A frustrated circus magician from Kansas is transported to a magical land called Oz, where he will have to fulfill a prophecy to become the king, and release the land from the Wicked Witches using his great (but fake) powers.
A historical television series that focuses on the impact of the Underground Railroad during the 19th century, "Underground" offers viewers a message of social progress that's just as relevant in 2017.
Oscar Diggs ('James Franco'), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz. At first he thinks he's hit the jackpot-fame and fortune are his for the taking. That all changes, however, when he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone's been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity-and even a bit of wizardry-Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well. Written by
Walt Disney Studios Motion Pictures
Producer Joe Roth was intrigued by the prospect of exploring the origins of the Wizard of Oz character: "During the years that I spent running Walt Disney Studios, I learned about how hard it was to find a fairy tale with a good strong male protagonist. You've got your Sleeping Beauties, your Cinderellas and your Alices, but a fairy tale with a male protagonist is very hard to come by. But with the origin story of the Wizard of Oz, here was a fairy tale story with a natural male protagonist. Which is why I knew that this was an idea for a movie that was genuinely worth pursuing." Screenwriter Mitchell Kapner felt the same way about the character. See more »
When Oz is talking to Glinda about leaving and packing his bag, he puts the deck of cards into his bag and the table is mostly empty. Next shot the cards are laying on the table again. Finally, he picks the deck up for a second time and places them in the bag. See more »
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The opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
The visual effects are 2nd to none. Raimi and his team have given their audience a bright and colorful world of wonder in a much more 'wowing' Land of Oz than that of the original film, and possibly even one that's more visually attractive than any other film to date. A very fun and crafty Rachel Weisz takes the role of Evanora and grips the audience with charm and viciousness in all the right doses. The supporting cast also performs pretty well, sometimes capturing that original 'Wizard of Oz' magic.
Going into this film with high expectations for the dialogue, & acting is going to leave you very disappointed. Two of the most featured roles of the film, Oz (played by James Franco) & Theodora, (played by Mila Kunis) are surprisingly and inexcusably portrayed very poorly. Franco's Oz is written to be about how you would expect him to be - complete with charm, wit, & deceit. However, the depth that you would expect to come with such an anticipated resurgence of a character is missing, & you can tell that Franco is having trouble buying into the role himself. The character quickly becomes stale at about 45 minutes in, and doesn't ever fully recover. Kunis feels the same - bored & devoid of passion for the lackluster lines given to her. Her character also has an issue with development, and is rushed from high to low so quickly that the audience doesn't have the opportunity to invest in her. The performances aren't the worst thing you'll ever see, but the lifeless script & awkward dialogue make it hard to stay focused. Even with a great script though, I feel as though Franco & Kunis weren't the best choices for their respective roles.
The worst part of this movie is the story. It leaves you waiting for some kind of clever & unexpected plot twist, a little divulgence of the characters motivations, or even just some depth for the main focal points of the story. It's also somewhat obnoxious that this film takes elements of the original film that should have been left alone because the original film portrays Dorothy's entire journey as a dream in the end. (Such as transferring characters of "the real world" into characters of The Land of Oz) Without saying too much, I can tell you that this film is stuck somewhere between being a fun and family friendly revitalization of the original story and being a serious and intriguing fantasy film for a wide movie-going audience - and the formula just doesn't work.
Having said all of that, I do not regret having gone to see Oz: The Great and Powerful, as the visuals do a great job of making up for everything that didn't work. I will warn you though, that the films run time of just over two hours can be difficult to sit through at times. Don't be afraid to take a bathroom break when it gets dry, you probably won't miss too much.
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