver | |
| Ben Liljedahl | .... | transportation captain | |
| Kent MacDonald | .... | transportation co-coordinator | |
| Rick MacKay | .... | transportation coordinator | |
| Ross Martin | .... | production driver | |
| Brian Mcrae | .... | driver: cast | |
| Peter Road | .... | production driver | |
| Rainer Scheelisch | .... | driver | |
| Lorraine Stomperud | .... | driver: cast | |
Other crew | |||
| Wendy L. Adjoury | .... | first assistant coordinator | |
| Frank Ciofitto | .... | key p/a | |
| Deb Cole | .... | product placement coordinator | |
| Dale Cornick | .... | production accountant | |
| Todd Daulby | .... | stand-in | |
| Rick Fearon | .... | location scout | |
| Olivia Gauer | .... | key p/a | |
| Weyen George | .... | key p/a | |
| Taro Goto | .... | english supervisor | |
| Stacey Harris | .... | production coordinator | |
| Eileen Hoeter | .... | finch wrangler | |
| Kirk Jarrett | .... | horse wrangler | |
| Krista Johnston | .... | clearances | |
| Fiona Kayitesi | .... | payroll accountant | |
| Maya Lim | .... | script supervisor | |
| Rhona Medina | .... | assistant to director | |
| Aki Mizuno | .... | assistant to director | |
| Kaity Muir | .... | production intern | |
| Matt Porter | .... | assistant to producer | |
| Tany Rangen | .... | assistant to producer | |
| Sandy Reynolds | .... | craft service | |
| Steve Sangster | .... | assistant location manager | |
| Katy Townsend | .... | researcher | |
| Linda Yip | .... | location manager | |
| Recent Posts (updated daily) | User |
|---|---|
| Yu Aoi role??? | acerk21 |
| DVD? | Raian-kun |
| Looking for a quote | misslethologica |
| Kristin Kreuk also on the cast!! | roswellxx3 |
| Working title is 'Vampire' | EatMorePez |
| Set pictures | Miamigirl |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is not a vampire flick. It shouldn't really be necessary to point this out, after all the summary makes it very clear. But it would seem that the reason for this film's overall cold reception is precisely that it doesn't feature supernatural, love-lorn beings to satisfy inhibited sexual desires of self-destruction. Rather, it presents an altogether uncomfortable view on real-life blood-thirst and a controversial look at suicidal obsession.
If you're familiar with Iwai's work, then neither the subject matter nor the style come as much of a surprise. Iwai's staple theme is alienated youth and the thin line between friendship and destruction. In 'All about Lily Chou-Chou', he explored bullying and underage prostitution against a backdrop of how virtual and real-life personalities differ, 'Swallowtail Butterfly' dealt with the ups and downs of a group of misfits bonding and betraying each other, and 'Hana & Alice' showed a close high-school-girl friendship with elements of rivalry over a particular boy.
'Vampire' follows a story which actually happened in Japan: a man convinces young women in suicide chat-rooms to die together with him, eventually tricking them so that he may consume their blood. The focus isn't so much on why he wants to do this (apart from ambivalent references to the quest for immortality), but rather why these women want to die - and this is where I see a continuity with Iwai's other work. It's not so much about the story itself, which takes somewhat unfathomable turns and ends up in a confusing mêlée, but rather the visuals, which create a mystified, surreal and at times even humorous perspective on death. The proverbial 'vampire' is actually seen as a perversion of this theme, which becomes obvious in a rather gory parody of the 'serial killer' image, complete with fangs and cape.
If you wonder what a Japanese film with American actors may look like, then this one may be very well for you. To me, it's been worthwhile just for seeing that the styles of Japanese cinema - character vagueness, visual rendition, and most of all quietness - can be translated into English rather well. However, if you really expect a vampire flick, better wait until the next 'Twilight' segment.