In order to restore their dying safe haven, the son of Poseidon and his friends embark on a quest to the Sea of Monsters to find the mythical Golden Fleece while trying to stop an ancient evil from rising.
Brandon T. Jackson
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group of characters in order to save their world -- and ours.
Oscar Diggs (James Franco), a small-time circus magician with dubious ethics, is hurled away from dusty Kansas to the vibrant Land of Oz. At first he thinks he's hit the jackpot-fame and fortune are his for the taking. That all changes, however, when he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who are not convinced he is the great wizard everyone's been expecting. Reluctantly drawn into the epic problems facing the Land of Oz and its inhabitants, Oscar must find out who is good and who is evil before it is too late. Putting his magical arts to use through illusion, ingenuity-and even a bit of wizardry-Oscar transforms himself not only into the great and powerful Wizard of Oz but into a better man as well. Written by
Walt Disney Studios Motion Pictures
Early on, Oscar (Oz) makes mention of his shabby jacket. There is a famous story of how a shabby jacket was purchased at a used clothing store for use in The Wizard of Oz (1939) movie. It was later discovered (and confirmed) that the jacket was originally made for and owned by L. Frank Baum (the author of The Wizard of Oz). See more »
When Oz and Theodora are standing outside the waterfall, the string on her hat is alternately in front of her ear and behind her ear. See more »
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The opening credits are seen in a 1930s nickelodeon, with certain credits having their own qualities:
Beautiful yet vapid prequel to "The Wizard Of Oz" that is plague by not only by the numbers script but the questionable judgment of the people behind the scenes of the making of the film. The CGI effects are good and the characters created by those effects are cute but they are not strong enough to hide the films real problems. The script is so by the numbers that you can envision the twist and the ending five minutes into the film. Prequels are generally predicable because it set before the events of a prior movie but this film just did not have any originality to it and was just lazy in its set up. The script is not the only problem here; some of the casting is also off by a large margin as well. James Franco was not the first actor to be considered to play the character of Oscar Diggs but you can see a hundred better actors who could have done the role justice before you can ever think of Franco in the role and he does not disappoint in proving how miscast he is. Franco is terrible, so terrible that he is distracting to the film. He definitely does not care about his performance and it shows. Franco just swaggers in as if he is above the material and the actors around him while in reality, his performance is worse that the script of this film. Making his character so unlikable that you really do not want to watch or care about him. While Franco is in his own little world, Mila Kunis just looks lost in her performance. She is not believable as the wicked witch of the west and just comes across as lightweight compare to her sisters played by Rachel Weisz and Michelle Williams who are both much better actors than this film deserved. Weisz in particular gives the film's best performance because she at least makes an effort with the lazy script she has to work with and just has fun with it. Her character is the typical Disney villain but in Weisz's capable hands, she becomes more and that does translate on screen. You as an audience member are swept off your feet by Weisz's enthusiasm for her role and the movie becomes better off because of it. Williams does the same, making her sweet tooth character a joy to watch as well and brings a real sincerity to the role which is a god sent because of how insincere Franco is in his.
It is a beautiful movie and the CGI does not give you a headache but other those things and the efforts of Weisz and Williams, The movie has too many strikes against it thanks to the script and the miscasting of Franco and Kunis.
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