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Cinema Verite (2011)

TV-14 | | Drama | TV Movie 23 April 2011
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A behind-the-scenes look at the making of the first American family to be the subjects of a reality TV show.

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Nominated for 3 Golden Globes. Another 6 wins & 27 nominations. See more awards »

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Cast

Credited cast:
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Alan Raymond
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Michelle Loud
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Mary
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Lance Loud
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Val
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Kaye
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Cameron
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Candy
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Watchman
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Grant Loud
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Storyline

A behind-the-scenes look at the making of the first American family to be the subjects of a reality TV show.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

TV-14 | See all certifications »

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Release Date:

23 April 2011 (USA)  »

Also Known As:

Cinema Verite - Das wahre Leben  »

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1.78 : 1
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Did You Know?

Trivia

In scene when Lance Loud is on the phone with his family and reads a media description of himself and his "flamboyant, leech-like, homosexuality," that's a direct quote from article written back in the 1970s by Anne Roiphe in The New York Times. See more »

Goofs

The Louds' Mercedes has a California plate with the number style 1AAA000. These plates did not appear until 1980. See more »

Connections

Featured in The 63rd Primetime Emmy Awards (2011) See more »

Soundtracks

She Bought a Hat Like Princess Marina
Written by Ray Davies (as Raymond Douglas Davies)
Performed by Thomas Dekker
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User Reviews

 
Strong film about a documentary series that rocked the nation
16 December 2012 | by (US) – See all my reviews

Surprisingly successful HBO film, which takes on the tricky multi-layered task of making a fictionalized docudrama about the making of "An American Family" a 10 hour PBS documentary that was the direct forerunner the surreal and semi-real world of 'reality television' we know today.

James Gandolfini plays James Gilbert, who has the brilliant idea to study a 'typical' American Family on film, almost as if it were an archaeological document. But of course no family is 'typical' (particularly the upscale Loud family), and all sorts of sticky moral, ethical and cinematic walls are crashed into. How objective can a documentary really be? What is, or should be off-limits of a prying camera? How much do the personalities and needs of the film-makers effect the behavior and choices subjects, subtly or sometimes very dramatically?

It also explores questions about family, as did the original series, but with the value of the passage of years to give context and distance. What is normal? Who are the heroes and villains in the complexities of family life? Are things ever that simple? Why do so many of us want to be seen, known? Or at least think we do?

It's very impressive that an 86 minute film can address so many of these questions so intelligently, entertainingly, disturbingly and ultimately movingly. The acting is all solid, with Diane Lane giving what may be the most impressive performance of her career, disappearing into the role of Pat Loud, the confused, self-searching mother.

While one could validly argue that there was more to explore (e.g. why was this series such a phenomenon? Why are we so driven to watch the train wrecks of other's lives?) this film does a terrific job of self-awarely playing with multiple layers and meanings of 'reality'. Not least when we briefly see footage of the real family cut in. Not surprising from these filmmakers, who also played with various levels of drama vs. reality so well in "American Splendor".


5 of 6 people found this review helpful.  Was this review helpful to you?

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