For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt ...
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Trapped in a nightmare marriage, a woman contends with the deadly control of her husband in this edgy, psychological thriller - first falling in love with the man her husband assigns to ... See full summary »
Jake Scott Bailey
Big Fat Stone is a modern day tale about dreams coming true. It tells the story of Edward Rizzo: a homeless man who, simply by being at the right place at the right time, gets a chance at a... See full summary »
For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste's sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath's heart softens and his own sorrows find relief. Written by
After the first take of the scene where Henry Heath (John Freeman) roughly interrogates Jean Baptiste (David Stevens), Stevens, a "Method" actor angrily berated Freeman for not choking him hard enough. The second take had to be cut short when Stevens could not get out any lines because Freeman's choking was too effective. Stevens had to tap out rather than deliver his lines. "Turns out you can't say OK, OK, when a cowboy is really choking you" said Stevens. "From now on we will try acting". See more »
Just finished watching this movie at about 2:00 this morning. Despite the late hour and the approach of sleep, I had to check in here to see what the word was: three reviews. To be honest, I was surprised at how few people took the time to do more than punch in rating numbers. I was deeply moved by this story, and characters who seemed less like actors than real people from the period. Barry Corbin, long a favorite, was wonderful, as was Margot Kidder. Yes, it was generally slow moving, but oftentimes so is real life. Struggle, sadness and redemption don't come with explosions and car chases. And "westerns" needn't always come with blazing guns and fistfights. Moreover, most of us don't fall into categories of good or evil. Everyone in Redemption did what they thought was right, or at least necessary. I think these considerations will remain as images in my mind's eye for a long time. I liked, cared for and understood these people. They are us.
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